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Dorothy Lawrence

Dorothy Lawrence was an English journalist who posed as a male soldier to report from the front line during World War I. In 1915, she went to France, where she managed to obtain a military uniform and a false identity.

Early life
Lawrence was born in Fulham, Middlesex. When her mother died on 1 July 1901, Lawrence was adopted by a wealthy and respected Church of England guardian, widowed Mrs Josephine Fitzgerald in Salisbury. ==War correspondent==
War correspondent
By outbreak of World War One Lawrence had had some articles published in The Times and in ''Nash's Pall Mall Magazine''. She wrote to a number of the Fleet Street newspapers offering her services as a war correspondent. ==Transformation==
Transformation
Lawrence persuaded two British Army soldiers she met in a Paris café to smuggle her a khaki uniform, piece by piece from their own laundry. She later dubbed the ten men who eventually shared in this exploit her "khaki accomplices". and headed for the front lines. Front line She set out for the British sector of the Somme by bicycle. believes while Lawrence was not physically involved in tunnelling activities at the front line, she was undoubtedly in the trenches. From Calais she was taken to Saint-Omer and further interrogated. The Army was embarrassed that a woman had breached security and was fearful of more women attempting male roles during the war if her story got out. Fearing she might divulge sensitive intelligence, a judge ordered that she would remain in France until after the imminent Battle of Loos. ==Medals==
Medals
The National Archives (TNA) holds two medal index cards for Lawrence confirming her participation in the war: one showing her rank of Sapper with the Royal Engineers and another [debatably a different Dorothy Lawrence) as a Worker in the Queen Mary's Army Auxiliary Corps ==Later life==
Later life
In 1919, she moved to Canonbury Islington, and published an account of her experiences: Sapper Dorothy Lawrence: The Only English Woman Soldier. Although well received in England, America and Australia, it was heavily censored by the War Office, and it did not become the commercial success that she hoped for. By 1925, her increasingly erratic behaviour was brought to the attention of the authorities. After confiding to a doctor that she had suffered sexual assault as a teenager and with no contact from Mrs Fitzgerald or other family to care for her, she was institutionalised. Committed first to the London County Mental Hospital at Hanwell in March 1925, she was later a patient at the Colney Hatch Lunatic Asylum in Friern Barnet, north London. ==Death and burial==
Death and burial
Reportedly, she had no visitors She was buried in a public pauper grave at New Southgate Cemetery. ==Memorial==
Memorial
On 5 November 2025 the Royal Engineers Association (REA) the Sappers Charity, unveiled a grave marker installed by Steve Davies, Military Grave Restorer. and crafted by London stonemasons Munday & Son As part of its Remembrance Day 2025 coverage, on 11 November 2025, BBC Breakfast News dedicated a news segment to the unveiling of the memorial. ==Legacy==
Legacy
In 2003, Richard Bennett, the grandson of Richard Samson Bennett – one of the soldiers who had helped Lawrence in France – found her autobiography while researching his family history at the Royal Engineers Museum (REM) in Chatham, Kent. On further investigation, West Sussex historian Raphael Stipic found a letter written during World War I by Sir Walter Kirke, head of the secret service for the British Expeditionary Force. The letter mentioned a woman who dressed in men's clothing in hopes of becoming a war correspondent, pointing clearly to Lawrence. found a copy of Lawrence's book in the archives and began collecting notes to write a biography. Lawrence's story later became part of an Imperial War Museum (IWM) exhibition covering women at war. Curator Laura Clouting stated that Lawrence was included because she was the exception to the rule that women were not included in any branch of the military. ==Cultural legacy==
Cultural legacy
Several plays and films have been produced based on Lawrence's story, with others currently - November 2025 - in post-production: • The Disappearance of Dorothy Lawrence (2015), play written by Julie McNamara and directed by Paulette Randall. • Blue Pen (2016), film by McNamara based on the stories of Lawrence and other women journalists whose voices were silenced through censorship, confinement in institutions, and abuse. • Over the Top: the true-life tale of Dorothy Lawrence (2016), play written and directed by Lizzie Crarer, a production of theatre company The Heroine Project Presents, which offers stories of women who have been overlooked in history. • After a trustee of the Historical Association (HA) saw a performance of Over the Top, the HA commissioned the theatre company to create three short films about Lawrence to use in classroom discussions about World War I. The films were posted on the HA website in May 2017. ==Notes==
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