Standing centrally on the priory's northern precinct boundary, the gatehouse was built in the early 14th century to provide a grand entrance and to accommodate important visitors. Substantially original, it is called one of the finest examples of
Decorated Gothic architecture in Suffolk, and one of the most complete and interesting monastic entrances surviving. Its exuberant
flint flushwork is the first blossoming of that technique, later so widespread in East Anglian religious architecture, and its
heraldic display was ambitious in content and architecturally innovative. The impressive
rib-vaulted central entrance passage and side chambers dictated the need for large external buttresses. A
portal between the temporal and cloistered worlds, the Gatehouse was in its time a prestigious addition to the priory, and remains a monument to the priory itself and to the taste and resources of its patron. It also attracted some distinguished visitors.
The architecture The gateway consists of a central block of about 31 by 37 feet (external), the whole internal space (some 22 by 30 feet) forming a rib-vaulted passageway of two bays running longitudinally with a great chamber above. The north (external) entrance has a larger arch to the west for visitors riding on horseback and for vehicles, and a smaller entry beside it for pedestrians, and had wooden gates. The south entrance has a single central arch. The north and south walls rise to high gables. This structure is flanked by two equal blocks some 23 feet east and west (external) containing side chambers about 18 feet square internally, with rib vaults supporting domed brickwork ceilings, and with upper rooms. They stand to the north: the south end of the central block projects. Their walls were probably
crenellated and their roofs crossed into the central roof. The central passage floor level was about 6 inches below present ground level, and that of the side chambers lower. Two smaller tower blocks some 13 foot square (external) extend to the north, each with one side wall angled out to flare away from the piers of the gateway arches. These gave admission through two half-arches braced against the piers. Very large angled buttresses project from every external corner of the building and rise to the upper storey. All is of one construction. The exterior decorative work covers the whole of the north and south gabled frontages and the faces of the north towers, in a dramatic scheme integral to the proportions of the building. The upper chamber over the main entrance has on both fronts a single tall arched window of pierced stone tracery: a central
mullion branches to form two equal cusped
ogee arches supporting a circular member in the head of the main window arch, intersected by a sigmoid curve in the north side and by a
triskele device in the southern window. Externally this appears (on both fronts) as the central window in an arcade of three equal arches filling the breadth of the wall. The outer arches are executed in
blind flushwork tracery: those of the north front both have a fourfold division of the upper circle, but with opposing or mirrored rotation. On the south front the flushwork tracery represents windows with paired mullions branching into a lattice of cusped
quatrefoils above. The tracery is reserved in freestone and infilled with carpets of neatly squared flints which shimmer in sunlight. Beneath this the south front has a shallow flushwork frieze of cusped arches or canopies with
crocketed
pinnacles, and in the gable above is the imitation of a rose window of wheel type. The north towers beside the entrance also have blind tracery, and the two inner buttresses, which face forward, have
niches to contain statues which are lost. A figure is shown in the west niche in Buck's engraving. These linked thematically with sculptures in the three niches set up in the north gable, the central figure there presumably being
St Mary (to whom the priory was dedicated). Framed by this devotional tableau, the
armorial display spreads across the whole width of wall above the entry archways. In five rows each of fourteen chequered squares, 35 shields of arms carved in high relief, with whimsical figures and
grotesques crowding into their surrounds, alternate with carved
fleurs-de-lys set into flushwork panels. Sir
James Mann identified the upper row as showing (1) The
Holy Roman Empire, (2)
France, (3)
St Edmund's Bury, (4)
Christ's Passion, (5)
England (before it became quartered with France in 1340), (6)
Léon and Castile, and (7) Hurtshelve. In the second and third rows are English baronial families and in the fourth and fifth are East Anglian gentry. The chequered arrangement is echoed in flushwork on the slanting sides of the adjacent towers, laid upright to the east and as
lozenges to the west. Caröe noted the distinctively French carving of the
string course above the heraldry. The final component of the decorative scheme occupied the space above the pedestrian arch, the lesser of the two entrance gates. In a field of flushwork tracery, a
cinquefoil surrounds a single carved presentation of the arms of Sir Guy Ferre the younger. Where these arms are recited in the
Galloway Roll (c.1300) it is specified that they are for Guy Ferre "the nephew". The baton is for
difference from another Guy Ferre who bore the plain coat, and died probably in 1303.
The patron Sir Guy Ferre the younger acquired the manor of Benhall with its patronage of Butley Priory and Leiston Abbey in or soon after 1290 (confirmed 1294), from Sir Nicholas de Crioll. He had trouble with poachers there in 1292. He had held this title (as from the
Honour of Eye) for more than 10 years when de Crioll's death in 1303 prompted his widow Margery (daughter of Sir Gilbert Pecche (died 1291), patron of
Barnwell Priory), who remarried, to assert her right in dower, and she for herself and her heirs quitclaimed it to Sir Guy for £100 in 1304. Between 1292 and 1303 the priory asserted its rights in its benefice in the
City of London, the advowson of
St Stephen, Coleman Street. The early career of Sir Guy Ferre, which began in accompanying
Prince Edmund to the Holy Land in 1271, and entering service in the household of the dowager Queen
Eleanor of Provence, to whom he became steward and lastly
executor, is usually taken to refer to Sir Guy the elder. It is uncertain whether he, or the younger Sir Guy, was the
magister to
Prince Edward, or who in 1295 was "staying continually in the company of Edward the king's son by the king's special order." Guy the younger, who was not of English birth, was in Gascony with Edward I in 1286-89 while the king was reorganizing the administration of his
Duchy of Aquitaine. Edward granted him the remainder of
Gestingthorpe, Essex, held by Gilbert Pecche, in 1289, and in 1298-99 he served as royal Lieutenant of the Duchy, with possession and use of its Seal. Following Edward II's accession, from March 1308 to September 1309 as Seneschal of Gascony he implemented mandates to resist
Philip IV's subversion of English rule. At this time,
Ascensiontide 1308, he associated his wife Elianore in the Benhall title, with named remainders in default of issue. Sir Guy became a trusted ducal commissioner through the Process of Périgueux (a negotiation to end French encroachment in Gascony), though recalled for some months in 1312 to help release the king from the
Ordinances of 1311. Following the murder of the Seneschal
John Ferrers in late 1312 Ferre was instructed to remain in Gascony to invest and assist his successor. A year later he returned to England, apparently for three years. Gilbert Pecche, Margery de Crioll's half-brother, was Seneschal in Gascony when, in 1317, Ferre was sent to
John of Brittany, king's Lieutenant in Gascony, then negotiating for the ransom of
Aymer de Valence. In 1320 he was bidden to assume a place in the royal retinue at
Amiens, where Edward paid
liege homage to
Philip V for the Duchy of Aquitaine. Sir Guy died without heir male in 1323 and (as stipulated in the 1289 grant of Gestingthorpe) his manors, except his entails of 1308, passed by reversion or escheat. But as Elianore Ferre held Benhall with him jointly, it remained wholly to her for her life under the Honour of Eye. An example of her personal
seal survives, attached to a document issued from Benhall in 1348. Her name inscription surrounds a shield bearing arms of Guy Ferre the younger
impaled with a coat
blazoned by
Robert Glover for "Mountender", and by Charles Segoing (a French herald of the 17th century) for a family of the township of
Montendre in the
Saintonge frontier of English Aquitaine. Two
wyverns support the shield, as in the Butley armorials. ==Priors and patrons, 1300-1483==