Creation signing a copy of the
Elektra comics series during an appearance at
Midtown Comics Comics scholar P.L. Thomas points out that Elektra "presents many problems for a unified Marvel Universe because her origin and existence have been refashioned often despite her minor status." Her different appearances often present very different characterizations for her or re-work her background in fragmented ways, even in the original stories about her written by Frank Miller. Elektra was created by Miller, who based the character's appearance on
Lisa Lyon, a
female bodybuilder. Miller and Janson also sometimes modeled her appearance on the actress
Bo Derek. Miller has said that he designed the character around
Electra, a character in
Greek tragedy, and the
Electra complex theorized by
Carl Jung. In an interview, Miller says that the character was inspired by Sand Seref, a
femme fatale character in
Will Eisner's series,
The Spirit, and that he had adapted Sand Seref's first appearance but made it harsher. Some critics have compared the character to
Catwoman, who has a similar ambivalent relationship with
Batman, although Elektra is portrayed as much more dangerous and violent. Another comics scholar, Daniel Binns, compares Elektra to
Wonder Woman, who also has a complex backstory that has often been revised, links to
Greek mythology, and a complex
gender identity that combines strongly feminine characteristics with traditionally masculine activities.
1980s Elektra first appeared in
Daredevil #168 (January 1981). Miller intended this issue, which was essentially a filler story, to be Elektra's only appearance. She instead became a frequently appearing villain in
Daredevil, until she was murdered by
Bullseye in issue #181 (April 1982). She was
resurrected shortly after, but the story contains a narrative note which indicates that Daredevil must never encounter her again. Miller collaborated with
Bill Sienkiewicz on
Elektra: Assassin, a surrealistic, satirical miniseries that ran from 1986 to 1987. Mary
Jo Duffy, the editor who initiated the project, writes that Sienkiewicz was the chosen artist because of his skills: "the fine drafting, the loony caricatures, and the high-style infusion of sex-and-drugs-and-rock'n'roll." In the story, Elektra discovers that a US
presidential candidate intends to launch a
nuclear war. In opposing him, Electra enters into a complex and ambiguous relationship with
John Garrett, a
S.H.I.E.L.D. cyborg. The series concludes with the successful election of the candidate, but the replacement of his mind by another character whose motives are ambiguous. While the story initially had an unclear relationship to the larger Marvel canon, aspects of the story were later incorporated into mainstream continuity. The art for the story is highly experimental; as one critic, Stefan Hall, remarks, "Sienkiewicz uses
collage,
oil painting,
mimeograph, and other artistic forms generally uncommon in comic books and graphic novels." Hall points out that the mixed-media approach draws from
Robert Rauschenberg and the caricatures of main characters are indebted to
Ralph Steadman. The series appeared the same year as Miller's highly influential
The Dark Knight Returns, and shares tone and themes.
1990s In 1990, Elektra appeared in another Miller creation,
Elektra Lives Again. This is an
avant-garde story that takes place outside normal Marvel continuity. It won an
Eisner Award for "Best Graphic Album: New". In the narrative, Daredevil is haunted by dreams about Elektra's past, death and potential resurrection. The story largely takes place in dreams and has been described as
surreal. Aesthetically, the graphic novel also anticipates Miller's later work in
Sin City. In 1993, Miller revisited the character in the miniseries
Daredevil: The Man Without Fear. Taking place in the past before Matt Murdock took on the Daredevil identity, the story elaborates the relationship between Murdock and Elektra Natchios. This version of the character contrasts with the earlier depiction of their relationship in Miller's
Daredevil stories of the 1980s, in which Elektra is innocent as a young woman; in
The Man Without Fear, Elektra is already aggressive and unhinged even in her initial romance with Murdock. After over a decade's absence from regular continuity, she reappeared in the
Daredevil "Fall from Grace" story line (#324–327, Jan.–April 1994). The art was by
Scott McDaniel.
Daredevil writer
D. G. Chichester recounted that he and editor
Ralph Macchio had discussed the character's return several times: This upset Frank Miller, who claimed that Marvel had previously promised him that the character would not be used in any publication. Chichester's story establishes that
Elektra: Assassin is a
hallucinatory distortion of canonical events in which Elektra took part, in the mind of the cyborg Garrett. An four-issue
Elektra miniseries was published in 1995 (March–June), with the cover indicating the subtitle
Root of Evil. As with the 1994 appearances in
Daredevil, the miniseries was produced by the creative team of Chichester and McDaniel. It was not particularly well-received. Electra served as a supporting character in
Wolverine, written by
Larry Hama (in #100–106, April–November 1996). The Wolverine story arc establishes that Elektra has been re-trained and rehabilitated by
Stick and is now morally good. While she remains unusually ruthless, this is the first time she takes on a heroic role. As a spin-off of this storyline, in 1996 she starred in an ongoing series that lasted nineteen issues, initially written by the same author along with
Peter Milligan and illustrated by
Mike Deodato Jr. The series establishes that Elektra was resurrected by the
Chaste, the adversaries of the Hand. The series has a much lighter tone, sometimes including parody of
romance comics, and Elektra is much more virtuous. The narrative declares, "She was once a wild-eyed assassin ... of course, she's a completely different person now." However, she struggles with a tendency to relapse into her earlier, more indiscriminately violent, tendencies. Elektra briefly resumes her relationship with Daredevil in this series, although he is unfaithful to his primary girlfriend at that time,
Karen Page.
2000s Elektra appeared in a second self-titled ongoing series that lasted 22 issues, from 2001 to 2003. While initially written by
Brian Michael Bendis, the series was primarily written (after issue #6) by
Greg Rucka. This series ignores the events of the previous series written by Milligan, and Elektra returns to her earlier morally-ambiguous, tormented characterization. In 2002, Rucka also wrote a novella featuring the character along with
Wolverine, titled
Elektra and Wolverine: The Redeemer. While this is a prose narrative rather than a graphic novel, it includes extensive illustrations by
Yoshitaka Amano. The status of the story with Marvel mainstream canon is unclear; the characters do not appear to have met before, and do not make reference to earlier stories in the Hama and Milligan series in which they interact. In an interview concerning his approach to these characters, Rucka comments on Elektra's allure as tied to her mysterious and enigmatic nature, and states that for this reason she is very difficult to write or to identify with. He describes it as a compelling
emotional detachment, and contrasts this to Wolverine's demeanor, which he sees as warmer. Beginning in
Ultimate Spider-Man #51 (February 2004), an alternate version of Elektra serves as a recurring adversary in Brian Michael Bendis's acclaimed re-interpretation of Spider-Man in the
Ultimate Marvel timeline. In October of the same year, this alternate version of the character featured in her own five-issue miniseries written by
Mike Carey and illustrated by
Salvador Larroca, with Daredevil as a supporting character. Also in 2004, Elektra appears as a prominent leading character in
Mark Millar's
Wolverine storyline "Enemy of the State," with art by
John Romita Jr. (who previously drew Elektra in the
Man without Fear miniseries a decade earlier). In this storyline, she works with SHIELD to help Wolverine fight the Hand. In the course of events, she appears to be re-brainwashed by the Hand, although this is revealed to be a ruse on her part. However, in order to maintain the deception, she kills a number of SHIELD agents in cold blood. In the mainstream Marvel universe, Elektra encounters Matt Murdock again in
Daredevil vol. 2 #77 through #81 (November 2005 - March 2006), written by Bendis and illustrated by
Alex Maleev. In this storyline, she arrives to warn Murdock about Kingpin's public revelation and confirmation of his secret identity. In 2007, in the
Secret Invasion storyline also written by Bendis, Elektra is kidnapped and replaced by a
Skrull, an alien being who can shapeshift to impersonate others. This Skrull is then killed, and the true Elektra is restored to Earth. In 2009, Elektra re-appears after her kidnapping by the Skrulls in the miniseries
Dark Reign: Elektra by
Zeb Wells.
2010s In the
Shadowland series of 2010, written by
Andy Diggle, Elektra fights Daredevil, who has now himself been corrupted by the Hand. In 2013, Wells returned to the character in a sequel to
Dark Reign, in which Elektra again teams up with Wolverine, this time against
Kingpin. This occurs in a story arc of
Savage Wolverine. The same year, Elektra appeared as a member of the
Thunderbolts in a new series. Elektra featured in a third ongoing series from 2014 to 2015, written by
Haden Blackman. This was illustrated in a more surreal, psychedelic style reminiscent of
Bill Sienkiewicz's depiction of the character in the 1980s. The primary artist,
Mike del Mundo, affirms that his approach is an homage to
Elektra: Assassin. Leah Bernstein, a comic-book critic, acclaims this as the best of the Elektra series. Blackman affirms that the character is difficult to write, because it is hard to avoid what he describes as "the stigma of being 'Daredevil's dead girlfriend.'" Nonetheless he concludes that upon completion this was the story and character he is "most proud of writing." She appeared in a self-titled five-issue miniseries in 2017. In 2019, Elektra featured as part of the
Savage Avengers, along with Wolverine,
Punisher,
Venom,
Brother Voodoo, and
Conan the Barbarian. Elektra again encounters Daredevil in a long story arc written by
Chip Zdarsky, beginning with
Daredevil (2019) #10 (July 2019). As a result of the spell cast to maintain Daredevil's secret identity, Elektra has separated her memories of Matt Murdock and Daredevil and thinks of them as two separate men.
2020s Elektra continues to feature in Chip Zdarsky's run of
Daredevil. While Daredevil is incarcerated, Elektra decides that she needs to impress him with her commitment to protecting innocent people in Hell's Kitchen. In order to do this, she becomes a new Daredevil, making a new costume for herself that modifies the original. She later joins forces with the original Daredevil and they work together as a team up to the conclusion of Zdarsky's
Daredevil series with issue #36 in February 2022. In her new persona, Elektra is also the main protagonist of Zdarsky's three-issue miniseries
Daredevil: Woman without Fear, the first issue of which appeared in March 2022. In this story, she fights
Kraven the Hunter. Elektra and Daredevil co-star in the ''
Devil's Reign'' miniseries and Marvel event, which concluded in May 2022. Subsequently, they are the leading protagonists in Zdarsky's new
Daredevil series, which concluded in April 2023. In 2021, Elektra also appeared in a new mini-series titled
Elektra: Black, White and Blood. Largely outside of mainstream continuity, each issue features a different writer and generally in the
horror comics genre. Authors include
Charles Soule,
Peter David,
Ann Nocenti,
Peach Momoko, and
Kevin Eastman. ==Personality and characteristics==