J. R. R. Tolkien began to construct his first Elvish tongue c. 1910–1911 while he was at the
King Edward's School, Birmingham. He later called it
Qenya (c. 1915), and later changed the spelling to
Quenya. He was then already familiar with
Latin,
Greek,
Spanish, and several ancient Germanic languages, such as
Gothic,
Old Norse, and
Old English. He had invented several
cryptographic codes, and two or three constructed languages. Tolkien took an interest in the Finnish mythology of the
Kalevala, then became acquainted with
Finnish, which he found to provide an aesthetically pleasing inspiration for his High-elvish language. Many years later, he wrote: "It was like discovering a complete wine-cellar filled with bottles of an amazing wine of a kind and flavour never tasted before. It quite intoxicated me." although he was in favour of the idea of
Esperanto as an auxiliary language within Europe. With his Quenya, Tolkien pursued a double aesthetic goal: "classical and inflected".
The Lord of the Rings, according to Tolkien, "was primarily linguistic in inspiration and was begun in order to provide the necessary background of 'history' for Elvish tongues".
Dimitra Fimi, a Tolkien scholar, argues that Tolkien's invention of Qenya started as a quest for the ideal language, to match the moral and aesthetic objectives that were part of his project of creating "a mythology for England". Fimi argues that Tolkien deliberately used
sound symbolism to
unify sound and meaning and make the language appear as an ideal language, fit to be spoken in the
utopian realm of the Elves and fairies of Valinor. Tolkien considered Quenya to be "the one language which has been designed to give play to my own most normal phonetic taste". From the onset, Tolkien used
comparative philology and the
tree model as his major tools in his constructed languages. He usually started with the phonological system of the
proto-language and then proceeded by inventing for each
daughter language the necessary sequence of
sound changes. "I find the construction and the interrelation of the languages an aesthetic pleasure in itself, quite apart from
The Lord of the Rings, of which it was/is in fact independent."
Development In his lifetime, Tolkien experimented ceaselessly with his constructed languages, and they were subjected to many revisions. Quenya had many grammars with substantial differences between the different stages of its development. During the first conceptual stage of
early Quenya c. 1910 to c. 1920, the language was called
Elfin in English and
Eldarissa in Qenya proper. While its development was a continuous process, Quenya underwent a number of major revisions in its grammar, mostly in
conjugation and the
pronominal system. The vocabulary, however, was not subject to sudden or extreme change. Tolkien sometimes changed the meaning of a word, but he almost never discarded it once invented, and he kept on refining its meaning, and countlessly forged new synonyms. Moreover, Elvish etymology was in constant flux. Tolkien delighted in inventing new
etymons for his Quenya vocabulary. But after the publication of
The Lord of the Rings (finished c. 1949–1950, published in 1954–1955), the grammar rules of Quenya went through very few changes and this version was then defined as
late Quenya (c. 1950–1973). The spelling
Qenya is sometimes used to distinguish
early Quenya from later versions. Qenya differs from late Quenya by having different internal history, vocabulary, and grammar rules as described in the "Qenyaqetsa". Examples include a different accusative or the abolition of final consonant clusters in later Quenya. Fimi suggests that Qenya as it appears in the "Qenyaqetsa" was supposed to be a mystic language, as the Lexicon contains a number of words with clear Christian religious connotations, such as
anatarwesta "crucifixion" and
evandilyon "gospel" – these words were not part of late Quenya. In the early 1930s, Tolkien decided that the proto-language of the Elves was
Valarin, the tongue of the gods or
Valar as he called them: "The language of the Elves derived in the beginning from the Valar, but they changed it even in the learning, and moreover modified and enriched it constantly at all times by their own invention." the mechanisms of sound change were described by Tolkien for the following daughter languages:
Qenya, Lindarin (a dialect of Qenya),
Telerin, Old Noldorin (or
Fëanorian),
Noldorin (or
Gondolinian),
Ilkorin (especially of
Doriath),
Danian of Ossiriand, East Danian, Taliska, West Lemberin, North Lemberin, and East Lemberin. For this proto-language of the Elves, Tolkien appears to have borrowed the five-part
plosive system of
Proto-Indo-European, the ancestor of
Sanskrit, Greek, Latin, and others; namely, one labial, one coronal, and three velar plosives (palatal, plain, and labial). The first table below provides some of the "Primary Initial Combinations" from the
Comparative Tables. About ten years later, Tolkien changed his mind about the origin of the Elvish proto-language. Instead of learning from the Valar, the Elves had created an original language
Quenderin which had become the proto-language of the Elvish language family. For this new language, Tolkien kept the many roots he had invented for Valarin in the 1930s, which then became "Quenderin roots". The Eldarin family of languages comprises Quenya,
Telerin,
Sindarin and
Nandorin. The evolution in Quenya and Telerin of the nasalised initial groups of Quenderin is described thus in Tolkien's
Outline of Phonology: In contrast to early Qenya, the grammar of Quenya was influenced by Finnish, from which he probably took the idea of the
diglossia of Quenya with its highly codified variety: the Parmaquesta, used only in certain situations such as literature. The
phonology of Quenya was also inspired by certain aspects of Finnish, but this is not easily recognised. Yet the Finnish influence extended sometimes also to the vocabulary. A few Quenya words, such as
tul- "come" and
anta- "give", clearly have a Finnish origin. Other forms that appear to have been borrowed are actually coincidental, such as Finnish
kirja "book", and Quenya
cirya "ship". Tolkien invented the Valarin and Quenderin root
kir- from which sprang his Quenya word
cirya. The Latin
aurōra "dawn" and Quenya
aure "moment of special meaning, special day, festival day" are unrelated. Quenya
aurë comes from the Valarin and Quenderin root
ur-. Germanic influence can more be seen in grammar (the -r nominative plural ending is reminiscent of the
Scandinavian languages) or phonology, than in words:
Arda, the Quenya name for "region", just happened to resemble Germanic
Erde "earth", while it actually comes from the Valarin and Quenderin root
gar-. According to Tom DuBois and Scott Mellor, the name of Quenya itself may have been influenced by the name
Kven, a language closely related to Finnish, but Tolkien never mentioned this. Some linguists have argued that Quenya can be understood as an example of a particular kind of artificial language that helps to create a fictional world. Other such languages would include
Robert Jordan's Old Tongue in his novel
The Wheel of Time, and the
Klingon language of the
Star Trek series invented by
Marc Okrand. It was observed that they form "a sociolinguistic context within which group and individual identities can be created."
Publication of linguistic papers Two journals,
Vinyar Tengwar from issue No. 39 (July 1998), and
Parma Eldalamberon from issue No. 11 (1995), have been exclusively devoted to the editing and publishing of Tolkien's mass of unpublished linguistic papers. Important grammatical texts, alluded to in the
History of Middle-earth series and described as almost unreadable or quite incomprehensible, have been published in these two journals. The "Early Qenya Grammar", written by Tolkien c. 1925, was edited and published in
Parma Eldalamberon No. 14.
Scholarship In 1992, according to the Tolkien scholar
Carl F. Hostetter, the Tolkien scholar
Anthony Appleyard made "the first comprehensive attempt ... to systematize Quenya grammar in light of the new information published in
The History of Middle-earth, particularly
The Etymologies, in his article 'Quenya Grammar Reexamined'." Hostetter commented that Appleyard's work was by 2007 useful mainly for summarising the attitudes to Tolkien's languages at that time. He characterised it as: The linguist Alexander Stainton published an analysis of Quenya's
prosodic structure in 2022.
Use of Quenya Attempts by fans to write in Quenya began in the 1970s, when the total corpus of published Elvish comprised only a few hundred words. Since then, the use of Elvish has flourished in poems and texts, phrases and names, and even tattoos. But Tolkien himself never made his languages complete enough for conversation. As a result, newly invented Elvish texts require conjecture and sometimes the coinage of new words. The use of Quenya has expanded over the years as new words have been created, forming a Neo-Quenya language that is based on Tolkien's original Quenya but incorporates many new elements. Quenya and its writing system
Tengwar have limited application in hobbyist and public domain works. == Internal history ==