Fiction • 1930:
War in Heaven (London:
Victor Gollancz) – The
Holy Grail surfaces in an obscure country parish and becomes variously a sacramental object to protect or a vessel of power to exploit. • 1930:
Many Dimensions (London: Victor Gollancz) – An evil antiquarian illegally purchases the fabled Stone of Suleiman (Williams uses this Muslim form rather than the more familiar
King Solomon) from its Islamic guardian and returns to England to discover not only that the Stone can multiply itself infinitely without diminishing the original, but that it also allows its possessor to transcend the barriers of space and time. • "Et in Sempiternum Pereant," a short story first published in
The London Mercury, December 1935, in which Lord Arglay (protagonist in
Many Dimensions) has his life put at risk encountering a ghost on the path to damnation. Later included in
The Oxford Book of English Ghost Stories (London: Oxford University Press, 1986) • 1931:
The Place of the Lion (London: Mundanus) –
Platonic archetypes begin to appear around an English country town, wreaking havoc and drawing to the surface the spiritual strengths and flaws of individual characters. • 1932:
The Greater Trumps (London: Victor Gollancz) – The original
Tarot deck is used to unlock enormous metaphysical powers by allowing the possessors to see across space and time, create matter, and raise powerful natural storms. • 1933:
Shadows of Ecstasy (London: Victor Gollancz) – A
humanistic adept has discovered that by focusing his energies inward he can extend his life almost indefinitely. He undertakes an experiment using African lore to die and resurrect his own body thereby assuring his immortality. His followers begin a revolutionary movement to supplant European civilisation. The first of Williams's novels to be written, though not the first published. – Generally thought to be Williams's best novel,
Descent deals with various forms of selfishness, and how the cycle of sin brings about the necessity for redemptive acts. In it, an academic becomes so far removed from the world that he fetishises a woman to the extent that his perversion takes the form of a
succubus. Other characters include a
doppelgänger, the ghost of a suicidal
Victorian labourer, and a playwright modelled in some ways on the author. Illustrates Williams's belief in the replacement of sin and substitutional love. • 1945: ''
All Hallows' Eve'' (London: Faber & Faber) – Follows the fortunes of two women after death and their interactions with those they knew before, contrasting the results of action based either on selfishness or an accepting love. • 1970–72: ''The Noises That Weren't There
. Unfinished. First three chapters published in Mythlore'' 6 (Autumn 1970), 7 (Winter 1971) and 8 (Winter 1972).
Plays • c. 1912:
The Chapel of the Thorn (edited by Sørina Higgins; Berkeley: Apocryphile Press, 2014) • 1930:
A Myth of Shakespeare (London: Oxford University Press) • 1930:
A Myth of Francis Bacon (Published in the
Charles Williams Society Newsletter, 11, 12, and 14) • 1929–31:
Three Plays (London: Oxford University Press) •
The Rite of the Passion (1929) •
The Chaste Wanton (1930) •
The Witch (1931) • 1963:
Collected Plays by Charles Williams (edited by John Heath-Stubbs; London: Oxford University Press) •
Thomas Cranmer of Canterbury (1936).
Canterbury Festival play, following T. S. Eliot's
Murder in the Cathedral in the preceding (inaugural) year. •
Seed of Adam (1937) •
Judgement at Chelmsford (1939) •
The Death of Good Fortune (1939) •
The House by the Stable (1939) •
Terror of Light (1940) •
Grab and Grace (1941) •
The Three Temptations (1942) •
House of the Octopus (1945) • 2000:
The Masques of Amen House (edited by
David Bratman.
Mythopoeic Press). •
The Masque of the Manuscript (1927) •
The Masque of Perusal (1929) •
The Masque of the Termination of Copyright (1930)
Poetry • 1912:
The Silver Stair (London: Herbert and Daniel) • 1917:
Poems of Conformity (London: Oxford University Press) • 1920:
Divorce (London: Oxford University Press) • 1924:
Windows of Night (London: Oxford University Press) • 1930:
Heroes and Kings (London: Sylvan Press) • 1954:
Taliessin through Logres (1938) and
The Region of the Summer Stars (1944) (London: Oxford University Press) • 1991:
Charles Williams, ed. David Llewellyn Dodds (Woodbridge and Cambridge, UK:
Boydell & Brewer: Arthurian Poets series). Part II, Uncollected and unpublished poems (pp. 149–281).
Theology • 1938:
He Came Down from Heaven (London:
Heinemann). • 1939:
The Descent of the Dove: A Short History of the Holy Spirit in the Church (London:
Longmans, Green) • 1941:
Witchcraft (London: Faber & Faber) • 1942:
The Forgiveness of Sins (London: G. Bles) • 1958:
The Image of the City and Other Essays (edited by
Anne Ridler; London: Oxford University Press). Parts II through V • 1990:
Outlines of Romantic Theology (Grand Rapids, Mich.:
Eerdmans)
Literary criticism • 1930:
Poetry at Present (Oxford:
Clarendon Press). • 1932:
The English Poetic Mind (Oxford: Clarendon Press). • 1933:
Reason and Beauty in the Poetic Mind (Oxford: Clarendon Press) • 1940:
Introduction to Milton (based on a lecture at Oxford University), in
The English Poems of John Milton (Oxford University Press) • 1941:
Religion and Love in Dante: The Theology of Romantic Love (Dacre Press, Westminster). • 1943:
The Figure of Beatrice (London: Faber & Faber) • 1948:
The Figure of Arthur (unfinished), in
Arthurian Torso, ed. C. S. Lewis (London: Oxford University Press) • 1958:
The Image of the City and Other Essays (edited by Anne Ridler; London: Oxford University Press). Parts I and VI • 2003:
The Detective Fiction Reviews of Charles Williams (edited by
Jared C. Lobdell;
McFarland) • 2017:
The Celian Moment and Other Essays (edited by Stephen Barber; Oxford: The Greystones Press)
Biography • 1933:
Bacon (London: Arthur Barker) • 1933:
A Short Life of Shakespeare (Oxford: Clarendon Press). Abridgment of the 2-volume work by
Sir Edmund Chambers • 1934:
James I (London: Arthur Barker) • 1935:
Rochester (London: Arthur Barker) • 1936:
Queen Elizabeth (London:
Duckworth) • 1937:
Henry VII (London: Arthur Barker) • 1937:
Stories of Great Names (London: Oxford University Press). Alexander, Julius Caesar, Charlemagne, Joan of Arc, Shakespeare, Voltaire, John Wesley • 1946:
Flecker of Dean Close (London: Canterbury Press)
Other works • 1931: Introduction,
Poems of Gerard Manley Hopkins (Ed.
Robert Bridges; 2nd ed.; London: Oxford University Press; ) • 1936:
The Story of the Aeneid (London: Oxford University Press; ) • 1939:
The Passion of Christ (Oxford University Press, New York, London ) • 1940: Introduction, Søren Kierkegaard's
The Present Age (trans. Dru and Lowrie; Oxford University Press; ) • 1943: Introduction,
The Letters of Evelyn Underhill (Longmans, Green and Co.) • 1958:
The New Christian Year (Oxford University Press ) • 1989:
Letters to Lalage: The Letters of Charles Williams to Lois Lang-Sims (Kent State University Press) • 2002:
To Michal from Serge: Letters from Charles Williams to His Wife, Florence, 1939–1945 (edited by Roma King Jr.; Kent State University Press) == Sources ==