1958–1963: Early success Lula would often sing to herself while attending to domestic duties but was too shy to sing in front of other people. Alone in her kitchen one day, Lula was singing when she was heard by her husband who impressed by her singing skills. "I didn't know you could sing," he told her. He then convinced Lula to record a
demonstration record of his newly-composed song "Mommy for a Day". The demo was later heard by
Kitty Wells who recorded it and her version made the US country charts in 1958. Howard then brought his wife to
Bakersfield, California to record more demo records of his songs. Among them was "
Pick Me Up on Your Way Down", a song heard by
Charlie Walker whose version also became a US country radio success. Howard also believed that his wife could have her own country music recording career. With his encouragement, Lula and Wynn Stewart recorded a demo of the song "Yankee Go Home". Howard then brought it to Joe Johnson of
Challenge Records (who Stewart was recording for). Howard told Johnson he could take the song if he signed his wife too. She then officially signed with the Challenge label. '', 1960 Jan and Wynn Stewart's duet of "Yankee Go Home" was released as a single by Challenge in 1959 and was followed by a second duet single in 1960 titled "
Wrong Company". The latter reached the top 30 on the US
Billboard country songs chart. Her recent success prompted Joe Johnson to release a solo single by called "
The One You Slip Around With" (penned by Harlan Howard and Fuzzy Owen). The song rose into the US country top 15 in 1960. Its success brought Jan the "Most Promising Country Female" award from both
Billboard and
Jukebox Operators magazines. Jan and Stewart then embarked on a three-day tour in
Lubbock, Texas and an appearance on the
Town Hall Party California television program. With Harlan's songwriting career gaining momentum, the Howard's received royalty checks on a regular basis. The income financed the Howard's move to
Nashville, Tennessee in 1960. Jan was still battling shyness despite having a recording career. She had trouble following a backing band and
stage fright caused her to often lose pitch. She also received anonymous phone calls from people who mocked her performance abilities. Jan's fear of her peers resulted in her leaving performances right after doing her slot. This was often the case with her initial
Grand Ole Opry performances. After watching
Patsy Cline perform on the Opry, Jan was confronted by Cline who thought she was conceited for not communicating with her. After she pushed back, Cline laughed at the incident and the pair became close friends. Jan would record the demo for Cline's "
I Fall to Pieces". Although the song was promised to Jan by her husband (who co-wrote it with
Hank Cochran), it was given to Cline in belief that it would sell more copies than Jan's version would. Because the Howard family owed the
IRS $20,000 in back taxes Jan began touring and booking agent Hubert Long organized her tour dates. She then started appearing on package shows alongside
June Carter,
Skeeter Davis,
George Jones,
Buck Owens, and
Faron Young. Without her approval, Jan's Challenge recording contract was bought by
Capitol Records. Discovering that $5000 would be paid out of her royalties, she went before a court judge who sided with her. However, after having an argument with her husband about the contract, she ultimately "agreed to drop" the legal battle. According to Jan, her first Capitol sessions with an unnamed producer were "a disaster". Frustrated, she contacted
Ken Nelson who agreed to produce her in Los Angeles. The Capitol marketing division steered Jan's music towards the
pop market, which resulted in her recording several pop covers. From the sessions, Howard's debut studio album was released in 1962 called
Sweet and Sentimental. She recorded for Capitol through 1963 yet only had one US country charting single: a cover of "I Wish I Was a Single Girl Again". became identified as a
signature song in Jan's career and later served as the title track to her US country top ten LP
Jan Howard Sings Evil on Your Mind. '', August 1968 The success of "Evil on Your Mind" led to an increased demand in Jan's bookings. In 1966, she played a package tour that ended at California's
Hollywood Bowl and another in
Detroit, Michigan that attracted roughly 24,000 people. Decca also continued recording Jan. She became increasingly identified with songs portraying women in assertive roles and occasionally featured lyrics by her husband. Examples of such songs included her next single, "
Bad Seed", which reached the US country songs top ten. Other recordings with similar assertive themes included the 1967 US top country 40 songs "
Any Old Way You Do" (penned by Howard) and "
Roll Over and Play Dead". Both appeared on her fourth LP,
This Is Jan Howard Country, which became a top ten-charting LP on the US country survey. The duo's debut album of the
same name reached number six on the country albums chart in 1968. Now a successful musical collaboration, Howard joined Anderson's roadshow and also became part of his syndicated television program called
The Bill Anderson Show. Because it was mostly filmed in
Windsor, Ontario, Jan traveled by commercial airlines to film tapings. Working with Anderson provided Jan with a steady source of income following her divorce from Harlan Howard in the late 1960s. In 1968, Jan had three more top 40 US country solo singles including the number 16 "
Count Your Blessings, Woman" and the number 15 "
My Son". Despite Jan's reluctance, her middle son (Carter), Bill Anderson and Owen Bradley all encouraged her to record it. After the song became commercially-successful, Jan received over 5,000 letters from soldiers and their families. "They said they felt like it was for them," she commented. The song was later nominated for
Best Female Country Vocal Performance at the
Grammy Awards. The singles were also issued on corresponding duet LP's that made the US country top 25: ''
If It's All the Same to You (1970) and Bill and Jan (Or Jan and Bill)'' (1972). Howard resumed her recording career and signed with
GRT Records in 1974. She was a neighbor of Nashville producer,
Larry Butler, who recorded her next studio album titled
Sincerely, Jan Howard. Its lead single, "Seein' Is Believin'", made the top 100 of the US country chart in 1975. She signed with
Con Brio Records in 1977 and had her final three charting country songs: "
I'll Hold You in My Heart (Till I Can Hold You in My Arms)", "Better Off Alone" and "To Love a Rolling Stone". She also toured as part of
Tammy Wynette's roadshow in the late 1970s as both a background and lead vocalist. Howard was then approached by
Pete Drake to be part of a veteran's era album project called
Stars of the Grand Ole Opry. Her studio album was released by the First Generation label in 1981 featuring new songs and
re-recordings of her most popular tunes. Her next studio album was released in 1983 on
AVI Records in 1983 called
Tainted Love. The
title track was a cover of the
Soft Cell pop single.
Billboard found Howard did a "creditable job" on the song and called the album "a series of moving performances". In 1985, Howard was part of a joint venture between
MCA and
Dot Records, which included several other veteran artists. From the venture, a
self-titled studio album was released in 1985. Produced by
Billy Strange, it was Howard's last studio release. In the 1990s, Howard slowed down her singing career. Howard spoke of her career slow down and her continued passion for singing in her autobiography: "I love to sing and hope that, for a long time to come, God will give me the opportunity to do so. And when he tells me to quit, I hope I have the sense to follow His advice." She mainly did performances as part of the
Grand Ole Opry cast along with occasional shows. In the 2000s, Howard was inducted into the Missouri Country Music Hall of Fame and released a boxed set of her recorded material. She has since appeared on albums by other artists. In 2007, she recorded a duet with Bill Anderson and
Vince Gill for Anderson's studio release, ''Whisperin' Bluegrass''. In 2017, Howard and
Jessi Colter appeared on
Jeannie Seely's studio album
Written in Song, singing on the track "We're Still Hangin' in There, Ain't We Jessi". In 2019, she celebrated her 90th birthday at the Opry, making her the show's oldest living member.
Style and legacy Howard's musical style was rooted in the country and
Nashville Sound genres. Robert K. Oermann commented on Howard's "brassy" singing style and noted that her Decca recordings were "downright gutsy", "sassy" and "self-assured." Oermann also spoke on Howard's legacy as an artist: "Jan opened the door for many more Nashville Sound stylists.
Marion Worth,
Margie Bowes,
Connie Smith,
Jeannie Seely and
Connie Hall climbed the charts." Howard is also remembered for her commercial success. Sandra Brennan of Allmusic called her "one of the hottest female vocalists of the 1960s." In 2005, Howard's single, "Evil on Your Mind", was listed as one of country music's "500 greatest singles" in the book
Heartaches by the Number. ==Writing career and other professions==