The rear sound level in a live performance recorded in stereo is reproduced about 7 dB below the front level, but clearly audible. The rear ambient sounds, applause, and coughs from the audience are sometimes received out of phase by the stereo microphones, while sounds from the musicians mostly are in synchronous phase. Thus, if rear speakers are fed with the difference between the stereo channels, audience noises and reverberation from the auditorium may be heard from behind the listener. This can be most easily achieved by wiring two similar additional rear speakers in series between the live feeds (positive terminals) from the stereo amplifier. Alternatively, one rear speaker can be used on its own. This is the type of quad setup used by
Seeburg jukeboxes that had quadraphonic sound. The Hafler circuit is capable of partially decoding a
Dolby Surround track since both share the same operating principles (based on sound phase differences). Yet the Hafler circuit lacks the proper separation or balance between channels of a true
Dolby Pro Logic decoder. In the early and mid-1970s, for example,
Ferguson made two-channel receivers with a built-in Hafler circuit.
Philips had a similar circuit in their two-channel receivers. Many receivers from middle price brands had such circuits, but often without a volume control for the rear channels. More expensive brands seldom had Hafler or similar circuits, because they thought such circuits increased the distortion of the sound. Most of
Marantz' four-channel receivers had a variable matrix called
Vari-Matrix (not to be confused with
Sansui's QS Vario Matrix) that could simulate four-channel stereo from two-channel sources in different ways and the listener could adapt the sound with a control. The Vari-Matrix could also, with good results, play all matrix records. Technics by
National Panasonic had a similar matrix decoder with two controls.
Tandy Corporation used this circuitry for
Quatravox matrix decoders used in their
Realistic branded
Hi-Fi systems sold at their
Radio Shack stores in the US. In the early 1970s, the words "ambiophony" and "ambiophonic" were synonymous with the phrases "quadraphonic" and "four-channel stereo". But around 1973 the words ambiophony and ambiophonic were used to describe simulated four-channel stereo of the Hafler type.
Ambiophonic could also mean the so-called
concert hall sound in opposite to a
surround sound with instruments all around the listener. The concert hall sound means the listener hears all the instruments from the front, whereas the rear channels are mainly used to give the listener the acoustic effect of sitting in a concert hall. (Ambiophony or ambiophonic sound should not be confused with
Ambiophonics or
Ambisonics.) == See also ==