The following is a list of Beethoven's works, sorted by
Opus number, followed by works listed as
WoO in the Kinsky–Halm Catalogue, and then works listed in the appendix of that catalogue, which are given "Anhang" numbers. These are followed by additional works with Hess numbers listed in the catalogue of
Willy Hess that are not otherwise listed in the Kinsky–Halm Catalogue. Lastly there are works with Biamonti numbers (Bia.), from the
Biamonti Catalogue, an attempt to catalogue everything that Beethoven wrote in chronological order, though there are works that were not known at the time it was compiled. Thus there is no definitive catalogue of Beethoven's works to match the
Deutsch catalogue for Schubert or the
Köchel catalogue for Mozart.
Works with opus numbers The opus numbers were assigned by publishers to Beethoven's works as they were published. The opus numbers do not include all works that were published in Beethoven's lifetime nor are they in chronological order. For instance, the Octet Op. 103 was written before November 1792, while Op. 102 and Op. 104 were written in 1815 and 1817 respectively. • Op. 1:
Three Piano Trios (1795) • No. 1:
Piano Trio No. 1 in E major • No. 2:
Piano Trio No. 2 in G major • No. 3:
Piano Trio No. 3 in C minor • Op. 2: Three Piano Sonatas (1796) • No. 1:
Piano Sonata No. 1 in F minor • No. 2:
Piano Sonata No. 2 in A major • No. 3:
Piano Sonata No. 3 in C major • Op. 3:
String Trio No. 1 in E major (1794) • Op. 4:
String Quintet (Reworking of Wind Octet (Op. 103), 1795) • Op. 5:
Two Cello Sonatas (1796) • No. 1: Cello Sonata No. 1 in F major • No. 2: Cello Sonata No. 2 in G minor • Op. 6:
Sonata for Piano, Four Hands in D major (1797) • Op. 7:
Piano Sonata No. 4 in E major (1797) • Op. 8:
String Trio No. 2 (Serenade) in D major (1797) • Op. 9:
Three String Trios (1798) • No. 1: String Trio No. 3 in G major • No. 2: String Trio No. 4 in D major • No. 3: String Trio No. 5 in C minor • Op. 10: Three Piano Sonatas (1798) • No. 1:
Piano Sonata No. 5 in C minor • No. 2:
Piano Sonata No. 6 in F major • No. 3:
Piano Sonata No. 7 in D major • Op. 11:
Piano Trio No. 4 in B major ("Gassenhauer") (1797) (for clarinet (or violin), cello (sometimes bassoon), and piano) • Op. 12: Three Violin Sonatas (1798) • No. 1:
Violin Sonata No. 1 in D major • No. 2:
Violin Sonata No. 2 in A major • No. 3:
Violin Sonata No. 3 in E major • Op. 13:
Piano Sonata No. 8 in C minor ("Pathetique") (1799) • Op. 14: Two Piano Sonatas (1799) • No. 1:
Piano Sonata No. 9 in E major (arranged for String Quartet by the composer in F major, H 34, in 1801) • No. 2:
Piano Sonata No. 10 in G major • Op. 15:
Piano Concerto No. 1 in C major (1795) • Op. 16:
Quintet for Piano and Winds (1796) (later arranged for piano quartet) • Op. 17:
Horn Sonata in F major (1800) • Op. 18:
Six String Quartets (1800) • No. 1:
String Quartet No. 1 in F major • No. 2:
String Quartet No. 2 in G major • No. 3:
String Quartet No. 3 in D major • No. 4:
String Quartet No. 4 in C minor • No. 5:
String Quartet No. 5 in A major • No. 6:
String Quartet No. 6 in B major • Op. 19:
Piano Concerto No. 2 in B major (1795) • Op. 20:
Septet in E major (1799) • Op. 21:
Symphony No. 1 in C major (1800) • Op. 22:
Piano Sonata No. 11 in B major (1800) • Op. 23:
Violin Sonata No. 4 in A minor (1801) • Op. 24:
Violin Sonata No. 5 in F major ("Spring") (1801) • Op. 25:
Serenade for Flute, Violin and Viola in D major (1801) • Op. 26:
Piano Sonata No. 12 in A major (1801) • Op. 27: Two Piano Sonatas (1801) • No. 1:
Piano Sonata No. 13 in E major • No. 2:
Piano Sonata No. 14 in C minor ("Moonlight") • Op. 28:
Piano Sonata No. 15 in D major ("Pastoral") (1801) • Op. 29:
String Quintet in C major (1801) • Op. 30: Three Violin Sonatas (1802) • No. 1:
Violin Sonata No. 6 in A major • No. 2:
Violin Sonata No. 7 in C minor • No. 3:
Violin Sonata No. 8 in G major • Op. 31: Three Piano Sonatas (1802) • No. 1:
Piano Sonata No. 16 in G major • No. 2:
Piano Sonata No. 17 in D minor ("Tempest") • No. 3:
Piano Sonata No. 18 in E major ("Hunt") • Op. 32: Song "An die Hoffnung" (1805) • Op. 33:
Seven Bagatelles for piano (1802) • Op. 34: Six variations on an original theme for piano in F major (1802) • Op. 35:
Fifteen variations and a fugue for piano on an original theme in E major ("Eroica Variations") (1802) • Op. 36:
Symphony No. 2 in D major (1802) • Op. 37:
Piano Concerto No. 3 in C minor (1800) • Op. 38: Piano Trio in E major (arrangement of the Septet, Opus 20) (1803) (for clarinet (or violin), cello, and piano) • Op. 39:
Two Preludes through all twelve major keys for piano (1789) • Op. 40:
Romance for Violin and Orchestra No. 1 in G major (1802) • Op. 41: Serenade for Piano and Flute (or Violin) in D major (1803) (Arrangement of Op. 25 Serenade for Flute, Violin and Viola) • Op. 42: Notturno for Viola and Piano in D major (1803) (Arrangement of Opus 8 Serenade for Violin, Viola and Cello) • Op. 43:
The Creatures of Prometheus, overture and ballet music (1801) • Op. 44:
Variations on an original theme in E major for piano trio (1792) • Op. 45: Three Marches for Piano, 4 hands (1803) • Op. 46:
Song – "Adelaide" (1795) • Op. 47:
Violin Sonata No. 9 in A major ("Kreutzer") (1803) • Op. 48: Six Songs (1802) • Op. 49:
Two Piano Sonatas (between 1795 and 1798) • No. 1: Piano Sonata No. 19 in G minor • No. 2: Piano Sonata No. 20 in G major • Op. 50:
Romance for Violin and Orchestra No. 2 in F major (1798) • Op. 51:
Two Rondos for Piano (1797) • No. 1: Rondo in C major • No. 2: Rondo in G major • Op. 52: Eight Songs (1804–1805) • Op. 53:
Piano Sonata No. 21 in C major ("Waldstein") (1804) • Op. 54:
Piano Sonata No. 22 in F major (1804) • Op. 55:
Symphony No. 3 in E major ("Eroica") (1805) • Op. 56:
Triple Concerto for violin, cello, and piano in C major (1804–1805) • Op. 57:
Piano Sonata No. 23 in F minor ("Appassionata") (1805–1806) • Op. 58:
Piano Concerto No. 4 in G major (1805–1806) • Op. 59:
Three String Quartets ("Razumovsky") (1806) • No. 1:
String Quartet No. 7 in F major • No. 2:
String Quartet No. 8 in E minor • No. 3:
String Quartet No. 9 in C major • Op. 60:
Symphony No. 4 in B major (1806) • Op. 61:
Violin Concerto in D major (1806) • Op. 61a:
Piano Transcription of Violin Concerto, Opus 61 • Op. 62:
Coriolan Overture (1807) • Op. 63: Arrangement of String Quintet (Opus 4) for Piano Trio (1806) (doubtful) • Op. 64: Arrangement of String Trio (Opus 3) for Piano and Cello (1807) (spurious – author unknown) • Op. 65: Aria: "" (1796) • Op. 66: 12 Variations for cello and piano in F major on "Ein Mädchen oder Weibchen" from Mozart's
The Magic Flute (1796) • Op. 67:
Symphony No. 5 in C minor (1807–1808) • Op. 68:
Symphony No. 6 in F major ("Pastoral") (1807–1808) • Op. 69:
Cello Sonata No. 3 in A major (1808) • Op. 70:
Two Piano Trios (1808) • No. 1:
Piano Trio No. 5 in D major ("Ghost") • No. 2:
Piano Trio No. 6 in E major {{Listen|type=music|header=Sextet, Op. 71|filename=Ludwig_van_Beethoven_-_wind_sextet_in_e_flat,_op._71_-_i._adagio_-_allegro.ogg|title=1st movement: Adagio – Allegro • Op. 71: Wind sextet in E (1796) • Op. 72:
Fidelio, opera (c. 1803–05;
Fidelio Overture composed 1814) • Op. 72a:
Leonore (earlier version of
Fidelio, with
Leonore Overture No. 2) (1805) • Op. 72b:
Leonore (earlier version of
Fidelio, with
Leonore Overture No. 3) (1806) • Op. 73:
Piano Concerto No. 5 in E major ("Emperor") (1809) • Op. 74:
String Quartet No. 10 in E major ("Harp") (1809) • Op. 75: Six Songs (1809) • Op. 76: Six variations on an original theme for piano in D major (includes the
Turkish March from
The Ruins of Athens) (1809) • Op. 77: Piano Fantasia in G minor (1809) • Op. 78:
Piano Sonata No. 24 in F major (1809) • Op. 79:
Piano Sonata No. 25 in G major (1809) • Op. 80: "
Choral Fantasy" (Fantasia in C minor for piano, chorus, and orchestra) (1808) • Op. 81a:
Piano Sonata No. 26 in E major ("Les Adieux") (1809) • Op. 81b:
Sextet in E major (1795) • Op. 82: Four Ariettas and a Duet (1809) • Op. 83: Three Songs (1810) • Op. 84:
Egmont, overture and incidental music (1810) • Op. 85: Oratorio:
Christus am Ölberge (Christ on the Mount of Olives) (1803) • Op. 86:
Mass in C major (1807) • Op. 87:
Trio for two Oboes and English Horn in C major (1795) • Op. 88: Song: "Das Glück der Freundschaft" (1803) • Op. 89: Polonaise in C major (1814) • Op. 90:
Piano Sonata No. 27 in E minor (1814) • Op. 91: ''
Wellington's Victory'' ("Battle Symphony") (1813) • Op. 92:
Symphony No. 7 in A major (1812) • Op. 93:
Symphony No. 8 in F major (1812) • Op. 94: Song "An die Hoffnung" (1814) • Op. 95:
String Quartet No. 11 in F minor ("Serioso") (1810) • Op. 96:
Violin Sonata No. 10 in G major (1812) • Op. 97:
Piano Trio No. 7 in B major ("Archduke") (1811) • Op. 98:
An die ferne Geliebte,
song cycle (1816) • Op. 99: Song "Der Mann von Wort" (1816) • Op. 100: Song "Merkenstein" (1814, about the
Merkenstein ruins) • Op. 101:
Piano Sonata No. 28 in A major (1816) • Op. 102:
Two Cello Sonatas (1815) • No. 1:
Cello Sonata No. 4 in C major • No. 2:
Cello Sonata No. 5 in D major. • Op. 103:
Octet in E (1792) • Op. 104:
String Quintet (arrangement of Piano Trio No. 3, 1817) • Op. 105: Six National Airs with Variations for Flute (or Violin) and Piano (1819) • Op. 106:
Piano Sonata No. 29 in B major ("Hammerklavier") (1818) • Op. 107:
Ten National Airs with Variations for Flute (or Violin) and Piano (1820) • Op. 108:
Twenty-Five Scottish Songs (1818) • Op. 109:
Piano Sonata No. 30 in E major (1820) • Op. 110:
Piano Sonata No. 31 in A major (1821) • Op. 111:
Piano Sonata No. 32 in C minor (1822) • Op. 112:
Meeresstille und glückliche Fahrt (Calm Sea and Prosperous Voyage), for chorus and orchestra (1815) • Op. 113:
Die Ruinen von Athen (The ruins of Athens), overture and incidental music (1811) • Op. 114: March and Chorus for
Die Weihe des Hauses (
The Consecration of the House) from
Die Ruinen von Athen (The ruins of Athens) (1822) • Op. 115:
Zur Namensfeier (Feastday), overture (1815) • Op. 116: "
Tremate, empi, tremate", vocal trio with orchestra (1802) • Op. 117:
König Stephan (King Stephen), overture and incidental music (1811) • Op. 118: "
Elegischer Gesang" for four voices and string quartet (1814) • Op. 119:
Eleven new Bagatelles for piano (1822) • Op. 120:
Thirty-three variations on a waltz by Diabelli for piano in C major ("Diabelli Variations") (1823) • Op. 121a:
Kakadu Variations, for Piano Trio (Variations on "Ich bin der Schneider Kakadu") (1803) • Op. 121b: "Opferlied" for soprano, chorus and orchestra (1822) • Op. 122: "Bundeslied" for soprano, alto, chorus and wind instruments (1824) • Op. 123:
Missa solemnis in D major (1823) • Op. 124:
Die Weihe des Hauses (
The Consecration of the House), overture and incidental music (1822) • Op. 125:
Symphony No. 9 in D minor ("Choral") (1824) • Op. 126:
Six Bagatelles for piano (1824) • Op. 127:
String Quartet No. 12 in E major (1825) • Op. 128: Song: "Der Kuss" (1822) • Op. 129:
Rondo à Capriccio for piano in G major ("Rage over a lost penny") (1795) • Op. 130:
String Quartet No. 13 in B major (1825–1826) • Op. 131:
String Quartet No. 14 in C minor (1826) • Op. 132:
String Quartet No. 15 in A minor (1825) • Op. 133:
Große Fuge in B major for string quartet (originally finale of Opus 130) (1825) • Op. 134: Piano arrangement (4 hands) of the Große Fuge, Opus 133 (1826) • Op. 135:
String Quartet No. 16 in F major (1826) • Op. 136: Cantata:
Der glorreiche Augenblick (1814) • Op. 137:
Fugue for String Quintet in D major (1817) • Op. 138:
Leonore, opera (earlier version of
Fidelio, with
Leonore Overture No. 1) (1807)
Works with WoO numbers The numbers and categories used below are from the Kinsky–Halm Catalogue of 1955.
WoO is an abbreviation of "Werke ohne Opuszahl", German for "Works without Opus number". While some of these works were published during Beethoven's lifetime but not given opus numbers, for instance the piano variations WoO 80, others like Für Elise WoO 59 were not published until later. Unlike with opus numbers which were assigned depending on when the works were published, WoO numbers were assigned by genre.
Instrumental works: WoO 1–86 Orchestral works Orchestra alone • WoO 1: Musik zu einem Ritterballett (Music for a ballet on horseback) (1790–01) • WoO 2a: Triumphal March for orchestra for 's tragedy
Tarpeja (1813) • WoO 2b: Introduction to Act II of
Leonore (1805) • WoO 3: "Gratulations-Menuett", minuet for orchestra (1822)
Concertante • WoO 4:
Piano Concerto No. 0 in E major (solo part only with indications of orchestration) (1784) • WoO 5:
Violin Concerto movement in C major, fragment (1790–92) • WoO 6:
Rondo in B major for piano and orchestra, possibly part of initial version of the Piano Concerto No. 2 (1793)
Dances • WoO 7: Twelve minuets for orchestra (later arranged for piano, Hess 101) (1795) • WoO 8: Twelve German Dances for orchestra (later arranged for piano, Hess 100) (1795) • WoO 9: Six minuets for two violins and double bass (authenticity not fully confirmed) (?before 1795) • WoO 10: Six minuets for orchestra (original version lost, only
an arrangement for piano is extant) (1795) • WoO 11: Seven
Ländler for two violins and cello (original version lost, only an arrangement for piano is extant) (1799) • WoO 12: Twelve minuets for orchestra (spurious, actually by Beethoven's brother
Carl) (1799) • WoO 13: Twelve German Dances for orchestra (original version lost, only an arrangement for piano is extant) (1792–97) • WoO 14: Twelve
contredanses for orchestra (nos. 1–2, 4–5, 7–10, 12, later arranged for piano, Hess 102) (1791–1801) • WoO 15: Six Ländler for two violins and double bass (later arranged for piano) (1802) • WoO 16: Twelve
Écossaises for orchestra (fraudulent) (1806) • WoO 17: Eleven "Mödlinger Tänze" for seven instruments (probably spurious) (1819)
Marches and dances for winds • WoO 18:
March for Military Band "Für die Böhmische Landwehr" ["For the Bohemian Ward"] (later arranged for piano, Hess 99) (1809) • WoO 19: March for Military Band "Pferdemusik" ["Horse-music"] (1810) • WoO 20: March for Military Band "Zapfenstreich" ["The Tattoo"] (1810) • WoO 21: Polonaise for Military Band (1810) • WoO 22: Écossaise for Military Band (1810) • WoO 23: Écossaise for Military Band (only a piano arrangement by
Carl Czerny is extant) (1810) • WoO 24: March for Military Band (1816)
Chamber works Without piano • WoO 25: Rondo for wind octet (believed to be the original finale of the Octet, opus 103) (1792) • WoO 26: Duo for two flutes (1792) • WoO 27: Three duets for clarinet and bassoon (probably spurious) • WoO 28: Variations for two oboes and English horn on "
Là ci darem la mano" from
Mozart's opera
Don Giovanni (1795) • WoO 29: March for Wind Sextet in B (1797–98) • WoO 30:
Three Equale for four trombones (vocal arrangements of these were performed at Beethoven's funeral) (1812) • WoO 31: Fugue for organ (1783) • WoO 32: Duo for viola and cello, "mit zwei obligaten Augengläsern" ("with two obbligato eyeglasses") (1796–97) • WoO 33: Five pieces for mechanical clock (1794–1800) • WoO 34: Duet for two violins (1822) • WoO 35: Canon for two violins (1825)
With piano • WoO 36:
Three piano quartets (1785) • WoO 37:
Trio for piano, flute, and bassoon in G major (1786) • WoO 38:
Piano Trio in E major (Piano Trio No. 8) (1791) • WoO 39:
Allegretto for piano trio in B major (1812) • WoO 40: Twelve variations for piano and violin on "
Se vuol ballare" from Mozart's
The Marriage of Figaro (1792–93) • WoO 41: Rondo for piano and violin in G major (1793–94) • WoO 42: Six German Dances for violin and piano (1796) • WoO 43a:
Sonatina for mandolin and piano (1796) • WoO 43b:
Adagio for mandolin and piano (1796) • WoO 44a:
Sonatina for mandolin and piano (1796) • WoO 44b:
Andante and variations for mandolin and piano (1796) • WoO 45: Twelve Variations for cello and piano on "See, the conqu'ring hero comes" from Handel's
Judas Maccabaeus (1796) • WoO 46: Seven Variations for cello and piano in E major on "Bei Männern welche Liebe fühlen" from Mozart's
The Magic Flute (1801)
Piano works for 2 or 4 hands Sonatas and single-movement works • WoO 47:
Three piano sonatas (E major, F minor, D major) ("Kurfürsten Sonatas") (1783) • WoO 48: Rondo for piano in C major (1783) • WoO 49: Rondo for piano in A major (1783) • WoO 50: Piano Sonatina in F major (1790–92, two movements) • WoO 51:
Piano Sonata in C major (1797–98, fragment) completed by
Ferdinand Ries, 1830 • WoO 52: Presto (Bagatelle) for piano in C minor (1795) • No. 1 Bei labbri che amore (Hess 211) (old no. 1) • No. 2 Ma tu tremi (Hess 212) (old no. 6) • No. 3 E pur fra le tempeste (Hess 232) • No. 4 Sei mio ben (Hess 231) • No. 5a Giura il nocchier (Hess 227) (old no. 5b) • No. 5b Giura il nocchier (Hess 230) • No. 5c Giura il nocchier (Hess 221) (old no. 5a) • No. 6 Ah rammenta • No. 7 Chi mai di questo core (Hess 214) (old no. 2) • No. 8 Scrivo in te (Hess 215) (old no. 11) • No. 9 Per te d'amico aprile (Hess 216) (old no. 9) • No. 10a Nei campi e nelle selve (Hess 217) (old no. 7a) • No. 10b Nei campi e nelle selve (Hess 220) (old no. 7b) • No. 11a Fra tutte le pene (Hess 208) (old no. 3a) • No. 11b Fra tutte le pene (Hess 225/209) (old no. 3b) • No. 11c Fra tutte le pene (Hess 224/210) (old no. 3c) • No. 12a Salvo tu vuoi lo sposo • No. 12b Salvo tu vuoi lo sposo (Hess 228) • No. 13a Quella cetra ah pur tu sei (Hess 218) (old no. 10b) • No. 13b Quella cetra ah pur tu sei (Hess 219) (old no. 10c) • No. 13c Quella cetra ah pur tu sei (Hess 213) (old no. 10a) • No. 14a Gia la notte savvicina (Hess 223) (old no. 4b) • No. 14b Gia la notte savvicina (Hess 222) (old no. 4a) • No. 15 Silvio amante disperato (lost) (Hess 226) (old no. 12) • WoO 100: Musical joke for three voices "Lob auf den Dicken" • WoO 101: Musical joke for three voices and chorus "Graf, Graf, liebster Graf" • WoO 102: Chorus for male voices "Abschiedsgesang" • WoO 103: Cantata
Un lieto Brindisi • WoO 104: "Gesang der Mönche" from Schiller's
Wilhelm Tell for three male voices • WoO 105: Song for solo voice, chorus and piano "Hochzeitslied" • WoO 106: Birthday Cantata for Prince Lobkowitz
Lieder and songs for solo voice and piano • WoO 107–151: Forty-five songs
Folksong arrangements for one or more voices, with piano trio accompaniment • WoO 152: Twenty-five Irish folksongs • WoO 153: Twenty Irish folksongs • WoO 154: Twelve Irish folksongs • WoO 155: Twenty-six Welsh folksongs • WoO 156: Twelve Scottish folksongs • WoO 157: Twelve folksongs of various nationalities • WoO 158a: Twenty-three continental folksongs • WoO 158b: Seven British folksongs • WoO 158c: Six assorted folksongs • WoO 158d: "Air Français"
Vocal canons • WoO 159–198: Forty Canons
Musical jokes, quips, and dedications • WoO 199: Musical joke "Ich bin der Herr von zu" • WoO 200: Piano Exercise "O Hoffnung!" • WoO 201: Musical joke "Ich bin bereit!" • WoO 202: Riddle canon "Das Schöne zu dem Guten" (first version) • WoO 203: Riddle canon "Das Schöne zu dem Guten" (second version) • WoO 204: Musical joke "Holz, Holz, Geigt die Quartette So" (Spurious, actually composed by Karl Holz • WoO 206: Oboe Concerto in F major (lost; only
incipits and draft of 2nd movement extant) (Hess 12) • WoO 207: Romance cantabile for soloists and orchestra (Hess 13) • WoO 208: Wind Quintet in E (fragment) (Hess 19) • WoO 209: Minuet in A for string quartet (Hess 33, piano version Hess 88) • WoO 210: Allegretto for string quartet in B minor (Pencarrow Quartet, Gardi 16) • WoO 211: Andante in C major (Biamonti 52) • WoO 212: Anglaise for piano in D major (Hess 61) • WoO 213a: Andante (bagatelle) in D major (Biamonti 283) • WoO 213b: Finale (bagatelle) in G major (Biamonti 282) • WoO 213c: Allegro (bagatelle) in A major (second part of the Allegro in A and A, Biamonti 284) • WoO 213d: Rondo (bagatelle) in A major (Biamonti 275) • WoO 214: Allegretto (bagatelle) in C minor (Hess 69) • WoO 215: Fugue in C major (Hess 64) • WoO 216a: Bagatelle in C major for piano (Hess 73) • WoO 216b: Bagatelle in E major (Hess 74) • WoO 217: Minuet in F major (Biamonti 66) • WoO 218: Minuet in C major (Biamonti 74) • WoO 219: Waltz or Ländler in C minor (Hess 68) • WoO 220: Kriegslied für die verbündeten Heere (lost) (Hess 123) • WoO 221: Canon, Herr Graf (Hess 276) • WoO 222: Canon in A major (Hess 275, Hess 328) • WoO 223: Thut auf (Biamonti 752) • WoO 224: Cacatum non est Pictum (Gardi 9) • WoO 225: Grossen Dank für solche Gnade (Hess 303) • WoO 226: Fettlümerl und Bankert haben triumphirt (Hess 260) • WoO 227: Musical joke "Esel aller Esel" (Hess 277) • WoO 228a: Musical joke "Ah, Tobias" (Gardi 14) • WoO 228b: Musical joke "Tobias" (Hess 285)
Works with Anhang (Anh.) and Unvollendete (Unv.) numbers These are works from the Appendix (
Anhang in German) of Kinsky's catalog that were attributed to Beethoven at the time the catalog was compiled, but might not have been written by him. The 2014 revision to the Kinsky catalogue, edited by Dorfmüller, Gertsch and Ronge also introduced the category of Unvollendete (unfinished works), for several works that had previously appeared in other listings.) • Anh. 2: Six string quartets (doubtful) • Anh. 3: Piano trio in D major (spurious, actually composed by Beethoven's brother
Karl) • Anh. 9: Nine German dances for piano four-hands (probably doubtful) • Anh. 10: Eight variations on the song "Ich hab'ein kleines Hüttchen nur" for piano in B major (doubtful) • Anh. 11: "Alexandermarsch" for Louis Duport ballet "Der blode Ritter" march for piano in F major (probably doubtful) • Anh. 12: "Pariser Einzugsmarsch" march for piano in C major (spurious, actually composed by
Johann Heinrich Walch) • Anh. 13: Funeral march for piano in F minor (spurious, actually composed by
Johann Heinrich Walch, but still popularly called "Beethoven's Funeral March" in the UK; where it is famously played during the
Remembrance Sunday service at the
Cenotaph) • Anh. 14: Six piano waltzes (probably spurious) • Anh. 15: "Glaube, Liebe, und Hoffnung" waltz for piano in F major, most known as "Adieu to the piano" (probably doubtful) • Anh. 16: Four piano waltzes • "Jubelwalzer" waltz for piano in C major (probably doubtful) • "Gertruds Traumwalzer" waltz for piano in B major, most known as "
Gertrude's Dream Waltz" (spurious, author unknown) • "Sonnenscheinwalzer" waltz for piano in E major (probably doubtful) • "Mondscheinwalzer" waltz for piano in A major (probably doubtful) • Anh. 17: "Introduction and Waltz (Klavierstück)" waltz for piano in F major (probably doubtful) • Anh. 18: "An Sie" or "Nachruf" song in A major (Voice and Piano or Guitar) (probably doubtful) • Unv. 1 Symphony in C minor = Hess 298 • Unv. 2 Sketches for a symphony in C (parts of which were reused for Symphony #1) = Biamonti 73 • Unv. 3
Symphony No. 10 = Biamonti 838 • Unv. 4 Sketches for a BACH Overture = Biamonti 832 • Unv. 5 Concertante in D = Gardi 3 • Unv. 6
Piano Concerto #6 in D = Hess 15 • Unv. 7
String Quintet movement in D minor = Hess 40 • Unv. 8 Duo for Violin and Cello in E-flat = Gardi 2 • Unv. 9 Allegretto in E-flat for Piano Trio = Hess 48 • Unv. 10 Piano Trio in F minor = Biamonti 637 • Unv. 11
Violin Sonata in A = Hess 46 • Unv. 12 Fantasia/Piano Sonata in D = Biamonti 213 • Unv. 13 Piano Sonata in E-flat (found at Fischhof 42v, previously uncatalogued) • Unv. 14 Variations for Piano in A (found at Fischhof 25v through 26v, previously uncatalogued) • Unv. 15 Opera,
Vestas Feuer = Hess 115 • Unv. 16 Opera, Macbeth = Biamonti 454 (Beethoven is believed to have intended to write the opera
Macbeth; a performing version of possible sketches was assembled by Albert Willem Holsbergen between 1999 and 2001. The premiere performance of the Beethoven Macbeth Overture was by the National Symphony Orchestra on September 20–22, 2001, under the direction of
Leonard Slatkin). • Unv. 17 Cantata, Europens Befreiungsstunde = Hess 317 • Unv. 18 Östreich über alles, Song for Chorus and Orchestra, Biamonti 477 • Unv. 19 Cantata for voice and piano in B-flat, (found in Fischhof f.1v, Kafka f.100r and a.66 f.1r. previously uncatalogued) • Unv. 20 Lamentations of Jeremiah = Gardi 4 • Unv. 21 Song, "Traute Henriette" = Hess 151 • Unv. 22 Song, "Rastlose Liebe" = Hess 149 • Unv. 23 Song, "Heidenröslein" = Hess 150
Works with Hess numbers Works with Hess number These works have numbers that were assigned by
Willy Hess in his catalogue of Beethoven's works. Many of the works in the Hess catalog also have WoO or Unv. numbers; those entries are not listed here. • Hess 1: Original ending to first movement of
Symphony No. 8 (1812) • Hess 3: Twelve Ecossaise for piano or orchestra • Hess 11: Romance No. 3 for violin & orchestra (1816) • Hess 14: Fragment of original version of
Piano Concerto No. 2 (1794–95) • Hess 16: Original introduction to the
Choral Fantasy (1808) • Hess 25: String Trio, Op. 3 (first version) (1793) • Hess 28: Movement in A major for string trio, Op. 9, No. 1 (second trio to the Scherzo) (1797) • Hess 29–31: Preludes and Fugues for Albrechtsberger (1794–95) • Hess 32: String Quartet in F major (first version of Op. 18, No. 1) (1799) • Hess 34: String Quartet in F major (arrangement of Op. 14, No. 1) (1801–02) • Hess 35: Bach fugue arranged for string quartet (fragment) (1817) • Hess 36: Handel fugue arranged for string quartet (1798) • Hess 37: Mozart fugue arranged for piano four hands • Hess 38: Bach fugue arranged for string quintet (1801–02) • Hess 39: String Quintet in F major (lost) • Hess 40:
Prelude for String Quintet (incomplete) (1817) • Hess 44: Adagio ma non troppo for mandolin & harpsichord in E major • Hess 46:
Violin Sonata in A major (fragment) (c.1790) • Hess 47: Allegro con brio in E major for piano trio (arrangement of String Trio, Op. 3) • Hess 49: Piano Trio in E major (1786) • Hess 50: Piano Trio in B major (1786) • Hess 52: Piano Sonata in C major • Hess 54: Piano variations on
Freudvoll und Liedvoll • Hess 57: Bagatelle in C major (1824) • Hess 58: Piano Exercise in B major (1800) • Hess 59: Piano Exercise in C (1792–1800) • Hess 60: Draft in A for Piano (1793) • Hess 63: Arrangement of Christian Friedrich Daniel Schubart's "Kaplied" for piano (1789) • Hess 65: Concerto excerpt (arrangement of Op. 37) (1820–01) • Hess 66: Allegretto in C minor (1796–97) • Hess 67: Two German dances for piano (1811) • Hess 69: Allegretto for piano in C minor (1794) • Hess 70: Adagio for piano in G major (1803–04) • Hess 71: Molto adagio for piano in G major (1803–04) • Hess 72: Variations for piano in A major (1803) • Hess 76–83: Cadenzas for Piano • Hess 84: Rondo for piano • Hess 85: Piano cadenza for Op. 61a • Hess 87:
Grenadiermarsch for piano (arrangement of WoO 29) (1797–98) • Hess 88: Minuet for piano (arrangement of WoO 209) (1790–92) • Hess 89: Ritterballet for piano (arrangement of WoO 1) (1791) • Hess 90:
The Creatures of Prometheus for piano (arrangement of Op. 43) (1801) • Hess 91–95: Five Songs • Hess 96: Fragment of
Symphony No. 7 for piano (1813) • Hess 97:
Wellington's Victory for piano and two cannons (arrangement of Op. 91) (1816) • Hess 98: Scherzo for piano (1794–99) • Hess 99:
Yorckscher Marsch (piano arrangement of WoO 18) (1809–10) • Hess 100: Twelve German dances (piano arrangement of WoO 8) (1795) • Hess 101: Twelve Minuets (piano arrangement of WoO 7) (1795) • Hess 102: Nine contredanses (piano arrangement of nos. 1–2, 4–5, 7–10, 12 from Twelve contredanses for orchestra WoO 14) (1791–1801) • Hess 107:
Grenadiermarsch (musical clock arrangement of WoO 29) (1798) • Hess 108:
Wellington's Victory (
panharmonicon arrangement of the second part of Op. 91) (1813) • Hess 110–114: Parts from 'Leonore • Hess 116: Fragment for Solo Voice(s): "Ritterblatt" • Hess 118: Music for
The Consecration of the House (from Op. 113) (1822) • Hess 121–122: Arias from
Leonore • Hess 123–147: Songs • Hess 152–207: Folksong settings • Hess 208–232: Italian partsongs • Hess 233–246: Counterpoint exercises • Hess 254: Canon in G major: "Hol dich der Teufel" (1801) • Hess 263–264: Two canons • Hess 274: Canons in G major (1803) • Hess 296: Little Cadenza for Instrument(s) (1822) • Hess 297: Adagio for three horns (1815) • Hess 299–305: Sketches for canons • Hess 306–309: Four canons • Hess 310: Prelude in C for Organ • Hess 311–312: Two canons • Hess 313: Song: "Te solo adoro" (1824) • Hess 314: Funeral Cantata (1781) • Hess 315: Fugue • Hess 316: Quintet (1793) • Hess 318–319: String Quintets • Hess 320: Andante for String Quartet in G major (1815) • Hess 321–324: Melodies • Hess 325: Piece for piano in D major (1802) • Hess 326: Fugue for piano in C major (1800–01) • Hess 327: Two little melodies (1803) • Hess 329–330: Sketches • Hess 331: Minuet for piano in B major • Hess 332: Pastorella for String Quartet in D major (1799) • Hess 333: Minuet-Scherzo for String Quartet in A major (1799) • Hess 334: Draft for String Quartet in A major (1799) • Hess 335: Two exercises on the song "Gedenke Mein"
Works with Hess Anhang (Anh.) numbers These are works included in the appendix of Hess's catalogue that might not be genuine works by Beethoven. • Anh. 3:
Marches zur großen Wachtparade (not certain) • Anh. 4:
Marsch in geschwinden tempo (not certain) • Anh. 5: Twelve waltzes for 2 Violins and Bass, with 2 Flutes and 2 Horns ad libitum (not certain) (1807) • Anh. 8: Quintet for Flute, Violin, 2 Violas, and Cello (not certain) • Anh. 9: Sonata for 2 Violins and Cello (not certain) • Anh. 10: Andante favori for string quartet (arrangement of WoO 57) (not certain) • Anh. 17: Adagio and Andante for violin and piano (not certain) • Anh. 21: Bagatelle "An Laura" for piano (arrangement of WoO 112) (doubtful) • Anh. 22: Funeral March in C Minor (not certain) • Anh. 38–56: Songs (not certain) • Anh. 57: Fugue "
Dona nobis pacem" (now thought genuine) (1795) • Anh. 58: Bundeslied (not certain) • Anh. 59: Folksong "As I was wandering" (not certain) • Anh. 60: Canon in C major (probably spurious) • Anh. 61–62: Canons (spurious) • Anh. 63–64: Canons (not certain) • Anh. 65: Cantata
Karfreitagskantate (not certain) • Anh. 66: Two fragments for chorus (not certain)
Works with Biamonti numbers The Italian musicologist
Giovanni Biamonti compiled a chronological catalogue of Beethoven's entire output known at the time, including sketches and fragments. While most of these works were already included in other catalogues, there were some that had been missed by earlier compilers. This list does not include works with opus, WoO or Hess numbers, nor does it include sketches. • Bia 1: Variations in C minor for piano on a march by Ernst Cristoph Dressler (1782) • Bia 2: Three Piano Sonatas in E-Flat, F minor and D major (1782–83) • Bia 3: Sonata in A major for piano and violin (Fragments) (1783) • Bia 4: Rondo in C major for Piano (1783) • Bia 5: Rondo in A major for piano (1783) • Bia 6:Two-part Fugue in D major for organ (fortepiano) (1783) • Bia 8: Second movement for the trio, Hess 48 (1783) • Bia 9: An einen Säugling: Noch weisst du nicht, for Voice and Piano (1783) • Bia 10: Andante for String Quartet in C major (1793) • Bia 277: Presto for piano in G major (1793) • Bia 279: Allegro for piano in C major (1793) • Bia 291: Andante, for a symphony (1801) • Bia 292: March with variations (1801) • Bia 319: Finale for piano (1802) • Bia 322: Piece for piano in C minor (1802) • Bia 323: Piece for piano (1802) • Bia 346:
Fuga Antique for piano in C major (1803) • Bia 347: Passage for piano through all the keys (1803) • Bia 359: Rondo for "all the instruments" (1803) • Bia 380: Song "Zur Erde sank die Ruh' vom Himmel nieder" (1803) • Bia 383: Exercise for piano • Bia 389: Piece for viola, cello, horn and double bass (1803) • Bia 392: Rondo for piano (1803) • Bia 447: Passage for piano (1808) • Bia 547:
Symphony No. 8 with the original ending of Hess 1 (1812) • Bia 606: Andante for pizzicati basses with clarinets in B minor (1815) • Bia 621: Allemande for piano (1815) • Bia 622: Pastorella for piano in C major (1815) • Bia 624: Etude, study of prosody on a text of Homer (1815) • Bia 632: Song "Die Zufrieddenheit" (1815) • Bia 634: German dance for piano trio in F minor (1815) • Bia 638: Exercise for piano (1815) • Bia 797: Adagio for String Quartet in E major (1824) • Bia 811: Canon in C minor (1825) • Bia 849: Draft for piano (last notes written by Beethoven) (1827) There were also several projected works by Beethoven, including the operas Alessandro, Memnons Dreiklang, and Bradamante; an oratorio on a text by Meissner, an oratorio "Die Befrieung Jerusalems", and an oratorio "Die Sündflut" with text by Hammer-Purgstall. ==See also==