In 1866 with composer Alfred Lee, he wrote the song "Champagne Charlie", premiering it in
Leeds during August of that year. It took several months before it became successful. Another of Leybourne's major song successes, also dating from 1866, was "The Flying Trapeze", music by Alfred Lee. The song represented a fascination with trapeze artistes then performing in the UK, including
Jules Léotard who had appeared in the
Alhambra Music Hall in London. In 1867 it was published in the United States by C. H. Ditson & Co, with music attributed to Gaston Lyle. During the 1860s, Leybourne, along with several contemporaries including
Arthur Lloyd and
Alfred Peck Stevens developed a new type of music hall character, the
Lion Comique; a
dandy or attractive, fashionable, young man. For this style, performers relied less on copying burlesque, and instead sought inspiration in their everyday experiences and the characters of daily street life. Audiences loved to join in the chorus and "give the bird". In some of his songs he appeared immaculately dressed in white tie and tails, when he would declare his love for the high life, women, and champagne. However, he also earned a reputation for his many character songs, which were detailed studies of people of various classes. In 1868, when William Holland became manager of the
Canterbury Music Hall, he employed Leybourne with an exclusive contract of £25 a week, providing him with a carriage drawn by four white horses. During the next year by performing, with Holland's permission, in several other halls additionally, his salary increased to £120 per week. Leybourne also wrote the lyrics to the 1871 song "
If Ever I Cease to Love", some of the lyrics of which caused a scandal. It is often remembered presently for its association with
Mardi Gras in
New Orleans. The song was sung by
Lydia Thompson, for the burlesque adaptation of
Jacques Offenbach's operetta
Bluebeard, with which she was touring the United States. When he visited New Orleans in 1872, Russian
Grand Duke Alexei Romanov saw
Bluebeard and was fascinated by both the singer and the song. When
Jenny Hill performed at the
London Pavilion, she stopped the show, requiring Leybourne to wait for her act to finish, after which he carried her back for an encore. Leybourne and
Alfred Vance, also known as
The Great Vance, have historically been considered as rivals in popular culture, an understanding elaborated by the 1944 movie
Champagne Charlie. Latest research shows that while they both sang songs extolling the virtues of various alcoholic drinks, their careers were somewhat different. Leybourne concentrated on his music hall performances, while Vance entertained middle-class audiences with 'safe' concert party shows. It was in their advertisements that the rivalry seemed evident. For the movie
Champagne Charlie Leybourne was played by comedian
Tommy Trinder, while Alfred Vance was played by
Stanley Holloway. ==Death and legacy==