Splintered light The Tolkien scholar
Verlyn Flieger writes in her 1983 book ''
Splintered Light: Logos and Language in Tolkien's World'' that a central theme of Tolkien's writing is the progressive fragmentation of the light from the moment of the creation; light symbolises both the divine creation and the author's
subcreation. The light begins in
The Silmarillion as a unity, and in accordance with the splintering of creation is divided into more and more fragments as the myth progresses. Middle-earth is peopled by the angelic
Valar and lit by two great lamps; when these are destroyed by the fallen Vala
Melkor, the world is fragmented, and the Valar retreat to
Valinor, which is lit by
The Two Trees. When these too are destroyed, their last fragment of light is made into the
Silmarils, and a sapling too is rescued, leading to the White Tree of
Númenor, the living symbol of the Kingdom of
Gondor. Wars are fought over the Silmarils, and they are lost to the Earth, the Sea, and the Sky. The last of the Silmarils, carried by Eärendil the Mariner, becomes the
Morning Star as he sails across the sky with the shining jewel in his ship Vingilot. By the time of
The Lord of the Rings, in the
Third Age, that is all that is left of the light. Some of the star's light is captured in
Galadriel's Mirror, the magic fountain that allows her to see past, present, and future; and some of that light is, finally, trapped in the Phial of Galadriel, her parting gift to Frodo, the counterbalance to Sauron's evil and powerful
Ring that Frodo is also carrying. At each stage, the fragmentation increases and the power decreases. Thus the theme of light as Divine power, fragmented and refracted through the works of created beings, is central to the whole mythology.
Wade The Tolkien scholar Tibor Tarcsay writes that Eärendil is based not only on Old English but also Indo-European and universal myths.
Wade has power over the sea and superhuman strength, while numerous other mythical Indo-European figures share Eärendil's conjunction of water, boat or horse, and herald or star, such as
Surya, the sun-god of the
Vedas, or Apollo with his horse-drawn chariot which pulls the sun across the sky. Vingilot is mentioned in
Geoffrey Chaucer's ''
The Merchant's Tale'' as the name of Wade's ship; Wade is in turn mentioned in the Old English poem
Widsith, while
Sir Gawain's horse has a name similar to Vingilot, Gryngolet.
Echoes of other legends Tolkien's legend of Eärendil has elements resembling the
Mabinogion or the Christian legend of
St. Brendan the Navigator.
The long-suffering woman Elwing's staying at home waiting for her husband to return from his vain voyages across the ocean echoes the literary motif of the "long-suffering woman". The choice of fate offered by the Valar to Eärendil and Elwing, resulting in both of them becoming immortal Elves, has been interpreted as a move of Tolkien to solve "several untidy plot points in one fell swoop": being Half-elven, neither of the two would have been allowed to set foot in the land of the Valar, nor was their eventual fate determined since in Tolkien's legendarium Men are mortal, while Elves will live until the world is undone. The metamorphosis of the couple continues as Eärendil's ship is transformed into a flying vessel, so he can continue his journeys in the sky rather than at sea. Still now, Elwing will remain at home, but she is granted a white tower to dwell in. ==
Song of Eärendil ==