1930–1959: Early stories The earliest Nancy Drew books were published as dark-blue
hardcovers with the titles stamped in orange lettering with dark-blue outlines and no other images on the cover. The
covers went through several changes in the early years: leaving the orange lettering with no outline and adding an orange silhouette of Nancy peering through a magnifying glass; then changing to a lighter blue board with dark blue lettering and silhouette; then changing the position of the title and silhouette on the front with black lettering and a more "modern" silhouette. Nancy Drew is depicted as an independent-minded 16-year-old who has already completed her high school education (16 was the minimum age for graduation at the time). While the first four books of the series are noted for their strong continuity and sense of passing seasons and time, it is lost throughout the series with changes like Nancy's hair color being changed to
titian. Her age is changed from 16 to 18 in book 31, ''The Ringmaster's Secret'' (1953), with no in-universe explanation. Affluent (her father is a successful lawyer), she maintains an active social, volunteer, and sleuthing schedule, as well as participating in athletics and the arts, but is never shown as working for a living or acquiring job skills. Nancy is affected neither by the
Great Depression—although many of the characters in her early cases need assistance as they are poverty-stricken—nor
World War II. Nancy lives with her lawyer father, Carson Drew, and their
housekeeper, Hannah Gruen. Some critics prefer the Nancy of these volumes, largely written by Mildred Benson. Benson is credited with "[breathing]... a feisty spirit into Nancy's character." The original Nancy Drew is sometimes claimed: "to be a lot like [Benson] herself – confident, competent, and totally independent, quite unlike the cardboard character that [Edward] Stratemeyer had outlined." This original Nancy is frequently outspoken and authoritative, so much so that Edward Stratemeyer told Benson that the character was "much too flip, and would never be well received." The editors at
Grosset & Dunlap disagreed, but Benson also faced criticism from her next Stratemeyer Syndicate editor,
Harriet Adams, who felt that Benson should make Nancy's character more "sympathetic, kind-hearted and lovable." In Benson's words, Adams repeatedly asked Benson to "make the sleuth less bold... 'Nancy said' became 'Nancy said sweetly,' 'she said kindly,' and the like, all designed to produce a less abrasive, more caring character." Many readers and commentators, however, admire Nancy's original outspoken character. A prominent critic of the Nancy Drew character, at least the Nancy of these early Nancy Drew stories, is mystery writer
Bobbie Ann Mason. Mason contends that Nancy owes her popularity largely to "the appeal of her high-class advantages." Mason also criticizes the series for its racism and classism, arguing that Nancy is the upper-class
WASP defender of a "fading aristocracy, threatened by the restless lower classes." Mason further contends that the "most appealing elements of these daredevil girl sleuth adventure books are (secretly) of this kind: tea and fancy cakes, romantic settings, food eaten in quaint places (never a
Ho-Jo's), delicious pauses that refresh, old-fashioned picnics in the woods, precious jewels, and heirlooms... The word dainty is a subversive affirmation of a feminized universe." At the bottom, says Mason, the character of Nancy Drew is that of a girl who can be "perfect" because she is "free, white, and sixteen"
1959–1985: Continuation of Mystery Stories, revisions at Grosset & Dunlap At the insistence of publishers
Grosset & Dunlap, the Nancy Drew books were revised in 1959 to make them more modern and eliminate
racist stereotypes. Although Harriet Adams felt that these changes were unnecessary, she oversaw a complete overhaul of the series, as well as writing new volumes in keeping with the new guidelines laid down by Grosset & Dunlap. The house mistress waits until Beulah has left the room and then says to Nancy, "I try to make things easier for Beulah, but she insists on cooking and serving everything the old-fashioned way. I must confess, though, that I love it." In the revised 1975 version, Beulah is changed to Anna, a "plump, smiling housekeeper". Many other changes were relatively minor. The new books were bound in yellow with color illustrations on the front covers. Nancy's age was raised from 16 to 18, her mother was said to have died when Nancy was three, rather than ten, and other small changes were made. Critics saw this Nancy of the 1950s, 1960s, and 1970s as an improvement in some ways, a step back in others: "In these new editions, an array of elements had been modified... and most of the more overt elements of racism had been excised. In an often overlooked alteration, however, the tomboyish nature of the text's title character was also tamed." Nancy becomes much more respectful of male authority figures in the 1950s, 1960s, and 1970s, leading some to claim that the revised Nancy becomes too agreeable and less distinctive, writing of her, "In the revised books, Nancy is relentlessly upbeat, puts up with her father's increasingly protective tendencies, and, when asked if she goes to church in the 1969
The Clue of the Tapping Heels, replies, 'As often as I can." Harriet Adams continued to oversee the series until she died in 1982. After her death, Adams' protégés, Nancy Axelrad and Lilo Wuenn, and her three children oversaw the Nancy Drew books and other Stratemeyer Syndicate series production. In 1985, the five sold the Syndicate and all rights to
Simon & Schuster. Simon & Schuster turned to book packager Mega-Books for new writers. Nancy begins dating other young men and acknowledges sexual desires: "'I saw [you kissing him]... You don't have to apologize to me if some guy turns you on.' 'Gianni ''doesn't'' turn me on!... Won't you please let me explain.'" The next year, Simon & Schuster launched the first Nancy Drew spin-off, titled
The Nancy Drew Files. However, after the above-mentioned two Mystery Stories books, as implied in
The Double Horror of Fenley Place, Nancy appears to be dating Ned again and the series continues without any reference to Nancy dating other guys in
The Bluebeard Room or in
The Phantom of Venice. The Nancy Drew character in the
Files series has earned mixed reviews among fans. Some, including
sex-positive feminists, contend that Nancy's character becomes "more like Mildred Wirt Benson's original heroine than any [version] since 1956." Others criticize the series for its increasing incorporation of romance and "[dilution] of pre-feminist
moxie." One reviewer noticed, "Millie [Mildred Wirt Benson] purists tend to look askance upon the
Files series, in which fleeting pecks bestowed on Nancy by her longtime steady, Ned Nickerson, give way to lingering embraces in a Jacuzzi." Nancy also becomes more vulnerable, being often
chloroformed into unconsciousness, or defenseless against
chokeholds. Furthermore, the minor thefts of the original books are replaced by murders and murder attempts, and Nancy is frequently in mortal danger. In an extreme example, in the book
Deadly Doubles, the fate of an entire nation and millions of lives are at stake, a character is tortured and strangled off-screen, and Nancy and her allies are nearly killed on five separate occasions. The
Files also launched its spin-off. A crossover spin-off series with
The Hardy Boys, titled the
Super Mystery series, began in 1988. These books were in continuity with the similar
Hardy Boys spin-off,
The Hardy Boys Casefiles. In 1995, Nancy Drew finally goes to college in the
Nancy Drew on Campus series. These books read more similar to soap opera books, such as the
Sweet Valley High series. The
On Campus books focus more on romance plots and also center around other characters; the mysteries are merely used as subplots. By reader request, Nancy broke off her long-term relationship with boyfriend Ned Nickerson in the second volume of the series,
On Her Own (1995). Similar to the
Files series, reception for the
On Campus series was also mixed, with some critics viewing the inclusion of adult themes such as
date rape as "unsuccessful". Carolyn Carpan commented that the series was "more soap opera romance than mystery" and that Nancy "comes across as dumb, missing easy clues she wouldn't have missed in previous series". The series was also criticized for focusing more on romance than on grades or studying, with one critic stating that the series resembled collegiate academic studying in the 1950s, where "women were more interested in pursuing... the
'MRS' degree." In 1997, Simon & Schuster announced a mass cancellation of
Nancy Drew and
Hardy Boys spin-offs, except for younger children. The
Files series ran until the end of 1997, while both the
Super Mystery and
On Campus series ran until the beginning of 1998.
2003–2012: Girl Detective and graphic novels In 2003, publishers Simon & Schuster ended the original Nancy Drew series and began featuring Nancy's character in a new mystery series,
Girl Detective. The Nancy Drew of the
Girl Detective series drives a
hybrid car, uses a mobile phone, and recounts her mysteries in the
first person. Since the series is set in the 21st century, several technologies and pop-culture references exist. Many applaud these changes, arguing that Nancy has not changed at all other than learning to use a cell phone. Others praise the series as more realistic; Nancy, these commentators argue, is now a less perfect and therefore more likable being, one whom girls can more easily relate to – a better role model than the old Nancy because she can be emulated, rather than a "prissy automaton of perfection." (This is more a description of the Nancy of the 1959 revision, rather than the ‘unruly’ original). Some, mostly fans, vociferously lament the changes, seeing Nancy as a silly, air-headed girl whose trivial adventures (such as discovering who squished the zucchini in 2004's
Without a Trace) "hold a shallow mirror to a pre-teen's world." Leona Fisher is typical of these, trying to argue that the new series portrays an increasingly white River Heights, partially because "the clumsy first-person narrative voice makes it nearly impossible to interlace external authorial attitudes into the discourse," while it continues and worsens "the implicitly xenophobic cultural representations of racial, ethnic, and linguistic others" by introducing what she calls gratuitous speculations on characters' national and ethnic origins. There is more of this sort of thing. The character is also the heroine of a series of graphic novels, begun in 2005 and produced by Papercutz. The graphic novels are written by
Stefan Petrucha and illustrated in
manga-style artwork by Sho Murase. The character's graphic novel incarnation has been described as "a fun, sassy, modern-day teen who is still hot on the heels of criminals." When the 2007 film was released, a non-canon novelization of the movie was written to look like the older books. A new book was written for each of the
Girl Detective and
Clue Crew series, which deal with a mystery on a movie set. In 2008, the
Girl Detective series was re-branded into trilogies with a model on the cover. These mysteries became deeper, with the mystery often spread across three books and multiple culprits. These trilogies also met with negative fan reception due to Nancy's constant mistakes, the shortness of the books, and the lack of action. With the new trilogy format, sales began slipping. In 2010, Simon & Schuster cut back from six to four
Nancy Drew books per year. In December 2011, they announced that the series was canceled along with the Hardy Boys
Undercover Brothers.
2013–present: Diaries With the cancellation of the
Girl Detective series, the
Nancy Drew Diaries started in 2013. The series is described as "a classic Nancy Drew with her modern twist", following Nancy, with her friends Bess and George, solving both violent and nonviolent crimes. The series is similar to the
Nancy Drew Girl Detective series, continuing the first person narration, references to modern pop culture and technology, and featuring stories with themes of environmentalism. However, this series is more targeted to readers aged 8–12 with noticeable changes. This iteration of Nancy does not navigate the world of adults like previous versions of the character. She is more looked down upon by adults and has to prove herself capable of handling a mystery. This series always includes her friends. The mysteries tend to be not as thrilling since the series is made for children 8-11 years old, but certain books are indeed similar to the original Nancy Drew series. As of 2025, there are 26 books in the series plus one holiday special published in 2018 that also features The Hardy Boys. This is the first series to be available in three different formats: paperback, hardcover (with dust jacket), and eBooks. == Ghostwriters ==