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Overture is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme".

French overture
As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptiste Lully, which he elaborated from a similar, two-section form called ouverture, found in the French ballets de cour as early as 1640. == Italian overture ==
Italian overture
In Italy, a distinct form called "overture" arose in the 1680s, became established particularly through the operas of Alessandro Scarlatti, and spread throughout Europe, supplanting the French form as the standard operatic overture by the mid-18th century. Its stereotypical form is in three generally homophonic movements: fast–slow–fast. The opening movement is normally in duple metre and a major key; the slow movement in earlier examples is usually quite short, and sometimes in a contrasting key; the concluding movement is dancelike, most often with rhythms of the gigue or minuet, and returns to the key of the opening section. As the form evolved, the first movement often incorporated fanfare-like elements and took on the pattern of so-called "sonatina form" (sonata form without a development section), and the slow section became more extended and lyrical. == 18th century ==
18th century
Prior to the 18th century, the symphony and the overture were almost interchangeable, with overtures being extracted from operas to serve as stand-alone instrumental works, and symphonies being tagged to the front of operas as overtures. With the reform of opera seria, the overture began to distinguish itself from the symphony, and composers began to link the content of overtures to their operas dramatically and emotionally. Elements from the opera are foreshadowed in the overture, following the reform ideology that the music and every other element on stages serves to enhance the plot. One such overture was that of La Magnifique by André-Ernest-Modeste Grétry, in which several of the arias are quoted. This "medley form" persists in the overtures to many works of musical theatre written in the 20th and 21st centuries. == 19th-century opera ==
19th-century opera
In 19th-century opera the overture, Vorspiel, Einleitung, Introduction, or whatever else it may be called, is generally nothing more definite than that portion of the music which takes place before the curtain rises. Richard Wagner's Vorspiel to Lohengrin is a short self-contained movement founded on the music of the Grail. In Italian opera after about 1800, the "overture" became known as the sinfonia. Fisher also notes the term ''Sinfonia avanti l'opera'' (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as opposed to one serving to begin a later section of the work". ==Concert overture==
Concert overture
Early 19th century Although by the end of the eighteenth century opera overtures were already beginning to be performed as separate items in the concert hall, the "concert overture", intended specifically as an individual concert piece without reference to stage performance and generally based on some literary theme, began to appear early in the Romantic era. Carl Maria von Weber wrote two concert overtures, Der Beherrscher der Geister ('The Ruler of the Spirits', 1811, a revision of the overture to his unfinished opera Rübezahl of 1805), and Jubel-Ouvertüre ('Jubilee Overture', 1818, incorporating God Save the King at its climax). However, the overture ''A Midsummer Night's Dream'' (1826) by Felix Mendelssohn is generally regarded as the first concert overture. One song of the Who's rock opera Tommy is designated as "Underture". ==Film==
Film
In motion pictures, an overture is a piece of music setting the mood for the film before the opening credits start. Famous examples include Gone with the Wind (1939) and Lawrence of Arabia (1962). For a comprehensive list, see the list of films with overtures. ==List of standard repertoire==
List of standard repertoire
Some well-known or commonly played overtures: • Anton Arensky: A Dream on the VolgaMalcolm Arnold: • Beckus the DandiprattA Grand, Grand OverturePeterloo • ''Tam O'Shanter'' • Daniel Auber: Fra DiavoloSamuel Barber: Overture to The School for ScandalArnold Bax: Overture to a Picaresque ComedyLudwig van Beethoven: • Leonora Nr 1 • Leonora Nr 2 • Leonora Nr 3 • FidelioCoriolan OvertureCreatures of PrometheusEgmontThe Ruins of AthensThe Consecration of the HouseArthur BenjaminOverture to an Italian ComedyHector Berlioz: • Benvenuto CelliniLe carnaval romainLe corsairLes Francs-JugesKing LearWaverleyLeonard Bernstein: CandideGeorges Bizet: CarmenAlexander Borodin: Prince IgorJohannes Brahms: • Academic Festival OvertureTragic OvertureAnton Bruckner: Overture in G minor (WAB 98) • Aaron Copland: An Outdoor OvertureAntonín Dvořák: Carnival OvertureEdward Elgar: • In the South (Alassio)CockaigneFroissartGeorge Gershwin: • Cuban Overture • Overture to Strike Up the BandPhilip Glass: • Overture 2012King Lear OvertureMikhail Glinka: Ruslan and LyudmilaChristoph Willibald Gluck: • Iphigénie en TaurideOrfeo ed EuridiceAlcesteAntônio Carlos Gomes: Il GuaranyEdvard Grieg: In AutumnGeorge Frideric Handel • Overture to the Music for the Royal Fireworks • Overture to the Water Music • Overture to Messiah and other OratoriosJoseph Haydn: ArmidaFerdinand Hérold: ZampaJohn Ireland: • A London OvertureSatyricon Overture • Édouard Lalo: ''Le roi d'Ys'' • Franz Lehár: The Merry WidowAndrew Lloyd Webber: • "Overture from Phantom of the Opera" • Hamish MacCunn: The Land of the Mountain and the FloodFelix Mendelssohn: • The Hebrides (or ''Fingal's Cave'') • Calm Sea and Prosperous Voyage • ''A Midsummer Night's Dream'' • Ruy BlasDie schöne Melusine (The Fair Melusine) • Wolfgang Amadeus Mozart: • The Marriage of FigaroLa clemenza di TitoCosì fan tutteDon GiovanniIdomeneoDie Entführung aus dem SerailThe Magic FluteModest Mussorgsky: KhovanshchinaNikolai Myaskovsky: • Pathetic OvertureSalutation OvertureOtto Nicolai: The Merry Wives of WindsorCarl Nielsen: • MaskaradeHelios OvertureJacques Offenbach: Orpheus in the UnderworldSergei Prokofiev: Overture on Hebrew ThemesEmil von Reznicek: Donna DianaNikolai Rimsky-Korsakov: • Russian Easter Festival OvertureThe Maid of PskovMay NightGioachino Rossini: • La cambiale di matrimonioTancrediIl signor BruschinoIl turco in ItaliaLa CenerentolaSemiramideIl viaggio a ReimsThe Barber of SevilleLa gazza ladra • ''L'italiana in Algeri'' • La scala di setaWilliam TellFranz Schubert: • Overture in Italian Style, D590 • RosamundeRobert Schumann: • Overture, Scherzo and Finale, Op 52 • ManfredGenovevaFaustJulius CaesarHermann und DorotheaThe Bride of MessinaDmitri Shostakovich: Festive OvertureBedřich Smetana: The Bartered BrideJohann Strauss: Die FledermausJean Sibelius: Overture to The TempestArthur Sullivan: • The MikadoThe GondoliersThe Yeomen of the GuardFranz von SuppéLight Cavalry OvertureThe Beautiful GalateaPoet and PeasantPyotr Ilyich Tchaikovsky: • 1812 OvertureHamlet (Overture-Fantasy) • Romeo and Juliet (Overture-Fantasy) • The Nutcracker (Miniature Overture) • Giuseppe Verdi: • La forza del destinoNabuccoI vespri sicilianiRichard Wagner: • Faust OvertureThe Flying DutchmanLohengrin (both Act and Act III Preludes) • Die Meistersinger von NürnbergRienziTannhäuserRalph Vaughan Williams: The WaspsWilliam WaltonJohannesburg Festival OvertureScapino Overture • Portsmouth Point Overture • Carl Maria von Weber: • EuryantheDer FreischützOberonJames Barnes • "Alvamar Overture" • "Appalachian Overture" == Citations ==
General and cited references
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