Rosella Elanor Lafevre praised the book in a review for the
Philadelphia magazine, writing:It's a captivating story that I tore through in two days. There are moments that inspire riotous laughter and quiet awe, and some that will make your skin crawl. It gives as much proof to the importance of hard-working reporters in a one-party town as it does the importance of chasing your dreams, even when they seem preposterous.In the May 23, 2014, edition of the
New York Times' Sunday Book Review,
Charles Graeber offered this short take on the book:This is a shoe-leather journalistic procedural set against the ticking clock of the failing newspaper industry. The book is sometimes a bit self-conscious about its buddy movie potential, but it's impossible not to root for the self-described "slime sistas" as they follow up on a series of tips about a Philly police squad that regularly robbed immigrant-owned bodegas, and a badge-wielding sexual predator known only as "the Boob Man."
The Washington Post's Melinda Henneberger compared the two women to
Thelma and Louise in a story appearing in the April 2, 2014, edition of the newspaper's style section:The new book... is the chick, noir version of ''All the President's Men
, with a little Rocky
, a little Deadline U.S.A.
and a little almost anything with Rosalind Russell or Barbara Stanwyck.Many have compared Ruderman and Laker to Bob Woodward and Carl Bernstein, the journalists behind Watergate and co-authors of All the President's Men. In a column for the Columbia Journalism
review, Anna Clark draws similar parallels:The effect is a little jarring for a co-written book, but it does have the immediacy that comes with first-person narrative, while avoiding the flattening effect of a "we" voice stretching for hundreds of pages. (For the record, Woodward and Bernstein in All The President's Men'' opted for a third-person narrator who knows the reporters' thoughts, a choice that comes with its own idiosyncrasies: " 'Oh god, not Bernstein,' Woodward thought ...") == TV series ==