Drawing upon critiques of ethnographic representation in written genres, museum anthropologists have asked questions about the strategies used to represent histories and cultures in museum exhibitions and related forms of display (such as worlds fairs). Related is historical work in which museum anthropologists seek to better understand the contexts, histories and biographies that shaped both the field and the collections that contemporary curators steward. Such historical concerns in turn intersect with work addressing repatriation claims and broader cultural property issues as these relate to museums. Use of museum collections as a resource for research aimed at understanding ethnographic and culture historical questions in the lives of particular communities has long been the core motivation for collecting by anthropology museums. Such work has been central throughout the history of the field, but new developments in digital technologies (and the rise of the so-called
digital humanities) together with the transformations that have motivated the new research interests just mentioned have generated an intensification of such work. A general revitalization of material culture studies is a further factor conditioning the renewal of collections-based research in the present period. The fruits of this work include new digital archives and databases, as well as published studies focusing on particular groups, object forms, and collections. == United Kingdom and North America ==