Stage Channing was introduced to the stage while helping her mother deliver newspapers to the backstage of theatres. Her first job on stage in New York City was in
Marc Blitzstein's
No for an Answer, starting January 1941, at the Mecca Temple (later
New York City Center). She was 19. She moved to Broadway for ''
Let's Face It!, where she was an understudy for Eve Arden, who was 13 years older than Channing. Much later, in 1966, Arden was hired for the title role in Hello Dolly! in a road company when Channing left to star in the film Thoroughly Modern Millie''. Channing won the
Sarah Siddons Award for her work in Chicago's theatres in 1966 (Eve Arden won the next year). in
Gentlemen Prefer Blondes (1949) Five years later, Channing had a featured role in
Lend an Ear (1948), for which she received her
Theatre World Award and launched her as a star performer. She credited illustrator
Al Hirschfeld for helping make her a star when he put her image in his widely published illustrations. She said that his drawing of her as a
flapper was what helped her get the lead in her next play, the
Jule Styne and
Anita Loos musical
Gentlemen Prefer Blondes. From that role, as Lorelei Lee, she gained recognition, with her signature song from the production, "
Diamonds Are a Girl's Best Friend," among the most widely known. In January 1950,
Time magazine ran a cover story about her becoming a new star on Broadway, followed by cover stories in
Life magazine in 1955 and 1964. In 1956, Channing married her manager and publicist Charles Lowe. During the 1950s, he produced the
Burns and Allen comedy show, which starred
George Burns and
Gracie Allen. In 1961, Channing became one of the few performers nominated for a
Tony Award for work in a revue (rather than a traditional book musical); she was nominated for
Best Actress in a Musical for the short-lived revue
Show Girl. '' (1964) Channing came to national prominence as the star of
Jerry Herman's
Hello, Dolly! (1964). Her performance as Dolly Levi won the Tony Award for Best Actress in a Musical. She recalled that playwright
Thornton Wilder so loved the musical, which was based on his play,
The Matchmaker, that he came once a week. She was a favorite of
Lady Bird Johnson, who once gave her a huge bouquet after a show. In 1967, she also became the first celebrity to perform at the
Super Bowl halftime show. The old-fashioned plot of
Hello, Dolly, when first described, might seem uninspired, says columnist
Dick Kleiner: The show had first opened on Broadway on January 16, 1964, and by the time the show closed in late December 1970, it had become the longest-running musical in Broadway history, with nearly 3,000 performances. Besides Channing, six other stars played the title role during those seven years:
Ginger Rogers,
Martha Raye,
Betty Grable,
Pearl Bailey,
Phyllis Diller and
Ethel Merman. '' (1973) Al Hirschfeld's illustration of her was printed on the front page of the "Sunday Theatre" section of
The New York Times. She felt that this image captured the essence of her character, having posited in writing, "How did the great Hirschfeld know precisely what I was thinking? ... To be Hirschfelded is an eerie experience. You better not have anything to hide, because he'll expose it like a neon sign" ... She later appeared in the movie biography about his life,
The Line King, in 1996. Channing reprised her role of Lorelei Lee when the musical
Lorelei, directed by
Robert Moore and choreographed by Ernest O. Flatt, premiered in 1973 at the Oklahoma City (6000 seat) Civic Center Music Hall and broke all box office records after six days' worth of performances sold out within 24 hours. To commemorate this record event, the street running in front of the Music Hall was renamed Channing Square Drive in her honor. Also in the cast were
Peter Palmer,
Brandon Maggart,
Dody Goodman, and
Lee Roy Reams. For nearly a year, the stage musical then toured 11 cities across the country.
Lorelei had earned a hefty profit by the time it opened on Broadway at the
Palace Theatre on January 27, 1974, and ran for a total of 320 performances. Channing also appeared in two New York City revivals of
Hello, Dolly!, and toured with it extensively throughout the United States. She performed songs from
Hello, Dolly during a special television show in London in 1979.
Film Channing also appeared in a number of films, including
The First Traveling Saleslady (1956), in which she gave future star
Clint Eastwood his first onscreen kiss; the cult film
Skidoo; and
Thoroughly Modern Millie (starring
Julie Andrews,
Mary Tyler Moore,
John Gavin, and
Beatrice Lillie). For
Millie she received a nomination for the
Academy Award for Best Supporting Actress, and was awarded a
Golden Globe Award for Best Supporting Actress – Motion Picture. Channing said she was especially grateful to Andrews for helping her develop her character: "She will forever be my angel," she says. Due to her success on Broadway in
Hello Dolly! and her co-starring role in
Thoroughly Modern Millie, Channing attracted the attention of
Lucille Ball and
Desi Arnaz, who were interested in starring her in a sitcom. Directed and produced by Arnaz and written by
Bob Carroll Jr. and
Madelyn Davis (who co-wrote
I Love Lucy and
The Lucy Show),
The Carol Channing Show starred Channing as Carol Hunnicut, a small-town girl trying and failing to make it in New York City show business. Character actors
Richard Deacon and
Jane Dulo were in the supporting cast. The pilot was filmed in front of a live audience (with a laugh track added) at
Desilu in 1966 but did not sell as a series. in 1973 During her film career, Channing also made some guest appearances on television sitcoms and talk shows, including ''
What's My Line? where she appeared in 11 episodes from 1962 to 1966. Channing did voice-over work in cartoons, most notably as Grandmama in an animated version of The Addams Family'' from 1992 to 1995.
Television During most of her career, Channing was asked to perform in various skits or appear as a guest on regular shows. In the 1960s, she was on
The Andy Williams Show. In 1974, she participated in the television special
Free to Be... You and Me, based on Marlo Thomas' best-selling album of 1972, in which Channing also appeared.
Free... won the
Emmy Award for Outstanding Children's Special and
The Peabody Award. In 1980, she guest starred on
The Muppet Show where she participated in several skits, performed a medley of Jeepers Creepers, and sang her signature song, Diamonds are a Girl's Best Friend, as a duet with
Miss Piggy. In 1985, she played the role of the White Queen in the television special
Alice in Wonderland. In 1986, Channing appeared on
Sesame Street and sang a parody of the song "
Hello, Dolly!" called "Hello, Sammy!", a love song being sung by Carol to a character known as Sammy the Snake (as voiced by
Muppets creator
Jim Henson). Carol, in this parody segment, serenades Sammy telling him just how much she loves and adores him while Sammy coils himself around Carol's arms. Carol's song includes lyrics such as: "So..turn on your charm, Sammy/Coil yourself around my arm, Sammy/Sammy the Snake, I'll stake a claim on you". Songwriter
Jule Styne, who wrote the score for
Gentlemen Prefer Blondes, invited her on his television special in 1987 where she performed another one of her signature songs, "Little Girl from Little Rock". In 1993, she poked fun at herself in an episode of
The Nanny. The episode "Smoke Gets in Your Lies" shows the producer auditioning for a new musical, and Channing, playing herself, is trying out. Just after the producer announces he wants a stage presence that is instantly recognizable to the entire country, Channing begins with her signature "
Hello, Dolly!", but he stops her with a resounding "Next!". In January 2003, Channing recorded the audiobook of her best-selling autobiography
Just Lucky, I Guess: A Memoir of Sorts, directed and produced by Steve Garrin at VideoActive Productions in New York City. It was during the recording sessions that she received a phone call from her childhood sweetheart Harry Kullijian that rekindled their romance and led to their marriage a few months later. In January 2008, the documentary
Carol Channing: Larger Than Life (which chronicles Channing's life and career) was released. ==Personal life==