: Phonetic notes: • The vowel ( in General Catalan) is further back and open than the Castilian counterpart in North-Western and Central Catalan (i.e., it approaches in isolation or in a neutral environment), it is slightly fronted and closed in Valencian and Ribagorçan (, also represented as due to its lower quality in comparison with the Barcelonan ), and further fronted and closed () in Majorcan. • Stressed can be further retracted to in contact with velar consonants (including the velarized ), and fronted to in contact with palatals. • The palatal pronunciation of may merge with by some speakers. • The central vowel in stressed position is found in Majorcan and part of Minorcan, in the Balearic Islands. • The realization of the reduced vowel varies from mid to near-open , with the latter variant being the most usual in the
Barcelona metropolitan area, where the distinction between and is less pronounced than in other varieties that maintain the distinction. • In some subvariants (
Solsonès and
Garrotxa), it has a more back pronunciation, like . • The open-mid and are lower and (or ) in Majorcan, Minorcan and Valencian. • is slightly more open and centralized before liquids . • is most often a back vowel. In some dialects (like Majorcan and Southern Valencian) it can be unrounded. • and can be realized as mid vowels in some cases. This occurs more often with . • In
Northern Catalan, Modern
Alguerese and some places bordering the
Aragonese and
Spanish-speaking areas, open-mid and close-mid vowels may merge into mid vowels; and/or . In Ribagorça and Lower Aragon, there is occasional
diphthongization, as in Aragonese. • The close vowels are more open than in Castilian. Unstressed are centralized. • In many dialects (e.g., Valencian and most Balearic accents) can be further open and centralized, especially in unstressed position, approaching . • Northern Catalan sometimes adds two loan
rounded vowels, and (or slightly higher ) from
French and
Occitan (e.g., 'aim', 'leaves'). • Similarly French and (and ) are mostly adapted with (e.g., ) and (e.g., ), respectively. • Phonetic nasalization occurs for vowels occurring between nasal consonants or when preceding a syllable-final nasal: ('a lot'). For simplicity, this is not transcribed in the article. • Vowels can be lengthened in some contexts, e.g., / ('coordination').
Stressed vowels s of Standard Eastern Catalan|class=skin-invert-image Most varieties of Catalan contrast seven stressed vowel phonemes. However, some Balearic dialects have an additional stressed vowel phoneme (); e.g., ('dry, I sit'). The stressed
schwa of these dialects corresponds to in Central Catalan and in Western Catalan varieties (that is,
Central and
Western Catalan dialects differ in their incidence of and , with appearing more frequently in Western Catalan; e.g.,
Central Catalan vs.
Western Catalan ('dry, I sit'). For a list showing the frequency of these vowels, see
development of /ɛ/, /ɔ/, and /ə/ in dialects of Catalan). Contrasting series of the main Catalan dialects: :
Reduced vowels In
Eastern Catalan, vowels in unstressed position
reduce to three: , , (also phonetically in Barcelona); , and remain unchanged. So the unstressed vowel inventory in Eastern Catalan is essentially , and . However, there are some dialectal differences:
Alguerese merges , and with ; and in most areas of Majorca, can appear in unstressed position (that is, and are usually reduced to ). • Unstressed , and appear only in some words (often due to
vowel harmony, see
below), especially in learned terms from other languages (e.g., 'allegro', 'oceans', 'ego', 'video') and in the unstressed diphthong , which varies with in informal speech (e.g., or 'I will move'). In other cases, they merge with and (). • In Eastern Catalan may be
elided in contact with
rhotics (e.g., → 'but', → 'orange', → 'true'), this is partially reflected in the orthography: (Standard Catalan) vs. (Standard Valencian) ('snail'). It is also observed in three combinations with the preposition
per: → 'because of this', → 'around here' and → 'around there'. This also occurs in , which in speech can be reduced to
per ( → ), which can cause ambiguity. can also be omitted in rapid speech in the verb ( → 'to go' ; e.g., → 'do you want to go?'), in the word ( → 'goodbye') and in contact with other vowels (e.g., → 'what time is it?', → 'what we have said'). • unstressed can rarely undergo univerbation if accompanied by another word and be pronounced as a single oxytone word, causing the reduction of to in Eastern dialects (e.g., → 'of course'). Similar cases occur with being reduced to in unstressed syllables (e.g., → 'more or less'). In
Western Catalan (which includes Valencian and North-Western Catalan), vowels in unstressed position reduce to five: , ; , ; remain unchanged. However, in some Western dialects reduced vowels tend to merge into different realizations in some cases: • Unstressed may merge with before a
nasal or
sibilant consonant (e.g., 'anvil', 'swarm'), in some environments before any
consonant (e.g., 'earthy'), and in monosyllabic
clitics. This sounds almost the same as the Barcelonan open schwa . Likewise, unstressed may merge into when in contact with
palatal consonants (e.g., 'lord'). • Unstressed may merge with before a
bilabial consonant (e.g., 'covered'), before a stressed syllable with a
high vowel (e.g., 'rabbit'), in contact with
palatal consonants (e.g., 'Joseph'), and in monosyllabic clitics. • Besides vowel harmony or vowel assimilation (see
below), unstressed and may be found sporadically in compounds like ( 'seventeen') and (or ) ( or 'nineteen'). • A characteristic feature of the pronunciation of some north-western speakers (commonly associated with the city of Lleida) is the pronunciation of the unstressed final as [ɛ] (e.g., '
Lleida', pronounced in standard Western Catalan and in Eastern Catalan). :
Vowel harmony The harmony of Valencian is a clear example of harmony conditioned by a strong element: in some Valencian dialects, word-final post-tonic becomes and when the preceding syllable contains tonic open-mid (or near-open) vowels and ; that is, and propagate the palatal and labial features, respectively, to the final vowel , as the examples. The articulatory features extend from a phonologically privileged position—the stressed syllable—to a weak position—an unstressed syllable—a perceptual asymmetry emphasized by the fact that the harmony trigger belongs to the radical while the assimilated segment is normally an inflectional affix. : : In the most widespread system of harmony, both open-mid vowels cause assimilation; in other systems, distributed over the harmonic territory quite randomly, only one of the vowels triggers the change. For example, in Cullera only the front vowel causes assimilation, while in Borriana the labial vowel is the only one that allows harmony. However, in both the broadest and the narrowest versions, and even in the sporadic cases of two-way harmony that are presented here, the pattern of strong → weak extension remains constant. In the harmonic phenomenon just described, articulatory features spread from left to right. However, there is no shortage of assimilations in which the features spread to the left of the prominent position. This occurs in Majorcan when pretonic is closed to in words that contain a close tonic vowel; e.g.,
cnill,
csí,
cmú (cf. ). The change involves the extension of the height feature again in the direction dictated by the strong → weak saliency relationship. Similar closures are documented in various Western languages; among these, Tortosan stands out, where the phenomenon, quite variable and often limited to the elderly, presents the peculiarity that height does not only propagate from tonic vowels, but can also do so from unstressed ones (cfr. ). In general terms, and in accordance with the data collected by (in prep.), a pretonic mid vowel may become close under the influence of a close vowel with the same point of articulation—palatal or labial—in a following syllable; in this way, vowel sequences of the type
e...i and
o...u become
i...i a) and u...u b), respectively. The assimilation of mid vowels to a high vowel of a different point of articulation is possible, but in the sequence
e...u it is reduced to some words c), and in the sequence
o...i it is usually limited to fossilized cases, so that the disharmonious alternatives in d) reflect only copied pronunciations of the orthography. : : : : Of the phenomena presented above, the most common and systematic is the change
e...i →
i...i. As in the examples, becomes when it precedes a stressed or unstressed . Closure can even affect a series of two pretonic vowels. Assimilation never affects stressed vowels and there is also no harmony when and do not occupy adjacent syllables. With certain restrictions, the phenomenon can modify the final vowel of the first element of a compound and proclitic elements such as numerals or unstressed pronouns. In the last case, when the vowel of the pronoun is not strictly adjacent to the syllable that triggers the harmony, there is no assimilation; according to (in prep.), the lack of spread is related to the fact that groups of pronouns generate a secondary accent, which would protect the original quality of the vowel. also reports some examples of rightward (regressive) assimilation between weak elements; that is, cases where an unstressed sequence
i...e becomes
i...i. Harmony to the right is documented only between vowels that are in pretonic position; therefore, the inflectional elements and the post-tonic vowels belonging to the radical are excluded from the change. General Valencian is another variety in which the extension of features is limited to the main metric foot: in plain words, the final post-tonic, which is part of the main foot, is affected by harmony a); on the other hand, in proparoxytone words (
esdrúixoles) the final does not belong to the main foot and is, therefore, beyond the scope of assimilation b). In Valencian from the south of Alicante, the harmony affects an intermediate layer between the main metrical foot and the clitic group: the prosodic word (PPr) (cfr. , , ). Harmony in General Valencian: : : Harmony from Southern Valencian (Alicante): : In the harmony of Valencian, Majorcan and, mostly, Tortosan, the features extend from a strong element to a weak element. In the other possible model, on the other hand, the features are spread in the reverse direction, that is, from positions that are not prominent to positions that are stronger from the perceptual point of view. The trigger for change is in this case a weak element (cf. ). Central Catalan provides an example of harmony—with considerable geographical and idiolectal variation—conditioned by segments located in weak positions. In this dialect, stressed mid vowels in words from other languages tend to be adapted as open mids, as in the paroxytones in example a), with regular reduction in the unstressed syllable, that is, with the vowels , and in this position. Borrowings also have the peculiarity that they tend to block the neutralization of the unstressed middle vowels e and o, which are realized as and , respectively. In principle, these two trends should not be mutually exclusive; however, if the post-tonic sound is close-mid, the tonic mids are usually also realized as close, as shown by the plain words in example b), in which the levelling between the two vowels is almost universal. Therefore, the quality of the most prominent vowel is determined by the features of the following vowel, since the appearance of close-mid vowels in tonic position depends on the presence of vowels of the same pitch in the post-tonic syllable. : : In proparoxytones there is greater variability. In the variety analyzed by
esdrúixol words (i.e., words with stressed on the antepenultimate syllable) are generally subject to the same restrictions and the presence of a close mid in post-tonic position implies the presence of close mids in tonic position a); the syllabic adjacency between the two vowels is key to harmony, since words like
Sòcrates or
Hèrcules are usually presented without assimilation despite the presence of an unreduced post-tonic e. In the variety described by , on the other hand, post-tonic vowels do not condition the realization of the tonic vowel in
esdrúixols b). On the other hand, and in accordance with the interpretation of the aforementioned authors, the adaptation of tonic vowels as open mids is compatible in all varieties with the appearance of unreduced mid vowels in pre-tonic syllables. : Other harmony examples in Central Catalan: : : :
Vowels in contact One of the most unique features of Catalan and Valencian is the treatment of vowels that come into contact within the speech chain. When a word-final vowel meets an initial vowel there are two possible reactions: lengthening (if both vowels are the same) or weakening/elision of one of the vowels (if they are different). In general terms, two consecutive vowels diphthongize more frequently in Valencian, North Western Catalan and Alguerese. Some examples (in Valencian): ;Lengthening • followed by ; e.g., ('he/she lives in Alicante'). • followed by ; e.g., ('I have come out now'). • followed by ; e.g., ('beaches and islets'). • followed by ; e.g., ('written or oral?'). • followed by ; e.g., ('An urban tribe'). ;Elision • Unstressed followed by stressed → ; e.g., or ('what time is it?'). • Stressed followed by unstressed → ; e.g., or ('left hand'). • Unstressed followed by unstressed → ; e.g., ('take the dog'). • Stressed followed by stressed → ; e.g., ('what have you done?'). • Unstressed followed by → ; e.g., ('this man'). • Stressed followed by unstressed → ; e.g., ('they don't want them').
Diphthongs and triphthongs There are also a number of phonetic
diphthongs and
triphthongs, all of which begin and/or end in or . : In Standard Eastern Catalan, rising diphthongs (that is, those starting with or ) are only possible in the following contexts: • in word-initial position; e.g., ('yoghurt'). • The semivowel ( or ) occurs between vowels as in ('he/she was doing') or ('they say'). • In the sequences or plus vowel; e.g., ('glove'), ('quorum'), ('question'), ('penguin'); these exceptional cases even lead some scholars to hypothesize the existence of rare labiovelar phonemes and . == Processes ==