Audience viewership In October 2020, the series was the most watched show on Netflix in the United States. On November 23, 2020, Netflix announced that the series had been watched by 62 million households since its release, becoming "Netflix's biggest scripted limited series to date." ''The Queen's Gambit'' eventually ranked third in Reelgood's yearly ranking of Netflix shows during 2020, with
Cocomelon taking the first spot.
Critical response 's performance as
Beth Harmon garnered widespread critical acclaim and earned her a nomination for the
Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie. On review aggregator
Rotten Tomatoes, ''The Queen's Gambit'' received an approval rating of 96% based on 104 reviews, with an average rating of 8/10. The website's critics consensus reads, "Its moves aren't always perfect, but between Anya Taylor-Joy's magnetic performance, incredibly realized period details, and emotionally intelligent writing, ''The Queen's Gambit'' is an absolute win."
Metacritic gave the series a weighted average score of 79 out of 100 based on 28 reviews, indicating "generally favorable reviews". In a column where she argues "So many lives would be different if we'd had ''The Queen's Gambit
50 years ago," culture critic Mary McNamara said, "I loved The Queen's Gambit
so much, I watched the final episode three times." Sara Miller of The New Yorker'' recounted having experienced a sense of loss in her own association with the novel after seeing its depiction on screen because she could not relate to the main character: "Anya Taylor-Joy is way too good-looking to play Beth Harmon", she notes. Miller argues that Beth's ugliness is a central tension in the novel which the on-screen depiction misses completely despite staying true to everything else in the novel.
Variety Caroline Framke wrote "''The Queen's Gambit
manages to personalize the game and its players thanks to clever storytelling and, in Anya Taylor-Joy, a lead actor so magnetic that when she stares down the camera lens, her flinty glare threatens to cut right through it." Reviewing for Rolling Stone'',
Alan Sepinwall gave it 3 out of 5 stars and said, "An aesthetically beautiful project with several superb performances, all in service to a story that starts to feel padded long before the end comes." Critics also frequently discussed the series' prominent theme of substance abuse. Phoebe Wong notes that "Interestingly though, unlike other works which study the self-destructive aspects of perfectionist obsession, mental health and substance abuse issues extend beyond the protagonist to other characters" in her review for
The Tufts Daily. Her summary reads "Impressive in its own right, ''The Queen's Gambit'' adopts a fresh perspective by delving into chess' intersections with substance abuse and gender discrimination". Matt Miller of
Esquire stated "The result is a pretty scary depiction of the stress of competitive chess in the 1960s." On the other hand, ''
Harper's Bazaar''s Lilly Dancyger considered the "misrepresentation" of drug abuse to "nearly ruin the show" for her, using the following
Stephen King quote to explain: "The idea that the creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time."
The Washington Posts
Monica Hesse considers the miniseries "revisionist history" but also "a wonderful future" in that the heroine's "uncluttered path to success" is "uninterrupted by sexism", and has men looking out for the main female character, noting that the show "has no women in peril, and no
skeezy men". Carina Chocano of
The New York Times Magazine also believes that the show again and again foils the audience's expectations: the janitor does not molest her, her adoptive father leaves her alone, and her adoptive mother Alma does not hold her back, a departure Chocano attributes to the "fantasy"-like quality of ''The Queen's Gambit''. Responding to these reviews, Fred Mazelis of the
World Socialist Web Site wrote that "the claims that the series is appreciated because it is fantasy are disingenuous, to say the least. The show has struck a chord precisely because it is not seen as utopian fiction." Bethonie Butler, also of
The Washington Post, while praising the show overall, criticized the characterization of Jolene, the show's only major Black character, saying "(her) backstory and character development are so limited that she seems to exist merely to make Beth's life easier". Many aspects of the series' production values have been praised and discussed, including its location choices, set design, and costumes.
Accolades Chess community response The series received praise from the chess community for its realistic portrayal of the game and players. In an interview with
Vanity Fair,
Woman Grandmaster Jennifer Shahade said that the series "completely nailed the chess accuracy". In an article about the miniseries in
The Times, British chess champion
David Howell felt that the chess scenes were "well choreographed and realistic", while British Women's chess champion
Jovanka Houska said, "I think it's a fantastic TV series ... [i]t conveys the emotion of chess really well." Houska stated that she related to Beth being one of the few women in a tournament, and noted that sexism was worse at the "hobby" level, especially for young girls.
Judit Polgár, who was the first woman to play for a world championship title, said that the show depicted the male players as "too nice", while chess streamer
Andrea Botez also felt the show "toned down" the sexism in the chess world. Reigning chess world champion
Magnus Carlsen gave it 5 out of 6 stars but found it "a little too unrealistic" for how quickly Beth developed her skills.
Lawsuit In the final episode of the mini-series, the women's world champion
Nona Gaprindashvili is mentioned as having "never faced men", despite the real-life Gaprindashvili frequently playing against male opponents, including top-level grandmasters. In response, Gaprindashvili said it is dishonouring to have misinformation spread about someone's achievements. She sued Netflix for $5 million in a defamation lawsuit in September 2021, and called for the line that claimed she had never faced men to be removed. The case was settled in September 2022, on undisclosed terms.
Interest in chess In November 2020,
The Washington Post reported that the
COVID-19 pandemic had already increased the public's interest in chess, but the popularity of ''The Queen's Gambit
made it explode. The New York Times compared the interest in chess to the "similar chess mania" after Bobby Fischer beat Boris Spassky to become world champion in 1972. International master Levy Rozman considers The Queen's Gambit'' "single-handedly the biggest thing to ever happen to chess." Sales of chess sets rose greatly following the release of the series, with U.S. company Goliath Games stating their chess set sales increased over a thousand percent due to the series, while marketing firm NPD Group found chess book sales had increased over 600 percent.
Chess.com reports several million new users since the release of the series, with a higher rate of registrations by female players compared to before the series. Chess instructors have stated that the demand for chess lessons has significantly increased as well. ==Adaptations==