1948–1956: The Davis Sisters; rise to fame During her junior year of high school, Skeeter and Betty Jack Davis won a local
yodeling contest, the prize for which was a time slot singing on a local daytime television show. The two were billed as the
Davis Sisters, with Skeeter adopting Betty Jack's last name, despite their being unrelated. Their appearance on the local program led to them receiving singing opportunities on the
Detroit radio station
WJR's program
Barnyard Frolics. After graduating from high school in 1949, Davis relocated to Detroit with Betty Jack, where they completed demonstration recordings for
Fortune Records; among these was the song "Jealous Love", which was released as a single in 1953.
RCA Victor producer
Steve Sholes heard their demos and was impressed by their harmonies. In the spring of 1953, Skeeter and Betty Jack met with Sholes at RCA's headquarters in New York City, and were offered a recording contract. After signing the contract, they left New York to begin recording material in
Nashville, Tennessee. On May 23, 1953, they recorded "
I Forgot More Than You'll Ever Know", a song that had previously been recorded by
Sonny James. The Davis Sisters toured regionally to support the single on live broadcast radio programs, though Davis recalled that both "were so insecure and uninformed about the [music] business." The single was a significant success, spending eight weeks at number one on the country charts in 1953, as well as making the top 20 on the pop charts. The record ranks number 65 on the Top 100 Country Singles of All Time, according to
Billboard historian
Joel Whitburn. On August 1, 1953, the Davis Sisters performed on the
WWVA evening show in
Wheeling, West Virginia. After midnight, the two left Wheeling en route back to Covington. Around 7:00 am on August 2, near Cincinnati, a passing motorist fell asleep at the wheel, crashing head-on with the car in which Skeeter and Betty Jack Davis were riding. Betty Jack was killed in the collision, while Skeeter sustained serious head injuries. The driver of the car also survived. Newspaper bulletins at the time erroneously reported that both the Davis Sisters had been pronounced dead at Our Lady of Sorrow Hospital in Cincinnati. Following the accident, Davis moved in with Betty Jack's mother, Ollie, while recovering from her injuries. She recounted in her autobiography that Ollie "took advantage of this tragic situation to suit her own ends”, alleging that she had kept Skeeter sedated with drugs from a local dentist and sequestered her in the house, where she repeatedly played the girls' records. Once Skeeter recovered, Ollie could "hardly wait for her chance to recreate the Davis Sisters", suggesting that Betty Jack's younger sister, Georgia, take her place in the singing duo. Davis reluctantly agreed, and six months after the accident, she resumed singing in the duo with Georgia Davis. In her autobiography, she wrote that she felt she had been
brainwashed by Ollie and coerced into resuming the musical duo. Between 1954 and 1956, Skeeter and Georgia released nine singles for RCA as the Davis Sisters, which they recorded in New York City and
Chicago, and toured the United States as a part of the RCA Caravan of the Stars alongside
Minnie Pearl,
Hawkshaw Hawkins, and Chet Atkins, among others. The singles recorded with Georgia were notably less successful than the duo's former material, with low chart positions, though Davis felt, "the material was good." The two held a tribute performance for Betty Jack at the
Grand Ole Opry in 1954. In 1955, the Davis Sisters were booked for a regional tour alongside
Hank Snow,
the Carter Sisters (minus
June), and
Elvis Presley. Davis recounted her friendship with Presley in her autobiography. The Davis Sisters formally disbanded in 1956, shortly after Davis's first marriage to Kenneth DePew.
1957–1962: Early solo career In the late 1950s during her marriage to DePew, Davis suffered from
depression and "harbored a death wish" over the grief of Betty Jack's death, as well as her "contrived" marriage. She resumed performing as a solo act, touring with
Ernest Tubb, and co-wrote and recorded the song "
Set Him Free" for RCA, produced by Chet Atkins. The song earned Davis a
Grammy Award nomination for best country recording. Sometime during this period, around 1958, Davis and DePew were divorced, and she relocated to Nashville. The same year, Davis recorded "
Lost to a Geisha Girl", an
answer song to
Hank Locklin's hit "Geisha Girl", which reached the country number 15 and became her first solo hit. Atkins worked with Davis as a guitarist on all of these sessions. At Davis's suggestion, Atkins frequently multiple-tracked Davis's voice for harmony vocals to resemble the sound of the Davis Sisters. This echo can be found on several of her early solo hits, such as "
Am I That Easy to Forget". She subsequently cowrote and recorded another top-20 hit called ‘
Homebreaker’ , which peaked at number 15 on the
Hot Country Songs chart in November 1959. The same year, Davis joined the
Grand Ole Opry. During this time, she toured with June Carter, and the two became good friends. From 1960 to 1962, Davis had top-10 hits with the songs "
(I Can't Help You) I'm Falling Too", "
My Last Date (With You)", "
Where I Ought to Be", and "
Optimistic". "(I Can't Help You) I'm Falling Too" marked Davis's first entrance as a solo artist onto the
Billboard pop charts in 1960 and resulted in her being invited to perform on
Dick Clark's
American Bandstand. The song went all the way to the top 40, unheard of for a female country singer at the time. In 1961, she scored a second pop hit with a lyric version (written by Skeeter) of
Floyd Cramer's instrumental
country pop smash "
Last Date" called "My Last Date (With You)", which did even better, making the top 30 on the pop charts. Both of these songs did exceptionally well on the
country charts, peaking at number two and number five, respectively.
1963–1976: Crossover and critical accolades In 1963, Davis achieved her biggest success with country pop crossover hit "
The End of the World". The song just missed topping the country and pop charts that year, but it did top the
adult contemporary charts. The record was also a surprise top-five hit on the
rhythm and blues charts, making Davis one of the few white female singers to have a top-10 hit in that market. The single sold over one million copies and was awarded a
gold disc. "The End of the World" soon became Davis's signature song. Davis achieved one other country-pop hit with the
Gerry Goffin and
Carole King-penned "
I Can't Stay Mad at You", which peaked at number seven on the pop charts and number two on the Easy Listening chart in 1963. In 1964, she was nominated for a
Grammy Award for Best Female Country Vocal Performance for her recording of "
He Says the Same Things to Me". Davis's success continued with "
I'm Saving My Love" and 1964's "
Gonna Get Along Without You Now", an updated cover of a 1956 hit by
Patience and Prudence. Both made the top 10 on the country charts and cracked the
Billboard Top 50 pop charts, though the success of "Gonna Get" was likely hampered by another remake of the song by vocalist
Tracey Dey simultaneously climbing the charts to peak slightly lower than Davis's version. Later pop efforts, such as "Let Me Get Close to You" in July 1964, missed making the
Billboard Hot 100, reflecting the changing nature of pop styles due to the ongoing
British invasion. In 1965, she recorded a duet with
Bobby Bare called "
A Dear John Letter", which just missed the country top 10. The following year, she earned her third Grammy nomination for "
Sun Glasses", which peaked at number 30 on the Hot Country Songs chart. In 1967, Davis was back in the top 10 with "
What Does It Take (To Keep a Man Like You Satisfied)". Davis only achieved two other major country hits the rest of the decade, "
Fuel to the Flame" (written by Dolly Parton, to whom Davis paid tribute with an album called
Skeeter Sings Dolly in 1972), and "
There's a Fool Born Every Minute". She received her fourth Grammy nomination for 1967's "What Does It Take". In the late 1960s, she recorded several full-length albums, including two tribute works:
Skeeter Davis Sings Buddy Holly (1967) and
I Love Flatt and Scruggs (1968). Davis's recording of the
antiwar song "
One Tin Soldier", released in 1972, earned her an appearance on
The Midnight Special. The single was a major success in Canada, peaking as a top-10 hit on
RPM country and adult contemporary charts. In 1970, Davis had another top-10 hit with "
I'm a Lover (Not a Fighter)" and another duet with Bobby Bare with "Your Husband, My Wife". The following year, she had a hit with the autobiographical "Bus Fare to Kentucky". Subsequently, however, her chart success began to fade. Singles such as "It's Hard to Be a Woman" and "Love Takes a Lot of My Time" failed to crack the country top 40. Her last major hit was 1973's "I Can't Believe That It's All Over", which peaked at number 12 in country and number 101 on the pop chart. In the 1970s, she began regularly touring foreign countries such as
Barbados,
Singapore, and
Sweden, where she retained a following. Davis had the first and only controversy of her career when, during a 1973
Grand Ole Opry performance, she dedicated a gospel song to a group of young church workers whom she noted in her introduction had been arrested for evangelizing at a local mall. The Opry suspended her from membership after receiving complaints from some local policemen. She was reinstated at the Opry more than a year later. After losing several bookings during that period, Davis became active singing with a number of religious ministries and spent an extensive period evangelizing in Africa.
1977–2004: Later life and career Davis returned to the recording studio in 1976 with a brief stint on
Mercury Records, which produced two single releases, including her last song to make the national charts, 1976's "I Love Us". In 1978, she recorded the first of several albums for minor record labels, which she did on occasion into the 1990s. She recorded the album
She Sings, They Play with
NRBQ and later married their bassist,
Joey Spampinato . Her autobiography,
Bus Fare to Kentucky (named after her
1971 song), was published in 1993. In 1998, she wrote a children's book,
The Christmas Note, with
Cathie Pelletier. ==Personal life==