The Decibels and The Town Criers Bob Seger arrived on the Detroit music scene in 1961 fronting a three-piece band called the Decibels. The band included Seger on guitar, piano, keyboards, and vocals, Pete Stanger on guitar, and R.B. Hunter on drums. All of the members attended Ann Arbor High. The Decibels recorded an
acetate demo of a song called "The Lonely One", at
Del Shannon's studio in 1961. As well as being Seger's first original song, "The Lonely One" was Seger's first song to be played on the radio, airing once on an Ann Arbor radio station. In 2021, a recording of "The Lonely One" resurfaced, and was broadcast (with permission from Seger) twice on
WCSX-FM in Detroit. After the Decibels disbanded, Seger joined the Town Criers, a four-piece band with Seger on lead vocals, John Flis on bass, Pep Perrine on drums, and Larry Mason on lead guitar. The Town Criers, covering songs like "
Louie Louie", grew a steady following. Meanwhile, Seger was listening to
James Brown and said that, for him and his friends,
Live at the Apollo was their favorite record following its release in 1963. Seger was also influenced by the music of
The Beatles, once they hit American shores in 1964. In general, he and local musician friends such as
Glenn Frey (later a member of the
Eagles) bought into the premises of 1960s pop and rock radio, with its hook-driven hits; he later recalled himself and Frey thinking at the time, "You're nobody if you can't get on the radio." While with The Omens, Seger met his future manager
Edward "Punch" Andrews, who at the time was partnered with Dave Leone running the Hideout franchise, consisting of four clubs ranging from Clawson to Rochester Hills, where local acts could play, and a small-scale record label. Seger started writing and producing other acts that Punch managed, such as the Mama Cats and the Mushrooms (with Glenn Frey). Seger and Brown were then approached by Punch and Leone to write a song for the Underdogs, a local band who recently had a hit with "Man in the Glass". Seger contributed a song called "
East Side Story", which was unsuccessful. but went unnoticed almost everywhere else and failed to chart nationally in the US. The single did, however, make the Canadian national charts, peaking at . The second single was "
Ramblin' Gamblin' Man". It was a major hit in
Michigan, and became Seger's first nationwide hit, peaking at . Its success led to the release of an album in 1969. ''
Ramblin' Gamblin' Man went to on the Billboard'' pop albums chart. Glenn Frey got his first studio gig singing back-up and playing guitar on "Ramblin' Gamblin' Man". Seger was unable to follow up this success. For the next album, singer-songwriter Tom Neme joined The System, ultimately writing and singing the majority of the tunes featured, for which the group was heavily criticized.
Noah (1969) failed to chart, leading Seger to briefly quit the music industry to attend college. He returned the following year and put out the System's final album, 1970's
Mongrel, without Neme. Bob Schultz left as well, and was replaced by Dan Watson.
Mongrel, with the powerful single "
Lucifer", was considered a strong album by critics and fans, but failed to sell. The Bob Seger System was inducted into the Michigan Rock and Roll Legends Hall of Fame in 2006.
Solo After
Mongrel failed to live up to the success of ''Ramblin' Gamblin' Man
, The System disbanded. For a short time following the breakup, Seger had ambitions to be a one-man act. In 1971, he released a solo album, the all-acoustic Brand New Morning''. It was a commercial failure and led to his departure from Capitol. Having thus regained an eye for bands, According to Seger, there was a financial misunderstanding with the musicians: they offered to record him "for $1500 a side", which he took to mean $1500 per album side. When he found out that they meant $1500 per song, he left after recording three songs but resolved to work with them in the future. An instant best-seller in Detroit,
Live Bullet got attention in other parts of the country, outselling Seger's previous albums, received
progressive rock radio and
album-oriented rock airplay, and enabled Seger to headline shows. But there was still a popularity imbalance; in 1976, he was a featured performer at the
Pontiac Silverdome in metro Detroit in front of nearly 80,000 fans, but one night later played to fewer than a thousand people in Chicago. == Peak of success: 1976–1987 ==