Development and inspirations '' #2 (Feb. 1940). Art by
C. C. Beck|left After the success of
National Comics' new superhero characters
Superman and
Batman,
Fawcett Publications started its own comics division in 1939, recruiting staff writer
Bill Parker to create several hero characters for the first title in their line, tentatively titled
Flash Comics. Besides penning stories featuring his creations
Ibis the Invincible, the
Spy Smasher, the
Golden Arrow,
Lance O'Casey,
Scoop Smith, and
Dan Dare for the new book, Parker also wrote a story about a team of six superheroes. Each superhero in this team possessed a special power granted to them by a mythological figure. Staff artist
Charles Clarence "C. C." Beck was recruited to design and illustrate Parker's story, rendering it in a direct, somewhat
cartoony style that became his trademark. "When Bill Parker and I went to work on Fawcett's first comic book in late 1939, we both saw how poorly written and illustrated the superhero comic books were," Beck told an interviewer. "We decided to give our reader a real comic book, drawn in comic-strip style and telling an imaginative story, based not on the hackneyed formulas of the
pulp magazine, but going back to the old folk-tales and
myths of classic times." The first issue of the comic book, printed as both
Flash Comics #1 and
Thrill Comics #1, had a low print run in the fall of 1939 as an
ashcan copy created for advertising and
trademark purposes. Shortly after its printing, however, Fawcett found it could not trademark "Captain Thunder", "Flash Comics", or "Thrill Comics", because all three names were already in use. Consequently, the book was renamed
Whiz Comics, and Fawcett artist
Pete Costanza suggested changing Captain Thunder's name to "Captain Marvelous", which the editors shortened to "Captain Marvel". The
word balloons in the story were re-lettered to label the hero of the main story as "Captain Marvel".
Introduction Whiz Comics #2 (
cover-dated Feb. 1940) was published in late 1939.
Captain Marvel, the comic's lead feature, introduced audiences to Billy Batson, an orphaned 12-year-old boy who, by speaking the name of the ancient wizard
Shazam, is struck by a magic lightning bolt and transformed into the adult superhero Captain Marvel. Shazam's name was an acronym derived from the six immortal elders who grant Captain Marvel his superpowers:
Solomon,
Hercules,
Atlas,
Zeus,
Achilles, and
Mercury. In addition to introducing the main character, his alter ego, and his mentor, Captain Marvel's first adventure in
Whiz Comics #2 also introduced his archenemy, the evil
Doctor Sivana, and found Billy Batson talking his way into a job as an on-air radio reporter with station WHIZ.
Captain Marvel was an instant success, with
Whiz Comics #2 selling over 500,000 copies. Captain Marvel continued to appear in
Whiz Comics, as well as periodic appearances in other Fawcett books, including
Master Comics. Captain Marvel's first appearance,
Whiz Comics #2, did not have any copyright registration or renewal. though comparisons with both
Cary Grant and
Jack Oakie were made as well.
Fawcett Publications' founder, Wilford H. Fawcett, was nicknamed "Captain Billy", which inspired the name "Billy Batson" as well as Marvel's title. Fawcett's earliest magazine was titled ''Captain Billy's Whiz Bang
, which inspired the title Whiz Comics''. In addition, Fawcett took several of the elements that had made
Superman the first popular comic book superhero (super-strength and speed, science-fiction stories, a mild-mannered reporter alter ego) and incorporated them into Captain Marvel. Fawcett's circulation director Roscoe Kent Fawcett recalled telling the staff, "Give me a Superman, only have his other identity be a 10- or 12-year-old boy rather than a man." Through much of the
Golden Age of Comic Books, Captain Marvel proved to be the most popular superhero character of the medium, and his comics outsold all others.
Captain Marvel Adventures sold fourteen million copies in 1944, and was at one point being published bi-weekly with a circulation of 1.3 million copies an issue. Several issues of
Captain Marvel Adventures included a blurb on their covers proclaiming the series the "Largest Circulation of Any Comic Magazine". Captain Marvel, Captain Marvel Jr., and Mary Marvel appeared together as a team in another Fawcett publication,
The Marvel Family. C.C. Beck remained as lead artist, and he and Binder steered the Captain Marvel stories towards a whimsical tone that emphasized comedy and fantasy elements alongside the superhero action. Other artists associated with the Marvel Family at Fawcett included
Pete Costanza,
Mac Raboy,
Marc Swayze, and
Kurt Schaffenberger. Otto Binder would write over 900 of the approximately 1,790 Captain Marvel-related stories published by Fawcett.
Copyright infringement lawsuit and cancellation was the chief artist on the character throughout its Golden Age run at Fawcett, and illustrated stories for the first 10 issues of DC Comics' 1970s
Shazam! revival series. Detective Comics (later known as National Comics Publications, National Periodical Publications, and today known as
DC Comics) sued both Fawcett Comics and Republic Pictures for
copyright infringement in 1941, alleging that Captain Marvel was based on their character Superman. After seven years of litigation,
National Comics Publications, Inc. v. Fawcett Publications, Inc. went to trial in 1948. Although the presiding judge decided that Captain Marvel was an infringement, DC was found to be negligent in copyrighting several of their
Superman daily newspaper strips, and it was decided that National had abandoned the Superman copyright. As a result, the initial verdict, delivered in 1951, went in Fawcett's favor. National appealed this decision, and Judge
Learned Hand declared in 1952 that National's Superman copyright was in fact valid. Judge Hand did not find that the character of Captain Marvel itself was an infringement, but rather that specific stories or super feats could be infringements, and this would have to be determined in a
retrial. He therefore sent the matter back to the lower court for final determination. Fawcett tried to revive the popularity of its Captain Marvel series in the early 1950s by introducing elements of the
horror comics trend that had gained popularity at the time. Feeling that this decline in the popularity of superhero comics meant that it was no longer worth continuing the fight, Fawcett agreed on August 14, 1953, to permanently cease publication of comics with the Captain Marvel-related characters and to pay National $400,000 in damages. Fawcett shut down its comics division in the autumn of 1953 and fired its comic book staff. Otto Binder and Kurt Schaffenberger ended up at DC, becoming prominent members of the creative team for the Superman-related comics from 1954 through the 1960s. Schaffenberger snuck an unauthorized cameo by Captain Marvel into a story in ''
Superman's Girl Friend, Lois Lane'' #42 in 1963.
Whiz Comics had ended with issue #155 in June 1953,
Captain Marvel Adventures was canceled with #150 in November 1953, and
The Marvel Family ended its run with #89 in January 1954. Hoppy the Marvel Bunny was sold to
Charlton Comics, where a few Fawcett-era stories from that strip were reprinted as
Hoppy the Magic Bunny, with all references to "Captain Marvel" and "Shazam" removed.
M. F. Enterprises In 1966,
M. F. Enterprises produced their own Captain Marvel: an
android superhero from another planet whose main characteristic was the ability to split his body into several parts, each of which could move on its own. He triggered the separation by shouting "Split!" and reassembled himself by shouting "Xam!" He had a young human ward named Billy Baxton. This short-lived Captain Marvel was credited in the comic as being "based on a character created by
Carl Burgos".
Marvel Comics subsequently created their own character named Captain Marvel in 1967, and
Myron Fass sued Marvel for trademark infringement. Fass accepted a $4,500 settlement from Marvel, and Marvel secured the trademark of the name.
Bill Black's attempted revival Bill Black attempted to revive Captain Marvel in 1969, but written and drawn in a more realistic
Marvel Comics style for his
fanzine Paragon Golden Age Greats, Vol. 1, #2. However, on the legal advice of his friend and publishing mentor
Martin L. Greim, he decided that rather than risk legal trouble with
Fawcett Publications it would be better to destroy the entire print run except for two copies that he saved for his personal files. Black then rewrote the story using his own newly created hero Captain Paragon.
C.C. Beck and Rocket's Blast Comicollector In 1970, fanzine
Rocket's Blast Comicollector (RBCC) staffed
C.C. Beck,
Don Newton, Robert Kline, and Gene Arnold for a special issue called ''The Rocket's Blast Special 8''. The comic book focuses on Captain Marvel's origins and creation through a series of columns by the group where they also discussed their history with Fawcett Publications. Along with new and exclusive art by Beck and Newton, the issue included an opinion piece by the staff strongly criticizing the copyright infringement lawsuit by Detective Comics. The opinion piece was titled
THE DEMISE OF CAPTAIN MARVEL and is found on the very last page above where the staff still credits the copyright of Captain Marvel to Fawcett Publications.
DC Comics revival: Shazam! (1972–1978) When superhero comics became popular again in the mid-1960s in what is now called the "
Silver Age of Comic Books", Fawcett was unable to revive Captain Marvel, having agreed to never publish the character again as part of their 1953 settlement. Looking for new properties to introduce to the DC Comics line, at the urging of
Jack Kirby who recently defected from
Marvel Comics, DC publisher
Carmine Infantino decided to bring the Captain Marvel property back into print. On June 16, 1972, DC entered into an agreement with Fawcett to license the Captain Marvel and Marvel Family characters. As all subsequent toys and other merchandise featuring the character have also been required to use the "Shazam!" label with little to no mention of the name "Captain Marvel", the title became so linked to Captain Marvel that many people took to identifying the character as "Shazam" instead of "Captain Marvel". His role was later taken over by writers
Elliot S. Maggin and
E. Nelson Bridwell.
C. C. Beck drew stories for the first 10 issues of the book before quitting because of creative differences.
Bob Oksner and Fawcett alumnus
Kurt Schaffenberger were among the later artists of the title. As per DC's agreement with Fawcett, DC paid Fawcett—and after 1977, its successor
CBS Publications—a licensing fee per issue, per page for each of the Fawcett characters who appeared, either in
Shazam! or crossovers in other comic series.
Shazam! was heavily
rewritten as of issue #34 (April 1978), and Bridwell provided more realistic stories, accompanied by similar art; the first issue was drawn by
Alan Weiss and
Joe Rubinstein, and thereafter by
Don Newton, a longtime fan of the character, and Schaffenberger. Nevertheless, the next issue was the last one, though the feature was kept alive in a back-up position in the
Dollar Comics-formatted run of ''
World's Finest Comics (from #253, October/November 1978, to #282, August 1982, skipping only #271, which featured a full-length origin of the Superman-Batman team story). Schaffenberger left the feature after #259, and the inking credit subsequently varied. When World's Finest Comics
reverted to the standard 36 pages, leftover Shazam!
material saw publication in Adventure Comics (#491–492, September–October 1982). The remaining 11 issues of that run contained reprints, with Shazam!
represented by mostly Fawcett-era stories (left out of Adventure Comics'' #500 and the final #503, where two features were doubled up to complete their respective
story arcs). Outside of their regular series and features, the Marvel Family characters also appeared as guest stars in the
Justice League of America series, in particular issues #135–137 (vol. 1) for the "Crisis on Earth-S" story arc in 1976. ''
Limited Collectors' Edition'' #C-58 (April 1978) featured a "Superman vs. Shazam!" story by writer
Gerry Conway and artists
Rich Buckler and
Dick Giordano. Captain Marvel, and often the Marvel Family, also co-starred with Superman in several issues of
DC Comics Presents written by
Roy Thomas. The Marvels also guest-starred in several issues of
All-Star Squadron, a series centered on the Justice Society and the other
Earth-2 characters written by Roy Thomas and his wife
Dann. As
All-Star Squadron was set during World War II, several events of the comic fell concurrent with and referenced the events of the original early-1940s Fawcett stories. With their 1985
Crisis on Infinite Earths miniseries, DC fully integrated the characters into the
DC Universe.
Captain Marvel in the late 1980s The first
Post-Crisis appearance of Captain Marvel was in the 1986
Legends miniseries. In 1987, Captain Marvel appeared as a member of the
Justice League in
Keith Giffen's and
J. M. DeMatteis' relaunch of that title. That same year (spinning off from
Legends), he was given his own miniseries titled
Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and
Black Adam into the modern DC Universe with an altered origin story. The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities. This revised version of Captain Marvel also appeared in one story arc featured in the short-lived
anthology Action Comics Weekly #623–626 (October 25, 1988 – November 15, 1988), in which a
Neo-Nazi version of Captain Marvel was introduced. Other attempts at reviving
Shazam! were initiated over the next three years, including a reboot project by
John Byrne, illustrator of
Legends and writer/artist on the Superman reboot miniseries
The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the wizard Shazam, and Black Adam did appear in DC's
War of the Gods miniseries in 1991. By this time, DC had ended the fee-per-use licensing agreement with CBS Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. Ordway's story more closely followed Captain Marvel's Fawcett origins, with only slight additions and changes. The graphic novel was a critically acclaimed success, leading to a
Power of Shazam! ongoing series which ran from 1995 to 1999. That series reintroduced the Marvel Family and many of their allies and enemies into the modern-day DC Universe.
Kingdom Come and Shazam! Power of Hope Captain Marvel also appeared in
Mark Waid and
Alex Ross's critically acclaimed 1996 alternate universe
Elseworlds miniseries
Kingdom Come. Set 20 years in the future,
Kingdom Come features a brainwashed Captain Marvel playing a major role in the story as a mind-controlled pawn of an elderly
Lex Luthor. In 2000, Captain Marvel starred in an oversized special graphic novel,
Shazam! Power of Hope, written by
Paul Dini and painted by
Alex Ross.
Early to mid-2000s: JSA and 52 Since the cancellation of the
Power of Shazam! title in 1999, the Marvel Family has made appearances in a number of other DC comic books. Black Adam became a main character in
Geoff Johns' and
David S. Goyer's
JSA series, which depicted the latest adventures of the world's first superhero team, the
Justice Society of America, with Captain Marvel also briefly joining the team to keep an eye on his old nemesis. Captain Marvel also appeared in
Frank Miller's graphic novel
Batman: The Dark Knight Strikes Again, the sequel to Miller's highly acclaimed graphic novel
The Dark Knight Returns, which culminated in his death. The
Superman/Shazam: First Thunder miniseries, written by
Judd Winick with art by
Josh Middleton, and published between September 2005 and March 2006, depicted the first post-
Crisis meeting between Superman and Captain Marvel. The Marvel Family played an integral part in DC's 2005/2006
Infinite Crisis crossover, which began DC's efforts to retool the
Shazam! franchise. In the
Day of Vengeance miniseries, which preceded the
Infinite Crisis event, the wizard Shazam is killed by the
Spectre, and Captain Marvel assumes the wizard's place in the
Rock of Eternity. The Marvel Family made a handful of guest appearances in the year-long weekly maxi-series
52, which featured Black Adam as one of its main characters.
52 introduced Adam's "Black Marvel Family," which included Adam's wife
Isis, her brother
Osiris, and
Sobek. The series chronicled Adam's attempts to reform after falling in love with Isis, only to launch the DC universe into
World War III after she and Osiris are killed. The Marvel Family appeared frequently in the 12-issue bimonthly painted
Justice maxi-series by
Alex Ross,
Jim Krueger, and
Doug Braithwaite, published from 2005 to 2007.
The Trials of Shazam! (2006–2008) The Trials of Shazam!, a 12-issue maxiseries written by
Judd Winick and illustrated by
Howard Porter for the first eight issues, and by Mauro Cascioli for the remaining four, was published from 2006 to 2008. The series redefined the
Shazam! property with a stronger focus on magic and mysticism.
Trials of Shazam! featured Captain Marvel, now with a white costume and long white hair, taking over the role of the wizard Shazam under the name
Marvel, while the former Captain Marvel Jr., Freddy Freeman, attempts to prove himself worthy to become Marvel's champion under the name
Shazam. In the pages of the 2007–2008
Countdown to Final Crisis limited series, Black Adam gives the powerless
Mary Batson his powers, turning her into a more aggressive super-powered figure, less upstanding than the old Mary Marvel. By the end of the series, as well as in DC's 2008–2009
Final Crisis limited series, the now black-costumed Mary Marvel, possessed by the evil New God
DeSaad, becomes a villainess, joining forces with Superman villain
Darkseid and fighting both
Supergirl and Freddy Freeman/Shazam. A three-issue arc in
Justice Society of America (vol. 3) undid many of the
Trials of Shazam! changes. Issues #23-25 of
Justice Society featured Black Adam and a resurrected Isis defeating Marvel and taking over the Rock of Eternity. Adam and Isis recruit the now-evil Mary Marvel to help them in the ensuing fight against a now-powerless Billy Batson and the Justice Society. Billy and Mary Batson made a brief appearance during DC's 2009–2010
Blackest Night saga in a one-shot special,
The Power of Shazam! #48. In 2011, DC published a one-shot
Shazam! story written by Eric Wallace, in which the still-powerless Billy and Mary help Freddy/Shazam in a battle with the demoness
Blaze. Freddy would eventually have his powers stolen by Osiris in
Titans (vol. 2) #32 the same year.
The New 52 relaunch '' (vol. 2) #0 (Nov. 2012). Clockwise from bottom/front: Shazam!, Eugene Choi, Darla Dudley, Pedro Peña,
Freddy Freeman,
Mary Bromfield,
Tawny,
Black Adam, and
Doctor Sivana. Art by
Ivan Reis In 2011, DC Comics relaunched their entire comic book lineup, creating
The New 52 lineup of comics. The revamp began with a seven-issue
miniseries,
Flashpoint, which features an alternate timeline in which Billy Batson, Mary Batson, and Freddy Freeman are joined by three new kids, Eugene Choi, Pedro Peña, and Darla Dudley, as the "S! H! A! Z! A! M! Family." In this concept, all six kids say "Shazam!" in unison to become an alternate version of Captain Marvel named Captain Thunder. While the continuity would be altered again by the conclusion of the story, creating the "New 52" multiverse, the three new Shazam! kids would be reintroduced for later appearances. One of these relaunched series,
Justice League (vol. 2), began featuring a
Shazam! backup story with issue #7 in March 2012. The feature, written by
Geoff Johns and drawn by
Gary Frank, introduces Billy Batson and his supporting cast into the new DC Universe. As part of the redesign, the character received a new costume designed by Frank with a long cloak and hood, and a metallic belt instead of a sash. His lightning bolt appears as an opening into his body with magical energy visibly inside of him. Johns noted that the character's place in the world will be "far more rooted in fantasy and magic than it ever was before". The character also was officially renamed "Shazam" at this time. The
Shazam! origin story, which included two full issues in
Justice League (vol. 2) #0 (2012) and 21 (2013), reintroduced Billy Batson/Shazam, the Wizard, Black Adam, Tawny the tiger, and the Shazam Family (Freddy, Mary, Darla, Eugene, and Pedro) to continuity. The
Shazam! feature concluded with
Justice League (vol. 2) #21, preceding DC's crossover storyline "
Trinity War" which heavily features the Shazam mythos. Johns and Frank's reboot was met with both acclaim and criticism, and the renaming of the hero as Shazam brought mixed reactions. Johns noted that the change was made "because that's what everyone thinks his name is anyway," owing to the inability to use the "Captain Marvel" moniker on comic book covers and merchandise. from 2014 through 2016, and also in a one-shot spinoff titled
Justice League: The Darkseid War - Shazam (cover-dated January 2016). He also appeared as a supporting character in the
Cyborg series as the friend of Victor Stone/Cyborg. New takes on the classic Fawcett versions of Shazam and the Marvel Family appeared in
Grant Morrison's 2014 miniseries
The Multiversity (which takes place on the parallel world of Earth-5) and in a 2015 spin-off to the
Convergence crossover event,
Convergence: Shazam! (which takes place on the parallel world of Earth-S).
DC Rebirth and beyond Following DC's 2016
DC Rebirth soft-relaunch event, the
Shazam! characters were largely absent from new DC continuity, though Mary Marvel of Earth-5 appeared in
Superman (vol. 4) #14–16 (2016), and Black Adam appeared in
Dark Nights: Metal #4–5 (2017) to battle Wonder Woman. In late 2018, with the
Shazam! movie in production at New Line Cinema, DC began publishing a new ongoing
Shazam! series, written by
Geoff Johns and illustrated by
Dale Eaglesham, Marco Santucci, and
Scott Kolins. The series features an older and wiser Billy Batson and his foster siblings Mary, Freddy, Eugene, Pedro, and Darla exploring their powers as the Shazam Family. As the six kids venture beyond the nexus of the Rock of Eternity to explore the mysterious Seven Magic Realms, Doctor Sivana teams up with Mister Mind and a reluctant Black Adam to form the
Monster Society of Evil, and Billy's long-missing father C.C. Batson returns to attempt to re-connect with his son. The first issue, featuring a
manga backup story focused on Mary and her pet rabbit
Hoppy by Johns and
Shazam! fan Mayo "SEN" Naito, was published on December 5, 2018. Thirteen issues from Johns, Eaglesham, and others - along with two guest issues, #12 and 15, from writer
Jeff Loveness and artist
Brandon Peterson - were published between 2018 and 2020. Despite initial positive reviews, the third volume of
Shazam! fell victim to several publishing delays. The book was cancelled with issue #15 (November 2020); Johns cited the
COVID-19 pandemic and Eaglesham's desire to take a break as reasons for discontinuing the book. In November 2022, it was announced that a new
Shazam! ongoing would begin publication in May 2023, with
Mark Waid writing and Dan Mora serving as artist. During this series, Billy becomes known as "
The Captain" and his foster siblings lose their powers. ==Fictional character biography==