Following Krishna Bhagavatar, other great exponents of this art form such as Pandit Lakshmanachar, Tirupazhanam Panchapakesa Bhagavatar, Mangudi Chidambara Bhagavatar,
Muthiah Bhagavatar, Tiruvaiyyar Annasami Bhagavatar, Embar Srirangachariyar, Konnoor Sitarama Shastry, Sulamangalam Vaidyanatha Bhagavatar, Sulamangalam Soundararaja Bhagavatar,
Ajjada Adibhatla Narayana Dasu,
Embar Vijayaraghavachariar, Saraswati Bai and Padmasini Bai popularized the
Harikatha tradition.
Saraswati Bai was a pioneering woman Harikatha exponent. She broke the monopoly of
Brahmin men over this art form. This was attested by
F. G. Natesa Iyer (in 1939) who said: "Saraswati Bai is a pioneer, and today, as a result of her sacrifices. Brahmins and non-Brahmins walk freely over the once forbidden ground. C. Saraswati Bai has achieved this miracle." Recent practitioners of Harikatha include Veeragandham Venkata Subbarao, Kota Sachchidananda Sastri,
Mannargudi Sambasiva Bhagavatar, Banni Bai, Mysore Sreekantha Shastry, Kamala Murthy, Muppavarapu Simhachala Sastry,
Embar Vijayaraghavachariar, Kalyanapuram Aravamudachariar,
Vishaka hari,
Gururajulu Naidu and
T S Balakrishna Sastry. Paruthiyur Krishna Sastri started out as a Harikatha exponent and then changed to Pravachan style. One of the best harikatha renderings is on the life of saint Tyagaraja by Mullukutla Sadasiva Sastry from Tenali. ==See also==