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Buddhist caves in India

The Buddhist caves in India form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.

Architecture
Architectural elements are borrowed from: • Indian rock-cut architectureBuddhist temple architectureBuddhist architecture ==Early natural caves==
Early natural caves
, a retreat of the Buddha The earliest caves employed by humans were natural caves used by local inhabitants for a variety of purposes, such as shrines and shelters. Evidence suggests that the caves were first occupied and slightly altered during the Palaeolithic and Mesolithic periods, up to about 6000 BC, though the changes do not really amount to architecture. Early examples included overhanging rock, decorated with rock-cut designs. The Rock Shelters of Bhimbetka, a World Heritage Site, are located on the edge of the Deccan Plateau, where dramatic erosion has left massive sandstone outcrops. The area's many caves and grottos have yielded primitive tools and decorative rock paintings. During the time of the Buddha (c. 563/480 or c. 483/400 BCE), Buddhist monks were also in the habit of using natural caves, such as the Saptaparni Cave, southwest from Rajgir, Bihar. Many believe it to be the site in which Buddha spent some time before his death, and where the first Buddhist council was held after the Buddha died (paranirvana). The Buddha himself had also used the Indrasala Cave for meditation, starting a tradition of using caves, natural or man-made, as religious retreats, that would last for over a millennium. File:Meditation area, Griddhakuta Hill, Rajgir.jpg|A natural cave for meditation in Vulture Peak, one of the favourite abodes of the Buddha File:Indras Visit to Indrasala Cave - Schist - ca 2nd Century CE - Kushana Period - Loriyan Tangai - ACCN 5100-A23290 - Indian Museum - Kolkata 2016-03-06 1519.JPG|The Buddha meditating in the Indrasala Cave. 2nd-century CE relief from Loriyan Tangai, Gandhara File:The Visit of Indra to the Buddha in the Indrasaila cave near Rajagriha Sanchi Stupa 1Northern Gateway.jpg|The Visit of Indra to the Buddha in the Indrasaila cave. The Buddha is symbolized by his throne. Wild animal are depicted around the cave (Stupa 1 Northern Gateway, Sanchi. 1st century BCE/CE) Saru Maru transition as a prince in the natural cave of Saru Maru Natural caves continued to be used for a long time, and over a rather wide area, as shown by the Saru Maru caves (also known as Pangoraria or Budhani caves) in Madhya Pradesh. More than 45 rock shelters were found in the Pangaroria area, which is a Buddhist site with multiple stupas and dwellings. According to Gupta, the Saru Maru caves also display a certain level of man-made improvements, such as the creation of rock-cut steps and benches for monks. Alternatively, it has been suggested that the next stage of artificial caves building at Barabar was such a remarkable feat of engineering, with the use of large-scale polishing techniques without precedents in the history of India, that they were probably due to foreign influence, and derived from the stone-working techniques of the Achaemenids, having spread to India after the destruction of the empire by Alexander the Great in 330 BCE and the displacement of Persian and Perso-Greek artists and technicians. ==Artificial caves of Eastern India (3rd-2nd centuries BCE)==
Artificial caves of Eastern India (3rd-2nd centuries BCE)
In the 3rd century BCE Indian rock-cut architecture began to develop, starting with the already highly sophisticated and state-sponsored Barabar caves in Bihar, personally dedicated by Ashoka to the ascetic sect of the Ajivikas circa 250 BCE. The precise identity of the Ajivikas is not well known, and it is even unclear if they were a divergent sect of the Buddhists or the Jains. These artificial caves exhibit an amazing level of technical proficiency, the extremely hard granite rock being cut in geometrical fashion and polished to a mirror-like finish. The caves were carved out of granite, an extremely hard rock, then finished with a very nice polishing of the inner surface, giving a mirror effect of a great regularity, as well as an echo effect. This large-scale polish is reminiscent of polishing on smaller surfaces of the Maurya statuary, particularly visible on the pillars and capitals of the Ashoka pillars. Commenting of Mauryan sculpture, John Marshall once wrote about the "extraordinary precision and accuracy which characterizes all Mauryan works, and which has never, we venture to say, been surpassed even by the finest workmanship on Athenian buildings". This know-how seems to have disappeared again after the Maurya period, none of the later caves such as the Ajanta caves having this characteristic of polished surfaces. The very act of digging artificial caves in the rock, of which the Barabar caves represent the oldest case in India, was probably inspired by the caves dug in the rock of the Achaemenids, as is the case in Naqsh-e Rostam. File:Karan Chaupar cave.jpg|Karan Chaupar, volume plan (10.2x4.27m) File:Inscription of Karna Chaupar cave.jpg|Dedicatory inscription by Ashoka to the Ajivikas, in Karan Chaupar, Barabar caves. File:Karna Chopar cave inside view.jpg|Polished interior of Karan Chaupar Imperial sponsorship These remarkable caves were conceived under the Imperial sponsorship of Ashoka and his grandson Dasaratha Maurya. The cost involved in the rock-cutting and the refined polishing work was probably enormous, and was never replicated again in subsequent caves. Ashoka's inscription from Karna Chopar Cave does not mention the Ajivikas, and seems rather to refer to the Buddhist practice of retirement () during the rainy season. In addition, the inverted swastika with upward arrow at the end of the inscription would be more of a Buddhist character. It is therefore probable that this cave was planned for Buddhist monks. The affiliation of the last two caves to Buddhism would be coherent with the fact that the architecture of the gate of Lomas Rishi became a reference for the development of the Chaitya arch in Buddhist cave architecture for the following centuries, whereas the Hindus or the Jains caves essentially did not follow this architectural example. This would also mean that the decorated gate of Lomas Rishi was a Buddhist invention, which was emulated in Buddhist architecture in the following centuries. ==Artificial caves of Western India==
Artificial caves of Western India
After the Barabar caves, the earliest known rock-cut Buddhist monasteries date to the 1st century BCE in the Western Ghats in western India. First wave of construction (2nd century BCE- 2nd century CE) Probably owing to the 2nd century BCE fall of the Mauryan Empire and the subsequent persecutions of Buddhism under Pushyamitra Sunga, it is thought that many Buddhists relocated to the Deccan under the protection of the Andhra dynasty, thus shifting the cave-building effort to western India: an enormous effort at creating religious caves (usually Buddhist or Jain) continued there until the 2nd century CE, culminating with the Karla Caves or the Pandavleni Caves. The cave is exceedingly plain in style, and the remarkable rectangularity of all its parts, agree perfectly with what might be expected in a Vihara of the first or second century BCE. Its close family likeness to Cave No.12 at Ajanta and others at Bhaja and Kondane, all of the earliest age, suggest about the same date. As the Buddhist ideology encouraged involvement in trade, monasteries often became stopovers for inland traders and provided lodging houses along trade routes. Cave No.19 at the Nasik Caves has one inscription of king Krishna of the Satavahanas, which is the oldest known Satavahana inscription, dated to 100-70 BCE File:094_Cave_12,_Vihara_Cells_(34123037202).jpg|Cave 12 in Ajanta, another early vihara with monk cells. Ajanta Cave 12 plan.jpg|Plan of Cave 12 in Ajanta. Each cell has two stone beds. Nasik Cave 19 half flower design.jpg|A halk-flower medallions design on a pillar of Cave No.19, typical of early designs such as those of Sanchi. File:Inscription Cave 19 Nasik.jpg|Kanha inscription of cave No.19 (located on the upper sill of the right window). The earliest rock-cut chaityas, similar to free-standing ones, consisted of an inner circular chamber with pillars to create a circular path around the stupa and an outer rectangular hall for the congregation of the devotees. Over the course of time, the wall separating the stupa from the hall was removed to create an apsidal hall with a colonnade around the nave and the stupa. The chaitya at Bhaja Caves is perhaps the earliest surviving chaitya hall, constructed in the second century BCE. It consists of an apsidal hall with stupa. The columns slope inwards in the imitation of wooden columns that would have been structurally necessary to keep a roof up. The ceiling is barrel vaulted with ancient wooden ribs set into them. The walls are polished in the Mauryan style. It was faced by a substantial wooden facade, now entirely lost. A large horseshoe-shaped window, the chaitya-window, was set above the arched doorway and the whole portico-area was carved to imitate a multi-storeyed building with balconies and windows and sculptured men and women who observed the scene below. This created the appearance of an ancient Indian mansion. ;Maturity , Maharashtra, India, 1st century CE. As mercantile and royal endowments grew, cave interiors became more elaborate, with interior walls decorated in paintings, reliefs, and intricate carvings. Numerous donors provided the funds for the building of these caves and left donatory inscriptions, including laity, members of the clergy, government officials, and even foreigners such as Yavanas (Greeks) representing about 8% of all inscriptions. The Indo-Scythian dynasty of the Western Satraps too sponsored numerous Buddhist caves, as seen from their dedications at Karla Caves, Manmodi Caves or Nasik Caves. The Great Chaitya of the Karla Caves, the largest in South Asia, was constructed and dedicated in 120 CE by the Western Satraps ruler Nahapana. When the Satavahanas recovered lost territory from the Western Satraps, they again pursued construction efforts as seen in Nasik Caves and Kanheri Caves. Although many temples, monasteries and stupas have been destroyed, by contrast cave temples are very well preserved as they are both less visible and therefore less vulnerable to vandalism as well as made of more durable material than wood and masonry. There are around 1200 cave temples still in existence, most of which are Buddhist. The residences of monks were called Viharas and the cave shrines, called Chaityas, were for congregational worship. The earliest rock-cut garbhagriha, similar to free-standing ones later, had an inner circular chamber with pillars to create a circumambulatory path (pradakshina) around the stupa and an outer rectangular hall for the congregation of the devotees. ==Gallery==
Gallery
File:Meditation caves above Dhankar Gompa.jpg|Meditation caves above Dhankar Gompa File:010 Cave 3, Exterior (33156264563).jpg|Gautamiputra vihara at Pandavleni Caves built in the 2nd century CE by the Satavahana dynasty File:Bhutalinga caves chaitya.jpg|Manmodi Caves in Junnar, 2nd century CE File:Nasik Cave 18.jpg|Chaitya facade at Pandavleni Caves File:2nd to 7th-century Siyot Caves, Atdo Kutch, Gujarat 064.jpg|Siyot Caves - Kutch, Gujarat - 2nd century CE Second wave of cave construction (5th-6th century CE) , circa 480 CE The construction of caves would wane after the 2nd century CE, possibly due to the rise of Mahayana Buddhism and the associated intense architectural and artistic production in Gandhara and Amaravati. A period of intense building activity at this site occurred under the Vakataka king Harisena between 460 and 478 A profuse variety of decorative sculpture, intricately carved columns and carved reliefs are found, including exquisitely carved cornices and pilaster. Cave 26, Ajanta.jpg|The Ajanta Caves are 30 rock-cut Buddhist cave monument built under the Vakatakas File:Ajantha1.jpg|Some of the 29 Ajanta Caves File:061 Cave 4, Side View (34280359075).jpg|A monastery, or vihara, with its square hall surrounded by monks' cells. Ajanta Caves, no. 4 ==References==
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