Allusions to Cain and Abel as an
archetype of
fratricide appear in numerous references and retellings, through
medieval art and
Shakespearean works up to present day fiction. The
serpent seed explanation for Cain being capable of murder is that he may have been the offspring of a
fallen angel or
Satan himself, rather than being from Adam. A treatise on
Christian Hermeticism,
Meditations on the Tarot: A Journey into Christian Hermeticism, describes the biblical account of Cain and Abel as a myth, in that it expresses, in a form narrated for a particular case, an "eternal" idea. It argues that brothers can become mortal enemies through the very fact that they worship the same God in the same way. According to the author, the source of religious wars is revealed. It is not the difference in dogma or ritual which is the cause, but the "pretention to equality" or "the negation of hierarchy." There were other, minor traditions concerning Cain and Abel, of both older and newer date. The apocryphal
Life of Adam and Eve tells of
Eve having a dream in which Cain drank his brother's blood. In an attempt to prevent the prophecy from happening the two young men are separated and given different jobs.
Cultural references Like other prominent biblical figures, Cain and Abel appear in many works of art, including works by
Titian,
Peter Paul Rubens and
William Blake. Multiple plays allude to the story. In
William Shakespeare's
Hamlet, the characters
King Claudius and
King Hamlet are parallels of Cain and Abel.
Lord Byron also rewrote and dramatized the story in his own play
Cain (1821), viewing Cain as symbolic of a
sanguine temperament, provoked by Abel's hypocrisy and sanctimony. The 2008 Danish stage play discusses and reenacts various
Biblical stories, including Abel's murder by Cain. Many novels feature the characters or are closely based on them.
Miguel de Unamuno's 1917 novel
Abel Sánchez: A Story of a Passion is a re-telling of the Cain and Abel story.
John Steinbeck's 1952 novel
East of Eden (also a
1955 film) refers in its title to Cain's exile and contains discussions of the Cain and Abel story which then play out in the plot.
James Baldwin's 1957 short story, "
Sonny's Blues", has been seen as alluding to the Cain and Abel story. Author
Daniel Quinn, first in his novel
Ishmael (1992) and later in
The Story of B (1996), proposes that the story of Cain and Abel is an account of early Semitic herdsmen observing the beginnings of what he calls totalitarian agriculture, with Cain representing the first 'modern' agriculturists and Abel the
pastoralists.
José Saramago's 2009 novel
Cain (novel) is a ironical re-telling of Cain's history. They have also featured in television series and, allegorically, in film. In
Dallas (1978),
Bobby and
J.R. Ewing have been described as variations of Cain and Abel. More direct references include the appearance of
Cain and
Abel as characters in
DC Comics since the 1950s. In 1989,
Neil Gaiman made the two
recurring characters in his graphic novel series
The Sandman. In
Darren Aronofsky's
allegorical film
Mother! (2017), the characters "oldest son" and "younger brother" represent Cain and Abel. The
Bruce Springsteen song "
Adam Raised a Cain" (1978) invokes the symbolism of Cain. It is also the title of a season 2 episode of
Terminator: The Sarah Connor Chronicles. American heavy metal band
Avenged Sevenfold has a song called "
Chapter Four" (2003) which is based on the story of Cain and Abel. American heavy metal band
Danzig has a song named "
Twist of Cain" which lyrically is inspired by the story of Cain and Abel. British rock band
Oasis has a song written by frontman
Liam Gallagher called "
Guess God Thinks I'm Abel", a reference to his infamously tempestuous relationship to brother and bandmate
Noel Gallagher. == See also ==