1957–1970: Breakthrough and acclaim Deneuve made her film debut with a small role in
André Hunebelle's
Les Collégiennes (1957) with her younger sister Sylvie Dorléac who, like their older half-sister Daniele, was an occasional child actress. She subsequently appeared in several films for director
Roger Vadim as well as in (1960), which caught the eye of
Jacques Demy, who cast Deneuve as Geneviève Emery in his romantic film musical
The Umbrellas of Cherbourg (1964), the film that brought her to stardom. The same year she acted in several films including the anthology film ''
The World's Most Beautiful Swindlers in a segment directed by Claude Chabrol and the comedy Male Hunt'' directed by
Édouard Molinaro. In her English-language debut, Deneuve played the cold but erotic persona, for which she would be nicknamed the "ice maiden", in
Roman Polanski's psychological horror thriller
Repulsion (1965). For her performance she was nominated for the
New York Film Critics Circle Award for Best Actress.
Peter Bradshaw of
The Guardian wrote, "Catherine Deneuve's glassy stare of anxiety dominates the movie" comparing her to
Janet Leigh in
Psycho (1960). In 1966 she starred in the
Agnès Varda fantasy film
Les Créatures and
Jean-Paul Rappeneau's
A Matter of Resistance. The following year, she reunited with Demy for another musical
The Young Girls of Rochefort (1967) acting alongside
George Chakiris and
Gene Kelly. She played a twin to her real-life older sister, Françoise Dorléac (as Solange), in what would be their only film together; Dorléac died in a car accident a few months after the movie opened. That same year she starred in
Luis Buñuel's psychological erotic drama
Belle de Jour (1967). Deneuve stars as a young woman who spends her midweek afternoons as a high-class
prostitute, while her husband is at work. For her performance, she received a nomination for the
BAFTA Award for Best Actress in a Leading Role. Melissa Anderson writing for
Criterion declared, "Deneuve's performance in
Belle de jour turned out to be one of her most iconic". In 1969, Deneuve starred in
Stuart Rosenberg's American
romantic comedy film
The April Fools, starring opposite
Jack Lemmon. That same year she acted in
François Truffaut's romantic crime drama
Mississippi Mermaid acting alongside
Jean-Paul Belmondo.
The New York Times film critic
Vincent Canby praised the film writing, "As in all of Truffaut's films, love leads only to an uncertain future that, at best, may contain some joy along with the inevitable misery. Truffaut's special talent, however, is for communicating a sense of the value of that joy." She reunited with Buñel for the drama
Tristana (1970) acting alongside
Fernando Rey and
Franco Nero. Her work for Buñuel would be her best known. That same year, she reunited with Jacques Demy for the musical fantasy
Donkey Skin (1970) based on the
1695 fairy tale of the same name by
Charles Perrault.
Roger Ebert praised the film writing, "It provides a visual feast and fanciful imaginations, and Deneuve was then, as she was before and since, a great beauty with the confidence such beauty requires."
1971–1989: Established actress In 1971, Deneuve starred in
Nadine Trintignant's
It Only Happens to Others opposite
Marcello Mastroianni. She also starred in
Marco Ferreri's Italian drama
Liza (1972),
Jean-Pierre Melville's French crime film
Un flic (1972), and
Jacques Demy's French comedy
A Slightly Pregnant Man (1973). She starred in
Robert Aldrich's crime film
Hustle (1975) with
Burt Reynolds.
Gene Siskel of the
Chicago Tribune awarded a full four stars out of four and wrote that "violence takes a back seat to character development and storytelling techniques that are classical.
Hustle is the kind of picture you don't want to see end. It's going to be a cult favorite." That same year, she acted in
Jean-Paul Rappeneau's adventure film
Le Sauvage (1975) with
Yves Montand. The following year, she acted in
Claude Lelouch's
Second Chance (1976). In the 1980s, Deneuve's films included
François Truffaut's
Le Dernier métro (1980) with
Gérard Depardieu for which she won the
César Award for Best Actress and the
David di Donatello Award for Best Actress. She gained acclaim for her role in
Tony Scott's
The Hunger (1983) as a bisexual vampire, co-starring with
David Bowie and
Susan Sarandon, a role which brought her a significant lesbian following, mostly among the gothic subculture. During this time, she received César Award for Best Actress nominations for her roles in
André Téchiné's romantic drama
Hotel America (1981),
Jean-Pierre Mocky's French drama film
Agent trouble (1987), and
François Dupeyron's drama ''
Drôle d'endroit pour une rencontre'' (1988). The later of which she also served as a producer, and starred alongside frequent co-star Gérard Depardieu.
1990–present In the early 1990s, Deneuve's more significant roles included 1992's
Indochine opposite
Vincent Perez, for which she was nominated for an
Academy Award for Best Actress and won a second César Award for Best Actress; and
André Téchiné's two films,
Ma saison préférée (1993) and
Les Voleurs (1996). In 1997, Deneuve was the protagonist in the music video for the song ''N'Oubliez Jamais
sung by Joe Cocker. In 1998, she won acclaim and the Volpi Cup at the Venice Film Festival for her performance in Place Vendôme''. In the late 1990s, Deneuve continued to appear in a large number of films such as 1999's five films
Est-Ouest,
Le temps retrouvé,
Pola X,
Belle maman, and
Night Wind. Deneuve's part in
Lars von Trier's musical drama
Dancer in the Dark (2000), alongside Icelandic singer
Björk was subject to considerable critical scrutiny. The film was selected for the
Palme d'Or at the Cannes Film Festival. She made another foray into Hollywood the following year, starring in
The Musketeer (2001) for
Peter Hyams. In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the
Berlin International Film Festival for her performance in
8 Women. In 2005, Deneuve published her diary ''A l'ombre de moi-meme
("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve
); in it she writes about her experiences shooting the films Indochine and Dancer in the Dark''. She also provided the
voice role of
Marjane Satrapi's mother in Satrapi's animated autobiographical film
Persepolis (2007), based on the graphic novel of the
same name. Her 100th film appearance was in
Un conte de Noël released in 2008. Deneuve's later work includes
Potiche (2010) with frequent co-star Depardieu,
Beloved (2011), alongside former co-stars
Ludivine Sagnier and
Chiara Mastroianni, the popular French adventure comedy
Asterix and Obelix: God Save Britannia (2012) with
Gérard Depardieu and
Valérie Lemercier, screenwriter and director
Emmanuelle Bercot's
On My Way (2013),
Palme d'Or winning writer/director
Pierre Salvadori's comedy drama
In the Courtyard (2014), and
André Téchiné's drama
In the Name of My Daughter (2014). She co-starred alongside
Catherine Frot, in writer/director
Martin Provost's French drama
The Midwife (2017). ==Career outside film==