Fatata te Miti (By the Sea)

Gauguin painted Fatata te miti (By the Sea) in 1892 during his first trip to Tahiti. Like Vahine no te vi (Woman of the Mango) (W 449) painted at the same time, it is an example of the relatively few straightforward genre scenes that Gauguin painted immediately after setting up his studio in a native bamboo hut at Mataiea, Papeari. A pendant painting Arearea no varua ino (The Amusement of the Evil Spirit) (W 514), executed shortly after Gauguin had returned to Paris, appears to share the same setting and demonstrates how he moved on from simple genre painting, introducing symbolist elements. The same tree, dividing the painting into two distinct zones, can be seen in Parau na te Varua ino (Words of the Devil) (W 458). The women in the painting bathe naked, removing their pareos, apparently unbothered by the presence of the fisherman nearby. This is an image of the uninhibited tropical paradise Gauguin had hoped to find, although the reality was that Polynesian culture had been transformed by western missionaries and colonialism as they imposed their own values and religion on the people living in the islands. The theme of nymphs frolicking in the waves was a tradition of the Golden Age repeatedly represented by artists such as Titian and Courbet through to Gauguin's own contemporary Degas. Gauguin was fascinated by the theme, first taking it up in 1885 with his Women Bathing (W 167). He returned to it with his 1889 Ondine (W 336), his signature painting at the Volpini Exhibition. To heighten the luminosity and enhance their jewellike effect, Gauguin applied a thin layer of clear wax to the surface of his early Tahitian paintings. ==First Tahitian period==

Looking for a society more elemental and simple than that in France, Gauguin auctioned thirty of his paintings and used the money to travel to Tahiti. This first visit lasted from 1891 to 1893. His book '' was written in the style of a travel journal and was originally meant to provide a context for his 1893 Paris exhibition. Gauguin first used the words "Noa Noa" reporting the words the Tahitians themselves used for the scent of Tahitian women: "Téiné merahi noa noa " meaning "(now) very fragrant". The substantive Fenua ("land" or "island") is understood in the title of his book, so the correct translation is "The Fragrant Isle". Also implied is the Tahitian term for "Paradise" - Rohutu noanoa. In the event his book remained unpublished until 1901, although extracts were published in La Revue Blanche'' in 1897. The first European exhibition of Gauguin's work took place in March 1893 in Copenhagen, when he was able to take up the offer of a visiting sea captain and send out eight selected paintings. File:Parau Parau Whispered Words by Paul Gauguin 1892.jpeg File:Eh quoi! Tu es jaloux? by Paul Gauguin.jpg File:Paul Gauguin- Manao tupapau (The Spirit of the Dead Keep Watch).JPG File:Paul Gauguin 049.jpg File:Paul Gauguin 045.jpg File:Paul Gauguin 027.jpg File:Paul Gauguin - I Raro Te Oviri (Under the Pandanus) - Google Art Project.jpg File:Gauguin Te fare.jpg == See also ==

;References ;Sources • • Eisenman, Stephen F., (1999). ''Gauguin's Skirt''. London: Thames and Hudson. . • Mathews, Nancy Mowll (2001). Paul Gauguin, an Erotic Life. New Haven, Connecticut: Yale University Press, . • ==Further reading==