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Crocker Art Museum

The Crocker Art Museum is the oldest art museum in the Western United States, located in Sacramento, California. Founded in 1885, the museum holds one of the premier collections of Californian art. The collection includes American works dating from the Gold Rush to the present, European paintings and master drawings, one of the largest international ceramics collections in the U.S., and collections of Asian, African, and Oceanic art. The Crocker Art Museum is accredited by the American Alliance of Museums.

History
Edwin B. Crocker (1818–1875), a wealthy California lawyer and judge, and his wife, Margaret Crocker (1822–1901), began to assemble a significant collection of paintings and drawings during an extended trip to Europe, from 1869 to 1871. Upon their return to Sacramento, they set about creating an art gallery in part of their grand home at the corner of Third and O streets. When the gallery was completed, it was opened to the public with proceeds funding the Sacramento Library. With 694 paintings, the gallery boasted the largest private collection in the country, and held more paintings than the Metropolitan Museum of Art. The gallery became of the hub of social activity in Sacramento, hosting benefits for local organizations and welcoming prominent visitors including the Hawaiian queen, Liliʻuokalani (1878), President Ulysses S. Grant (1879), and Oscar Wilde (1882). A school of art was established at the gallery in 1886. In 1978, the Crocker Art Gallery was renamed the Crocker Art Museum. In 2002, to accommodate a burgeoning collection and the needs of the growing population of Sacramento and California's Central Valley region, the museum commissioned the firm of Gwathmey Siegel & Associates to design a major addition. The greatly expanded Crocker Art Museum opened on October 10, 2010. ==Permanent collections==
Permanent collections
, Sunday Morning in the Mines (1872) Californian art and American art The Californian art collection includes works dating from statehood to the present. The core collection of early Californian art was assembled by Judge E. B. and Margaret Crocker in the early 1870s. Prominent in their collection are works by the German-American artist Charles Christian Nahl, who brought the large scale and copious detail of European history painting to works depicting the California Gold Rush. The Crockers commissioned five major works from Nahl, including Sunday Morning in the Mines (1872). 's Allegory of Painting (1648) European art Original collection The collection of European art began with the Crocker family's trip to Europe, from 1869 to 1871. It was not a Grand Tour. The Crockers rented lodgings in Dresden for over a year, and traveled mostly in Germany. (Works said to be by Rembrandt, Rubens, Poussin, Salvator Rosa, and even Leonardo da Vinci appear in the initial 1876 catalogue, but were reattributed in following decades.) However, among Crocker's purchases were a number of genuinely rare works by a broader array of artists than he realized, and for a brief time the Crockers possessed the largest private art collection in the United States. Along with paintings, the Crockers also acquired 1344 Old Master drawings "and untold numbers of prints of rare craftsmanship." Of more certain provenance were the numerous German and Central European paintings Crocker purchased, many by artists who were alive and working at the time. These 19th-century paintings would form the core of the European collection, along with a number of 17th-century Flemish and Dutch Golden Age still lifes and genre scenes, as well as French and Italian works of the 17th and 18th centuries. Later acquisitions Beginning in the 21st century, gifts by philanthropist Alan Templeton have expanded the scope of the European collection to include works by Italian artists Guercino, il Morazzone, Bernardo Strozzi, and Rosalba Carriera, the Swedish portrait painter Alexander Roslin, and French artists Simon Vouet, Philippe de Champaigne, Jean-Baptiste Perronneau, Charles Poërson, Pierre-Alexandre Wille, Louis-Jean-François Lagrenée, and Robert Lefèvre, as well as English portraitist Sir Thomas Lawrence, Austrian artists Josef Danhauser and Adolf Hirémy-Hirschl, German artist Heinrich Vogeler, and the Dutch artists Abraham Hondius and Jan van Bijlert. Gifts and promised gifts by the Beekhuis family of 67 19th-century Dutch landscapes The Crocker's holdings of European art after 1900 are small, but include one of Northern California's most significant collections of works by Renoir, in part due to gifts from the artist's grandson, Alain Renoir, a professor at the University of California, Berkeley. These include three small bronzes, two terra cotta relief sculptures, a Cagnes landscape painting, and works on paper, and also a ceramic vase by Jean Renoir. Works after 1900 also include two portraits of Crocker family members by Giovanni Boldini. Works on paper The collection of approximately 1,500 Old Master drawings include examples from the major European schools. Collection strengths include European drawings from the 17th and 18th centuries. Major drawings by artists such as Albrecht Dürer, Fra Bartolommeo, François Boucher, and Jean-Honoré Fragonard are represented. American photography and modern and contemporary California prints are also strengths of the works on paper collection. ==Museum buildings==
Museum buildings
File:Crocker vintage image.jpg| Crocker family mansion and art gallery In 1868, Judge Edwin B. Crocker purchased the property and existing building, built by B. F. Hastings in 1853, that would sit adjacent to the mansion and display the family's growing art collection. Babson saw the home and gallery as an integrated complex, unique in design and demanding the finest materials. The gallery building included a bowling alley, skating rink and billiards room on the ground floor; a natural history museum and a library on the first floor; a 60 ft long ballroom, and a grand staircase. Public rooms were decorated with gold-leafed and frescoed panels, separated by long mirrors. The expanded Museum includes a new education center with four studio art classrooms, an art education resource room for teachers and docents, an expanded library, and student and community exhibition galleries, as well as an auditorium and public gathering places. File:Crocker2 35484 (cropped2).jpg|The Teel Family Pavilion, the new wing of the Crocker Art Museum ==Selected collection highlights (chronological)==
Selected collection highlights (chronological)
File:N.d. de Heem--ca1570-ca1632--Still Life with Fruit--Dutch--wikicommons.jpg|David de Heem I (c.1570-c.1632), Still Life with Fruit File:Allegory of Life attributed to Guido Cagnacci, Crocker Art Museum.jpg|Attributed to Guido Cagnacci, Allegory of Life, 17th century File:1605-09 Pier Francesco Mazzucchelli--called Il Morazzone--the virgin annunciate--Crocker Art Museum--Sacramento.jpg|Pier Francesco Mazzucchelli (called Il Morazzone), The Virgin Annunciate, 1605–1609 File:1650 Guercino--Saint Peter--Crocker Art Museum--Sacramento.jpg|Guercino, Saint Peter, 1650 File:N.d. Claude Joseph Vernet--1714-1789--Cain And Abel Bringing Their Sacrifices--Crocker Art Museum--Sacramento.jpg|Claude-Joseph Vernet (1714–1789), Cain and Abel Bringing Their Sacrifices File:1746 CWE Dietrich--Holy Family in a Carpenters Shop--Crocker Art Museum--Sacramento.jpg|Christian Wilhelm Ernst Dietrich, ''The Holy Family in a Carpenter's Shop'', c. 1746 File:Rose - monterey-cypress.jpg|Guy Rose, Monterey Cypress, c. 1918 File:'The Beach, Santa Monica' by John Frost, 1921.jpg|Jack Frost, The Beach, Santa Monica, 1921 File:The Oriental Shop by Joseph Kleitsch, 1922.jpg|Joseph Kleitsch, The Oriental Shop, 1922 ==References==
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