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Digambara is one of the two major schools of Jainism, the other being Śvetāmbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes. Nakedness was the ideal practice of lord Mahavira and his immediate followers. Mahavira emphasised the importance of nakedness for monks. It symbolizes complete detachment and is an ideal form of conduct. Mahavira believed that renouncing clothes made the body immune to external influences like heat and cold, increasing resilience. Without clothes, a monk would avoid the distractions of acquiring, maintaining, and washing garments, allowing him to focus on spiritual growth and self-discipline.

Nomenclature
According to Heinrich Zimmer, the word Digambara is a combination of two Sanskrit words: dik (दिक्) (space, sky) and ambara (अम्बर) (garment), referring to those whose garments are of the element that fills the four quarters of space. ==Core philosophy==
Core philosophy
Aparigraha – non-attachment One of the main principle in Jainism is aparigraha which means non-attachment to worldly possessions. For monks and nuns, Jainism requires a vow of complete non-possession of any property, relations and emotions. The ascetic is a wandering mendicant in the Digambara tradition, or a resident mendicant in the Śvētāmbara tradition. For Jain laypersons, it recommends limited possession of property that has been honestly earned, and giving excess property to charity. According to Natubhai Shah, aparigraha applies to both the material and the psychic. Material possessions refer to various forms of property. Psychic possessions refer to emotions, likes and dislikes, and attachments of any form. Unchecked attachment to possessions is said to result in direct harm to one's personality. Ahimsa – non-violence The principle of ahimsa (non-violence or non-injury) is a fundamental tenet of Jainism. It holds that one must abandon all violent activity and that without such a commitment to non-violence all religious behavior is worthless. In Jain theology, it does not matter how correct or defensible the violence may be, one must not kill or harm any being, and non-violence is the highest religious duty. Jain texts such as Ācārāṅga Sūtra and Tattvarthasūtra state that one must renounce all killing of living beings, whether tiny or large, movable or immovable. Its theology teaches that one must neither kill another living being, nor cause another to kill, nor consent to any killing directly or indirectly. Furthermore, Jainism emphasizes non-violence against all beings not only in action but also in speech and in thought. It states that instead of hate or violence against anyone, "all living creatures must help each other". Jains believe that violence negatively affects and destroys one's soul, particularly when the violence is done with intent, hate or carelessness, or when one indirectly causes or consents to the killing of a human or non-human living being. The doctrine exists in Hinduism and Buddhism, but is most highly developed in Jainism. The theological basis of non-violence as the highest religious duty has been interpreted by some Jain scholars not to "be driven by merit from giving or compassion to other creatures, nor a duty to rescue all creatures", but resulting from "continual self-discipline", a cleansing of the soul that leads to one's own spiritual development which ultimately affects one's salvation and release from rebirths. Jains believe that causing injury to any being in any form creates bad karma which affects one's rebirth, future well-being and causes suffering. Late medieval Jain scholars re-examined the Ahiṃsā doctrine when faced with external threat or violence. For example, they justified violence by monks to protect nuns. According to Dundas, the Jain scholar Jinadattasuri wrote during a time of destruction of temples and persecution that "anybody engaged in a religious activity who was forced to fight and kill somebody would not lose any spiritual merit but instead attain deliverance". However, examples in Jain texts that condone fighting and killing under certain circumstances are relatively rare. Anekāntavāda – many-sided reality The second main principle of Jainism is anekāntavāda, from anekānta ("many-sidedness," etymologically "non-oneness" or "not being one") and vada ("doctrine"). The doctrine states that truth and reality are complex and always have multiple aspects. It further states that reality can be experienced, but cannot be fully expressed with language. It suggests that human attempts to communicate are Naya, "partial expression of the truth". According to it, one can experience the taste of truth, but cannot fully express that taste through language. It holds that attempts to express experience are syāt, or valid "in some respect", but remain "perhaps, just one perspective, incomplete". It concludes that in the same way, spiritual truths can be experienced but not fully expressed. It suggests that the great error is belief in ekānta (one-sidedness), where some relative truth is treated as absolute. The doctrine is ancient, found in Buddhist texts such as the Samaññaphala Sutta. The Jain Agamas suggest that Mahāvīra's approach to answering all metaphysical philosophical questions was a "qualified yes" (syāt). These texts identify anekāntavāda as a key difference from the Buddha's teachings. The Buddha taught the Middle Way, rejecting extremes of the answer "it is" or "it is not" to metaphysical questions. The Mahāvīra, in contrast, taught his followers to accept both "it is", and "it is not", qualified with "perhaps", to understand Absolute Reality. The permanent being is conceptualized as jiva (soul) and ajiva (matter) within a dualistic anekāntavāda framework. According to Paul Dundas, in contemporary times the anekāntavāda doctrine has been interpreted by some Jains as intending to "promote a universal religious tolerance", and a teaching of "plurality" and "benign attitude to other [ethical, religious] positions". Dundas states this is a misreading of historical texts and Mahāvīra's teachings. According to him, the "many pointedness, multiple perspective" teachings of the Mahāvīra is about the nature of absolute reality and human existence. He claims that it is not about condoning activities such as killing animals for food, nor violence against disbelievers or any other living being as "perhaps right". The five vows for Jain monks and nuns, for example, are strict requirements and there is no "perhaps" about them. Similarly, since ancient times, Jainism co-existed with Buddhism and Hinduism according to Dundas, but Jainism disagreed, in specific areas, with the knowledge systems and beliefs of these traditions, and vice versa. ==History and Influence==
History and Influence
The history of the Digambara tradition includes its divergence from the early Jain sangha, a period of significant royal patronage in Southern India, and the subsequent formation of various sub-sects. Origins and Schism , showing the transmission of the oral tradition, erected on the 2500th anniversary of Mahavira's nirvana The Digambaras and Śvetāmbara disagree on how the Digambara subtradition started in Jainism. According to Digambaras, they are the original followers of Mahavira and Śvetāmbara branched off later in the time of Bhadrabahu when their forecast twelve-year famine triggered their migration from central India. One group of Jain monks headed west and north towards Rajasthan], while the second group headed south towards Karnataka. The former became Śvetāmbara and retained their "heretic" beliefs and practices such as wearing "white clothes" they adopted there, say the Digambaras. In contrast, according to Śvetāmbara, they are the original followers, and Digambaras arose 609 years after the death of Mahavira (about 1st century CE) because of an arrogant man named Sivabhuti who became a Jain monk in a fit of pique after a fight at home. However, according to Jinabhadra Gaṇi Kshamashramana, in his work Viśeṣāvaśyaka Bhāṣya, from which this account of the sect's creation is derived, he explicitly states that Sivabhuti was the eighth heretic who is regarded as the founder 'Bodiya ditthi' or Botika sect, also known as the Digambara sect. He is accused of starting the Digambara tradition with what Śvetāmbara call as "eight concealments", of rejecting Jain texts preserved by the Śvetāmbara tradition, and misunderstanding the Jain ideology including those related to nuns and clothes. The earliest version of this Digambara story appears in the 10th century CE, while the earliest version of the Śvetāmbara story appears in the 5th century CE. Oldest archeological evidence of Digambara Jains dates to the Mangalam Jain inscriptions which mention that workers of Neṭuñceḻiyaṉ I, a Pandyan king of Sangam period, () made stone beds for Digambara Jain monks. It further details the name of the workers who made the stone beds. For example, an inscription shows that Kaṭalaṉ Vaḻuti, a worker ( – accountant; he was also a relative) of Neṭuñceḻiyaṉ, made a stone bed for the Jain monk Nanta-siri Kuvaṉ. In 1943, Heinrich Zimmer proposed that the Greek records of 4th-century BCE mention gymnosophists (naked philosophers) which may have links to the tradition of "naked ascetics" or Digambara. In 2011, Patrick Olivelle stated that the context in which the Greek records mention gymnosophists include ritual suicide by cremation traceable to ancient Brahmanism, rather than the traditional Jain ritual of embracing death by starvation and taking samadhi by voluntarily sacrificing everything including food and water (sallekhana). Tirthankara statues found in Mathura and dated to 2nd-century CE or after are naked. The oldest Tirthankara statue wearing a cloth is dated to the 5th century CE. Digamabara statues of Tirthankara belonging to Gupta period feature half-closed eyes. Early Jain images from Mathura depict Digambara iconography until late fifth century CE where Śvetāmbara iconography starts appearing. According to Digambara texts, after liberation of Mahavira, three Anubaddha Kevalīs attained Kevalajñāna (omniscience) sequentially – Gautama Gaņadhara, Acharya Sudharma Swami, and Jambusvami in next 62 years. During the next hundred years, five Āchāryas had complete knowledge of the scriptures, as such, called Śruta Kevalīs, the last of them being Āchārya Bhadrabahu. Spiritual lineage of heads of monastic orders is known as Pattavali. Digambara tradition consider Dharasena to be the 33rd teacher in succession of Gautama, 683 years after the nirvana of Mahavira. Golden Age: Royal Patronage dated 978–993 on Vindhyagiri Hill The Digambara tradition received significant royal patronage in the Deccan and South India from approximately the mid-first millennium CE onwards, particularly from the Western Ganga, Rashtrakuta, and Chalukya dynasties. This support allowed Digambara acharyas to hold positions of influence and led to the creation of durable artistic and architectural works. Under the Rashtrakuta dynasty, the scholar Jinasena served as a preceptor to King Amoghavarsha I (r. 814–878 CE). Jinasena and his disciple Gunabhadra authored the Mahāpurāṇa, a foundational text that includes the Adipurana (lives of the first tirthankara) and Uttarapurana. This period also corresponds with the excavation of several Jain caves at Ellora, such as the Indra Sabha (Cave 32), which contain Digambara iconography. In the Digambara tradition, the following lineage of teachers is revered: Mahavira, Gautama, Kundakunda, Bhadrabahu, Umaswami, Samantabhadra, Siddhasena Divakara, Pujyapada, Manatunga, Virasena, Jinasena, and Nemichandra. Kundakunda is considered the most significant scholar monk of the Digambara tradition of Jainism. He authored Prakrit texts such as the Samayasāra and the Pravacanasāra. Other prominent Acharyas of this tradition were, Virasena (author of a commentary on the Dhavala), Samantabhadra and Siddhasena Divakara. The Satkhandagama and Kasayapahuda have major significance in the Digambara tradition. There have been several Digambara monastic lineages that all trace their descent to Mahavira. The historical lineages included Mula Sangha (further divided into Nandi, Sena, Simha and Deva Sanghas) and now largely extinct Kashtha Sangha (which included Mathura sangha, ""Lat-Vagad" etc.), Dravida Sangh. The text Darshana-Sara of Devasena discusses the supposed differences among the orders. The Mula sangha orders include Deshiya Gana (Bhattarakas of Shravanabelgola etc.) and Balatkara Gana (Bhattarakas of Humcha, and numerous lineages of North/Central India) traditions. The Bhattarakas of Shravanabelagola and Mudbidri belong to Deshiya Gana and the Bhattaraka of Humbaj belongs to the Balatkara Gana. Medieval and Modern Eras (Sub-sects) In 17th-century, adhyatma movement in Agra led to rise of terapanthi and bisapanthi sub-sects based on the differences over acceptance of authority of bhattarakas. King Jai Singh II (1688–1743) of Amer kingdom built separate temples for the two sub-sects in his newly established capital of Jaipur. Terapanthis, led by scholars like Pandit Todarmal and Banarasidas, rejected the authority of bhattarakas. '' Vidyasagar, a prominent Digambara monk Modern Digambara community is divided into various sub-sects viz. Terapanthi, Bispanthi, Taranpanthi (or Samayiapanthi), Gumanapanthi, Totapanthi and Kanjipanthi. Both the terapanthis and bisapanthis worship with ashta-dravya which includes jal (water), chandan (sandal), akshata (sacred rice), pushp (yellow rice), deep (yellow dry coconut), dhup (kapoor or cloves) and phal (almonds). Bisapanthi religious practices include aarti and offerings of flowers, fruits and prasad whereas terapanthis don't use them. Bispanthis worship minor gods and goddesses like Yaksha and Yakshini like Bhairava and Kshetrapala whereas terapanthis do not. Bisapanthis accept bhattarakas as their religious leaders but terapanthis do not. Terapanthis occur in large numbers in Rajasthan, Uttar Pradesh and Madhya Pradesh. Bisapanthis are concentrated in Rajasthan, Gujarat, Maharastra and South India. ==Scripture and literature==
Scripture and literature
The Digambara sect of Jainism rejects the texts and canonical literature of the Śvetāmbara sect. They believe that the words of Mahavira neither survive nor could be recorded. The original teachings went through a rapid period of decline, state the Digambaras, and Śvetāmbara claims of preserving the sacred knowledge and ancient angas is false. According to the Digambaras, their 33rd achārya was Dharasena who knew portions 12th Anga, the Drṣṭivada, Notable works from each category are listed below. • Prathamanuyoga ("Primary Expositions"). Biographies of the Tirthankaras and famous mythological figures. • Padmapurāṇa of Ravisena (7th century). • Adipurāṇa of Jinasena (8th century). • Harivamsapurāna of Jinasena (8th century). • Uttarapurāna of Gunabhadra (9th century). • Karaṇānuyoga ("Expositions on Technical Matters"). Texts on cosmology, astronomy, karma, and mathematics. • Trilokaprajñapti (Tiloyapaṇṇatti) of Yativṛşabha (ca. 6th- 7th centuries). • Dhavala and Mahādhavalā of Virasena, commentaries on the Şatkhaṇḍāgama (9th century). • Jayadhavala of Virasena and Jinasena, commentary on the Kaşayaprabhṛta (9th century). • Gommatasära and Trilokasära of Nemicandra-Siddhantacakravarti (11th century). • Carananuyoga ("Expositions on Conduct"). Texts on mendicant and lay conduct. • Mülăcăra of Vaṭṭakera (ca. 2nd century). • Bhagavati Ārādhanā of Śivārya (ca. 2nd century). • Niyamasära of Kundakunda (ca. 2nd or 3rd century). • Pravacanasăra of Kundakunda (ca. 2nd or 3rd century). • Samayasara of Kundakunda (ca. 2nd or 3rd century). • Ratnakaranda-Śrāvakācāra of Samantabhadra (2th century). • Dravyanuyoga ("Expositions on Substances"). Texts on philosophy and logic. • Tattvärthädhigama Sutra/Tattvärtha Sutra of Umǎsvāmī (ca. 2nd century). • Pañcāstikāyasāra of Kundakunda (ca. 2nd or 3rd century). • Nyāyāvatāra and Sanmatisūtra of Siddhasena Divakara (5th century). • Aptamimāmsā of Samantabhadra (5th century). • Various works by later authors, such as Akalanka (8th centu- ry) and Vidyananda (9th century). ==Practices==
Practices
Monasticism The lifestyle and behavioral conduct of a Digambara monk is guided by a code called mulacara (mulachara). This includes 28 mūla guņas (primary attributes) for the monk. The oldest text containing these norms is the 2nd-century Mulachara attributed to Vattekara, that probably originated in the Mathura region. These are: 5 mahāvratas (great vows); 5 samitis (restraints); 5 indriya nirodha (control of the five senses); 6 āvaśyakas (essential observations); and 7 niyamas (rules). Digambara monks do not wear any clothes as it is considered to be parigraha (possession), which ultimately leads to attachment. The monks carry picchi, a broom made up of fallen peacock feathers for removing small insects to avoid causing injury and Kamandalu (the gourd for carrying pure, sterilized water). The head of all monastics is called Āchārya, while the saintly preceptor of saints is the upādhyāya. The Āchārya has 36 primary attributes (mūla guņa) in addition to the 28 mentioned above. The monks perform kayotsarga daily, in a rigid and immobile posture, with the arms held stiffly down, knees straight, and toes directed forward. Nuns Female monastics in Digambara tradition are known as aryikas. Digambara nuns, unlike the monks in their tradition, wear clothes. Given their beliefs such as non-attachment and non-possession, the Digambara tradition has held that women cannot achieve salvation (moksha) as men can, and the best a nun can achieve is to be reborn as a man in the next rebirth. This compared to 3,400 nuns and 1,200 monks in the Śvetāmbara tradition. Worship The Digambara Jains worship completely nude idols of tirthankaras (omniscient beings) and siddha (liberated souls). The tirthankara is represented either seated in yoga posture or standing in the Kayotsarga posture. Kizhavalavu (Kilavalavu) -Jain Sculptures.JPG|Kizhavalavu (Keelavalavu) Sculptures Gommateshvara Bahubali.jpg|The high Gommateshwara statue, Shravanabelagola Jain statues, Gwalior.jpg|Tirthankara statues at Siddhachal Caves inside Gwalior Fort, Madhya Pradesh Jain statue of Parshvanath, Naugaza temple, Alwar district, Rajasthan, India.jpg|Tirthankara Parshvanatha statue, Rajasthan == Comparison with Śvetāmbara Tradition ==
Comparison with Śvetāmbara Tradition
In 1124 CE, a fierce debate between Śvetāmbaras and Digambaras happened. The background of the debate goes back to the 1124 CE cāturmāsya of Ācārya Vādidevasūri, a celebrated disciple of Ācārya Municandrasūri, a Śvetāmbara monk. Vādidevasūri was popular for winning debates against several philosophers in Western and North-Western India. Vādidevasūri was in Karnavati (modern-day Ahmedabad's old city) for his 4 months-long stay during the rainy season. During the same time, Kumudcandra, a Digambara monk and the preceptor of Jayakeśi, a Kadamba ruler, was also in the city for his 4 months-long stay during the rainy season. As per medieval Digambara records, Kumudcandra was of formidable intellect and very popular in the Digambara community. As described in Ācārya Prabhācandrasūri's Prabhāvakacarita, Kumudcandra and his disciples tried creating several problems in Vādidevasūri's sangha there. This was probably because the former could not digest the popularity of Vādidevasūri in the Śvetāmbara sangha there. The latter, however, maintained equanimity and did not retaliate. The situation got serious when Kumudcandra and some of his disciples harassed Sādhvī Sarasvatīśrījī, a senior nun in Vādidevasūri's sangha, while she was walking on the road. After mocking her, some disciples and palanquin-bearers of Kumudcandra demanded she dance if she wanted to pass. After the humiliation, she requested Vādidevasūri to take appropriate action and that if this went unanswered, the entire Jaina sangha would crumble. Apart from her, Kumudcandra was also supported by several courtiers and laymen. Prabhāvakacarita names Keśava as one of his supporters, while it names poet Śrīpāla and Bhānu as Vādidevasūri's supporters. Thāhaḍ and Nāgadeva, two Śrāvakas of Vādidevasūri's sangha expressed their wish to spend as much wealth as required for this event. However, Vādidevasūri informed them that spending of any wealth was not required for this event. Thāhaḍ informed him that Kumudcandra's disciples had offered bribe to Gāngila, a minister in Jayasimha Siddharaja's court. Vādidevasūri did not pay attention to it and told him that it would surely be won by the one who has the blessings of God and his preceptor. The terms set by Rājamātā Minaladevi were unfair. If Vādidevasūri lost, all Śvetāmbaras would have convert to the Digambara sect. If Kumudcandra lost, the Digambaras would have to leave Jayasimha Siddharaja's kingdom. On Vaiśākha Pūrṇimā of 1124 CE, the debate began. Kumudcandra mocked a young Hemacandrasūri, who was accompanying Vādidevasūri, by calling him an infant and unfit for this debate. A witty Hemacandrasūri responded by saying that he was dressed, while an infant is one who is naked, aiming at Kumudcandra's Digambara lifestyle (staying nude) and that Kumudcandra, and not he, was an infant. Several exchanges took place between both Vādidevasūri and Kumudcandra. The former was very well-versed with Jaina scriptures and tenets and made sure that no possibility was left unexplored during the debate. Within mere 16 days of the debate's conception, and several instances where Kumudcandra and his disciples faltered, the debate moved towards the subject of women's emancipation which Śvetāmbaras firmly believe in, while Digambaras don't. Digambaras, unable to provide a strong reason to support their heretical belief that women could not achieve emancipation, lost. Similar faults were observed when the subject of kevalins' hunger came up. Vādidevasūri was well-learned and astute and eventually, he triumphed. Vādidevasūri reminded Jayasimha Siddharaja that it was his duty to ensure no one insulted the defeated. The king ordered all Digambaras to immediately leave his kingdom and carried a royal procession to a nearby temple. Śvetāmbaras celebrated this victory and several devotees donated lakhs of gold coins in the temple. As a mark of respect, the ceremonial parasol over Vādidevasūri was carried by the king himself. This record is accepted as historically true, due to its narration found in Prabhāvakacarita, a historical text. While Vādidevasūri went on to write several scriptures and consecrate several major pilgrimage sites, Digambaras, once again, lost all presence in the kingdom of Gujarat. Previously, Digambaras had lost another debate against Ācārya Bappabhattisuri over the ownership of Girnar Jain temples. Other than rejecting or accepting different ancient Jain texts, Digambaras and Śvetāmbara differ in other significant ways such as: • Śvetāmbaras believe that Parshvanatha, the 23rd tirthankara, taught only Four restraints (a claim, scholars say is confirmed by the ancient Buddhist texts that discuss Jain monastic life). These are as follows 1. Ahimsa – nonviolence, non-injury, and absence of desire to harm any life forms. 2. Satya – truthful in one's thoughts, speech and action. 3. Asteya – non-stealing". One must not steal, nor have the intent to steal, another's property through action, speech, and thoughts. 4. Aparigraha – the virtue of non-possessiveness or non-greediness. Mahavira inserted 5th vow ie Brahmacharya – sexual restraint or practice of celibacy. Renunciation of sex and marriage. This was thought to be understood to within 4th vow of Aparigraha, but was more specified as 5th vow of Brahmacharya. Mahāvīra taught Five vows. The Digambara sect disagrees with the Śvetāmbara interpretations, and reject the theory of difference in Parshvanatha and Mahāvīra's teachings. However, Digambaras as well as Śvetāmbaras follow Five vows as taught by Mahavira. The difference is only that Śvetāmbaras believe Parshvanatha taught one vow less (the Four vows except Brahmacharya) than Mahavira. However, monks of Śvetāmbara sect also follow all 5 vows as stated in the Ācārāṅga Sūtra. • Digambaras believe that both Parshvanatha and Mahāvīra remained unmarried, whereas Śvetāmbara believe the 23rd and 24th tirthankar did indeed marry. According to the Śvetāmbara version, Parshvanāth married Prabhavati, and Mahāvīraswāmi married Yashoda who bore him a daughter named Priyadarshana. The two sects also differ on the origin of Trishala, Mahāvīra's mother, as well as the details of Tirthankara's biographies such as how many auspicious dreams their mothers had when they were in the wombs. • Digambara believe Rishabha, Vasupujya and Neminatha were the three tirthankaras who reached omniscience while in sitting posture and other tirthankaras were in standing ascetic posture. In contrast, Śvetāmbaras believe it was Rishabha, Nemi and Mahāvīra who were the three in sitting posture. • According to Śvetāmbara Jain texts, from Kalpasūtras onwards, its monastic community has had more sadhvis than sadhus (female than male mendicants). In Tapa Gacch of the modern era, the ratio of sadhvis to sadhus (nuns to monks) is about 3.5 to 1. In contrast to Śvetāmbara, the Digambara sect monastic community has been predominantly male. • In the Digambara tradition, a male human being is considered closest to the apex with the potential to achieve his soul's liberation from rebirths through asceticism. Women must gain karmic merit, to be reborn as man, and only then can they achieve spiritual liberation in the Digambara sect of Jainism. The Śvetāmbaras disagree with the Digambaras, believing that women can also achieve liberation from saṃsāra through ascetic practices. • The Śvetāmbaras state the 19th Tirthankara Māllīnātha was female. However, Digambara reject this, and worship Mallinatha as a male. • According to Digambara texts, after attaining Kevala Jnana (omniscience), arihant (omniscient beings) are free from human needs like hunger, thirst, and sleep. In contrast, Śvetāmbara texts preach that it is not so. ==Criticism==
Criticism
Padmanabh Jaini Padmanabh Jaini, a renowned Jain scholar, after researching the scriptures of the Digambara sect described several points of critique: - • Rituals and ascetic practices: Jaini points out that an emphasis on extreme ascetic practices such as public nudity and rejection of all possessions leads to a diminished focus on spiritual growth and a greater focus on the less important ritualistic practices. • Scriptural authority: Jaini questions the Digambara reliance on a highly limited set of scriptures that do not fully represent Jain principles and teachings as followed by the Svetambara sect. Jaini questions the Digambara rejection of the Śvētāmbara canonical scriptures. He argues that this rejection leads to a lack of unity and a fragmentation within Jainism. He also points out that the Digambaras' reliance on later texts as authentic scriptures might lack historical and textual rigor. • Gender and nudity: Jaini strongly argues that the practice of public nudity may reinforce patriarchal attitude and limit female spiritual agency. Digambaras hold that women must be reborn as men to attain salvation, which Jaini criticizes for its gender exclusivity and inequality. He argues that female nudity is not equally valued or allowed in the Digambara tradition which greatly limits female spiritual agency as Digambara belief states that moksha cannot be attained without nudity. Further, he states that male nudity leads to masculinization of spirituality. Jaini also mentions that the Digambara sect has historically been male-dominated with women facing several barriers in the path to spirituality and its evolution. • Historical development: Jaini also deliberates that the Digambara tradition may have arisen in response to Hinduism, Ājīvikas, and Buddhism, rather than purely from within Jainism. Kristi L. Wiley Kristi L. Wiley, a scholar of Jainism, has also criticized the Digambara sect's views on liberation of women. Specifically, she highlights the following points of critique: • Exclusionary practices and patriarchal interpretations: Women are excluded from the highest spiritual status in Jainism (achieving liberation) by Digambara sect's scriptures. Wiley sees Digambara interpretations of Jain scriptures as patriarchal and biased against women. • Lack of agency: Digambaras deny the fundamental agency of achieving liberation (the highest status in Jain spirituality) through their own efforts, instead requiring them to rely on male intermediaries. • Inconsistencies with Jain principles: Wiley points out that these views are inconsistent with the fundamental principle of 'equal potential of all living beings to achieve liberation'. She adds that such views may constitute to 'symbolic violence' against women. • Textual manipulation: She alleges that the male-dominated Digambara sect has selectively interpreted and manipulated existing and ancient Jain texts to support their views by ignoring passages that highlight women's spiritual potential. Other religions Scriptures of other religions and schools of thought such as Buddhism, Islam, and Sikhism also criticize and condemn public nudity followed by Digambara monks. ==See also==
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