Hindu deities

and a pantheon of other gods and goddesses being worshipped during Durga Puja Festival in Kolkata. Deities in Hinduism are referred to as Deva (masculine) and Devi (feminine). The root of these terms means "heavenly, divine, anything of excellence". In the earliest Vedic literature, all supernatural beings are called Asuras. By the late Vedic period (c. 500 BCE), benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. Hindu deities are part of Hindu mythology, both Devas and Devis feature in one of many cosmological theories in Hinduism. Characteristics of Vedic-era deities In Vedic literature, Devas and Devis represent the forces of nature and some represent moral values (such as the Adityas, Varuna, and Mitra), each symbolizing the epitome of specialized knowledge, creative energy, exalted and magical powers (Siddhis). The most referred to Devas in the Rigveda are Indra, Agni (fire) and Soma, with "fire deity" called the friend of all humanity. Indra and Soma are two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu, Rudra (later given the exclusive epithet of Shiva), and Prajapati (later Brahma) are gods and hence Devas. The Vedas describes a number of significant Devis such as Ushas (dawn), Prithvi (earth), Aditi (cosmic moral order), Saraswati (river, knowledge), Vāc (sound), Nirṛti (destruction), Ratri (night), Aranyani (forest), and bounty goddesses such as Dinsana, Raka, Puramdhi, Parendi, Bharati, Mahi, among others, mentioned in the Rigveda. Sri, also called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were fully developed in the Vedic era. All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts (c. 500 BCE to 200 CE), and particularly in the early medieval era literature, they are ultimately seen as aspects or manifestations of one Brahman, the Supreme power. Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to Angels-Theoi-Gods and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology. {{Blockquote| The Devas and Asuras, Angels and Titans, powers of Light and powers of Darkness in Rigveda, although distinct and opposite in operation, are in essence consubstantial, their distinction being a matter not of essence but of orientation, revolution, or transformation. In this case, the Titan is potentially an Angel, the Angel still by nature a Titan; the Darkness in actu is Light, the Light in potentia Darkness; whence the designations Asura and Deva may be applied to one and the same Person according to the mode of operation, as in Rigveda 1.163.3, "Trita art thou (Agni) by interior operation". Characteristics of medieval-era deities In the Puranas and the Itihasas with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad. is a Vedic era deity, found in south and southeast Asia. Above Indra is part of the seal of a Thailand state. The Epics and medieval era texts, particularly the Puranas, developed extensive and richly varying mythologies associated with Hindu deities, including their genealogies. Several of the Purana texts are named after major Hindu deities such as Vishnu, Shiva and Devi. Other texts and commentators such as Adi Shankara explain that Hindu deities live or rule over the cosmic body as well as in the temple of the human body. Symbolism Edelmann states that gods and anti-gods of Hinduism are symbolism for spiritual concepts. For example, god Indra (a Deva) and the antigod Virocana (an Asura) question a sage for insights into the knowledge of the self. Hindu deities in Vedic era, states Mahoney, are those artists with "powerfully inward transformative, effective and creative mental powers". In Hindu mythology, everyone starts as an Asura, born of the same father. "Asuras who remain Asura" share the character of powerful beings craving for more power, more wealth, ego, anger, unprincipled nature, force and violence. The god (Deva) and antigod (Asura), states Edelmann, are also symbolically the contradictory forces that motivate each individual and people, and thus Deva-Asura dichotomy is a spiritual concept rather than mere genealogical category or species of being. ==Ishvara==

Hindu arts and records. However, Ishvara represents different concepts in various Hindu philosophies. Another Hindu term that is sometimes translated as the deity is Ishvara, or various deities are described, state Sorajjakool et al., as "the personifications of various aspects of the same Ishvara". The term Ishvara has a wide range of meanings that depend on the era and the school of Hinduism. In ancient texts of Indian philosophy, Ishvara means supreme Self, Brahman (Highest Reality), ruler, king or husband depending on the context. Among the six systems of Hindu philosophy, Samkhya and Mimamsa do not consider the concept of Ishvara, i.e., a supreme being, relevant. Yoga, Vaisheshika, Vedanta, and Nyaya schools of Hinduism discuss Ishvara but assign different meanings. Early Nyaya school scholars considered the hypothesis of a deity as a creator God with the power to grant blessings, boons, and fruits; but these early Nyaya scholars then rejected this hypothesis, and were non-theistic or atheists. Later scholars of Nyaya school reconsidered this question and offered counter arguments for what is Ishvara and various arguments to prove the existence of an omniscient, omnipresent, omnipotent deity (God). Vaisheshika school of Hinduism, as founded by Kanada in the 1st millennium BCE, neither required nor relied on a creator deity. They considered a deity concept unnecessary for a consistent philosophy and moksha (soteriology). In the Samkhya school of Hindu philosophy, Isvara is neither a creator-God nor a savior-God. This is called one of the several major atheistic schools of Hinduism by some scholars. Others, such as Jacobsen, state that Samkhya is more accurately described as non-theistic. Deity is considered an irrelevant concept, neither defined nor denied, in Samkhya school of Hindu philosophy. or "spiritual inspiration", but not a creator God. Whicher explains that while Patanjali's terse verses in the Yogasutras can be interpreted both as theistic or non-theistic, Patanjali's concept of Isvara in Yoga philosophy functions as a "transformative catalyst or guide for aiding the yogin on the path to spiritual emancipation". The Advaita Vedanta school of Hinduism asserted that there is no dualistic existence of a deity (or deities). There is no otherness nor distinction between Jiva and Ishvara. God (Ishvara, Brahman) is identical with the Atman (Self) within each human being in Advaita Vedanta school, and there is a monistic Universal Absolute Oneness that connects everyone and everything. In Dvaita sub-school of Vedanta Hinduism, Ishvara is defined as a creator God that is distinct from Jiva (individual Selfs in living beings). ==Number of deities==

Yāska, the earliest known language scholar of India (c. 500 BCE), mentions that there are three deities (Devas) according to the Vedas, "Agni (fire), whose place is on the earth; Vayu (wind), whose place is the air; and Surya (sun), whose place is in the sky". This principle of three worlds (or zones), and its multiples is found thereafter in many ancient texts. The Samhitas, which are the oldest layer of text in Vedas enumerate 33 devas, either 11 each for the three worlds, or as 12 Adityas, 11 Rudras, 8 Vasus and 2 Ashvins in the Brahmanas layer of Vedic texts. O ye eleven gods whose home is heaven, O ye eleven who make earth your dwelling, Ye who with might, eleven, live in waters, accept this sacrifice, O gods, with pleasure. – Translated by Ralph T. H. Griffith Gods who are eleven in heaven; who are eleven on earth; and who are eleven dwelling with glory in mid-air; may ye be pleased with this our sacrifice. – Translated by HH Wilson One or one-ness Thirty-three koti (33 supreme) divinities are mentioned in other ancient texts, such as the Yajurveda. Most, by far, are goddesses, state Foulston and Abbott, suggesting "how important and popular goddesses are" in Hindu culture. Scholars state all deities are typically viewed in Hinduism as "emanations or manifestation of genderless principle called Brahman, representing the many facets of Ultimate Reality". ==Iconography and practices==

Hinduism has an ancient and extensive iconography tradition, particularly in the form of Murti (Sanskrit: मूर्ति, IAST: Mūrti), or Vigraha or Pratima. A literal translation of Murti as an idol is incorrect, states Jeaneane Fowler when the idol is understood as superstitious end in itself. Other Murti forms found in Hinduism include the Linga. A Murti is an embodiment of the divine, the Ultimate Reality or Brahman to some Hindus. A murti is installed by priests, in Hindu temples, through the Prana Pratishtha ceremony, whereby state Harold Coward and David Goa, the "divine vital energy of the cosmos is infused into the sculpture" and then the divine is welcomed as one would welcome a friend. In other occasions, it serves as the center of attention in annual festive processions and these are called Utsava Murti. Temple and worship In Hinduism, deities and their icons may be hosted in a Hindu temple, within a home, or as an amulet. The worship performed by Hindus is known by several regional names, such as Puja. Archaeological evidence of deity worship in Hindu temples trace Puja rituals to Gupta Empire era (c. 4th century CE). In Hindu temples, various pujas may be performed daily at various times of the day; in other temples, it may be occasional. The Puja practice is structured as an act of welcoming, hosting, and honoring the deity of one's choice as one's honored guest, and remembering the spiritual and emotional significance the deity represents to the devotee. Jan Gonda, as well as Diana L. Eck, states that a typical Puja involves one or more of 16 steps (Shodasha Upachara) traceable to ancient times: the deity is invited as a guest, the devotee hosts and takes care of the deity as an honored guest, praise (hymns) with Dhupa or Aarti along with food (Naivedhya) is offered to the deity, after an expression of love and respect the host takes leave, and with affection expresses goodbye to the deity. The worship practice may also involve reflecting on spiritual questions, with image serving as support for such meditation. Deity worship (Bhakti), visiting temples, and Puja rites are not mandatory and are optional in Hinduism; it is the choice of a Hindu, it may be a routine daily affair for some Hindus, periodic ritual or infrequent for some. Worship practices in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic, or humanist. ==Examples==

Major deities have inspired a vast genre of literature such as the Puranas and Agama texts as well their own Hindu traditions, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism. While there are diverse deities in Hinduism, states Lawrence, "Exclusivism – which maintains that only one's own deity is real" is rare in Hinduism. Trimurti and Tridevi The concept of Triad (or Trimurti, Trinity) makes a relatively late appearance in Hindu literature, or in the second half of 1st millennium BCE. The idea of triad, playing three roles in the cosmic affairs, is typically associated with Brahma, Vishnu and Shiva (also called Mahesh); however, this is not the only triad in Hindu literature. Other triads include Tridevi, of three goddesses – Lakshmi, Saraswati and Parvati in the text Devi Mahatmya, in the Shakta tradition, which further assert that Devi is the Brahman (Ultimate Reality) and it is her energy that empowers Brahma, Vishnu and Shiva. It is in the medieval Puranic texts, Trimurti concepts appears in various context, from rituals to spiritual concepts. However, suggests Bailey, the mythology of triad is "not the influence nor the most important one" in Hindu traditions, rather the ideologies and spiritual concepts develop on their own foundations. This concept is commonly translated as "incarnation", The concept of the avatar is most developed in Vaishnavism tradition, and associated with Vishnu, particularly with Rama and Krishna. Vishnu takes numerous avatars in Hindu mythology. He becomes female, during the Samudra Manthana, in the form of Mohini, to resolve a conflict between the devas and the asuras. His male avatars include Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Buddha, and Kalki. Various texts, particularly the Bhagavad Gita, discuss the idea of an avatar of Vishnu appearing to restore the cosmic balance whenever the power of evil becomes excessive and causes persistent oppression in the world. The avatars of Devi or Parvati include Durga and Kali, who are particularly revered in the eastern states of India, as well as Tantra traditions. Twenty-one avatars of Shiva are also described in Shaivism texts, but unlike Vaishnava traditions, Shaiva traditions focus directly on Shiva rather than the avatar concept. Major regional and pan-Indian Hindu deities ==See also==