Box office The film's release was previously set for December 5, but hoping to gain a competitive edge amid a crowded playing field, Focus Features shifted the release date to November 1, believing the new date was ideal to launch a platform release in the awards season, Because the film was an awards contender, Focus set the date in November for an Oscars strategy like that for 2013 Oscar winner
Argo, which was released in October 2012. Over its opening weekend from November 1–3 of limited release in
Los Angeles,
New York,
Toronto and
Montreal, the film grossed $260,865 from 9 theaters with an average of $28,985 per theater, In second weekend from November 8–10, film grossed $638,704, making total of $993,088 with an average amount of $18,249 from 35 theaters. and the nomination ballots for the
Golden Globe Awards were mailed to the
Hollywood Foreign Press Association members on or before November 27.
71st Golden Globe Awards were announced on January 12, 2014, with Dallas Buyers Club winning both of its nominations, and the film earned six 86th Academy Awards nominations that were announced on January 16. The twelfth weekend after limited release, the film's theater run jumped from 125 screens to a total of 419 and the film grossed $17,813,220 with an average of $2,246 per theater from January 17–19. After the
20th Screen Actors Guild Awards were announced on January 18 with Dallas Buyers Club winning two of its three nominations, during the thirteenth weekend from January 24–26, 2014, the film expanded to 1,110 locations (highest playing of the film) and grossed $2,028,570 more in that weekend with an average of $1,828. After a total of 182 days, the film ended its American theatrical run on May 1, 2014, with a gross of $27,298,285 in North America. It grossed $27,900,000 in foreign countries including $8,755,794 of the United Kingdom, $2,761,258 of Australia, making a worldwide total gross of $55,198,285. (particularly for McConaughey and Leto), screenplay and direction.
Richard Corliss of
Time considered McConaughey's portrayal to be a "bold, drastic and utterly persuasive inhabiting of a doomed fighter", remarking that "if the camera occasionally suffers a fashionable case of the jitters, the movie transcends its agitated verismo to impart dramatic and behavioral truth". Chris Bumbray reviewed the film for
JoBlo.com and gave it 9 out of 10, and said, "Like Woodroof, the film never wants your pity, and while tears will no doubt be shed while watching it, they're well-earned."
The Philadelphia Inquirers
Steven Rea talked about McConaughey's role, "Just about everything is right with
Dallas Buyers Club, beginning with Matthew McConaughey's literally transformative portrayal. McConaughey's performance isn't just about the weight loss. It's about gaining compassion, even wisdom, and it's awesome."
Mick LaSalle of the
San Francisco Chronicle said, "Dallas Buyers Club" takes audiences back to the worst of the AIDS crisis, where the disease was a death sentence, and the public's terror and hostility were at its height." Film critic
Richard Roeper reviewed the film for his own website, and talked about McConaughey: "Once we get past McConaughey's stunning transformation, we're transfixed by a performance that reminds us of why this guy became a movie star in the first place." Ann Hornaday gave the film 4 out of 4 ratings for
The Washington Post, writing, "McConaughey delivers the performance of his career, characterized not just by an astonishing physical transformation but by a wellspring of deep compassion and fearlessness." The
Orange County Registers film critic
Michael Sragow gave the film grade "A" and commented on three lead characters, "A trio of terrific performers imbues a riveting AIDS drama with heart and mind as well as pertinence." Film critic
Ty Burr of
The Boston Globe wrote, "The movie's often touching and very watchable, but what gets you past the script's sincere calculation is the growing sense of rage toward a
medical–industrial complex that saw AIDS sufferers as guinea pigs and sources of profit." The
Chicago Tribunes film critic
Michael Phillips wrote, "How Woodroof became his own brand of AIDS activist is the stuff of
Dallas Buyers Club, which does a few things wrong but a lot right, starting right at the top with McConaughey."
Bob Mondello criticized the film's main character for
NPR in these words: "Dallas Buyers Club is just about a selfish boor who arguably gets a pass in terms of posterity, because while looking out for No. 1, he paved the way for change for everyone else."
Dana Stevens of
Slate praised McConaughey's performance, highlighting that the movie "traffics in deep hindbrain emotions: fear and rage and lust and, above all, the pure animal drive to go on living."
A. O. Scott reviewed the film for
The New York Times and said, "Matthew McConaughey brings a jolt of unpredictable energy to
Dallas Buyers Club, an affecting if conventional real-life story of medical activism."
The Wall Street Journals film critic wrote, "Matthew McConaughey continues to amaze."
David Denby of
The New Yorker talked about McConaughey's physical transformation in his words, "It's McConaughey's spiritual transformation that is most remarkable. His gaze is at once desperate and challenging."
Rolling Stone's
Peter Travers said, "[Matthew McConaughey's] explosive, unerring portrayal defines what makes an actor great, blazing commitment to a character and the range to make every nuance felt." Film critic
Rex Reed reviewed the film for
The New York Observer and wrote, "Dallas Buyers Club represents the best of what independent film on a limited budget can achieve-powerful, enlightening and not to be missed."
TheWraps
Alonso Duralde wrote, "McConaughey is the only reason to see
Dallas Buyers Club, but he's enough of a reason to see
Dallas Buyers Club." Film critic Betsy Sharkey reviewed for the
Los Angeles Times, "[McConaughey and Leto] elevate the movie beyond ordinary biography or overplayed tragedy, and give Oscar-worthy performances in the process." Sharkey was especially complimentary to Leto, writing, "Leto's performance, though, is the revelation. ... It's a hauntingly authentic performance; the tailored suit he puts on to meet with his disapproving father is one of the film's most moving scenes." Peter Debruge of
Variety said, "Matthew McConaughey and Jared Leto give terrific performances in this riveting and surprisingly relatable true story." Leto's portrayal of Rayon, a drug-addicted
trans woman with
AIDS who befriends McConaughey's character Ron Woodroof, received critical acclaim. A guest blogger published on the
Los Angeles Times website compared the issue to white actors
appropriating, and exploiting, the roles of
East Asians and
Africans in the past;
Accolades Dallas Buyers Club received six nominations at the
86th Academy Awards:
Best Picture,
Best Actor for McConaughey,
Best Supporting Actor for Leto,
Best Original Screenplay,
Best Film Editing for Martin Pensa and Vallée (Vallée being credited under the pseudonym "John Mac McMurphy"), and
Best Makeup and Hairstyling for Adruitha Lee and Robin Mathews. McConaughey and Leto won Academy Awards for Best Actor and Best Supporting Actor, respectively – the first film since
Mystic River 10 years earlier to receive
both awards and only the sixth overall to do so. Lee and Mathews won the
Best Makeup and Hairstyling, although Mathews had a budget of only $250. The film received two
Screen Actors Guild Awards, for
Best Actor (McConaughey) and
Best Supporting Actor (Leto); it was also nominated for
Best Cast. At the
71st Golden Globe Awards McConaughey and Leto again won
Best Actor – Motion Picture – Drama and
Best Supporting Actor – Motion Picture respectively. The film was also nominated for
Best Original Screenplay at the
Writers Guild of America Awards, while Leto's performance won a range of awards from critics groups, including the
New York Film Critics Circle and the
Los Angeles Film Critics Association. The
National Board of Review named
Dallas Buyers Club one of the top ten independent films of 2013. ==Historical accuracy==