The modern form, known as American cinquain is inspired by Japanese
haiku and
tanka and is akin in spirit to that of the
Imagists. In her 1915 collection titled
Verse, published a year after her death,
Adelaide Crapsey included 28 cinquains. Crapsey's American Cinquain form developed in two stages. The first, fundamental form is a stanza of five lines of accentual verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1
stresses. Then Crapsey decided to make the criterion a stanza of five lines of accentual-syllabic verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses and 2, 4, 6, 8, and 2 syllables. Iambic feet were meant to be the standard for the cinquain, which made the dual criteria match perfectly. Some resource materials define classic cinquains as solely iambic, but that is not necessarily so. In contrast to the Eastern forms upon which she based them, Crapsey always titled her cinquains, effectively utilizing the title as a sixth line. Crapsey's cinquain depends on strict structure and intense physical imagery to communicate a mood or feeling. The form is illustrated by Crapsey's "November Night":
Listen...With
faint dry
sound,Like
steps of
passing
ghosts,The
leaves, frost-'''crisp'd
, break
from the trees
And fall'''. The Scottish poet
William Soutar also wrote over one hundred American cinquains (he labelled them "epigrams") between 1933 and 1940. ==Cinquain variations==