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Innocence + Experience Tour

The Innocence + Experience Tour was a worldwide concert tour by the Irish rock band U2. Staged in support of the band's 2014 album Songs of Innocence, the tour visited arenas throughout 2015. It was U2's first time playing arenas since 2005–2006 on their Vertigo Tour. Comprising two legs and 76 concerts, the Innocence + Experience Tour began on 14 May 2015 in Vancouver, Canada. It visited North America from May through July, and Europe from September through December. Shows were predominantly booked in pairs for each market.

Background
U2's previous tour, the U2 360° Tour, visited stadiums in Europe, North America, Asia, Oceania, Africa and South America from 2009 to 2011 and comprised 110 shows. The concerts featured the band playing "in the round" on a circular stage, allowing the audience to surround them on all sides. To accommodate the stage configuration, a large four-legged structure nicknamed "The Claw" was built above the stage, with the sound system and a cylindrical, expanding video screen on top of it. At tall, it was the largest stage ever constructed. U2 360° concluded in July 2011 as the highest-grossing concert tour (grossing $736 million) and the most-attended concert tour (selling 7.3 million tickets). On 9 September 2014, after a five-and-a-half-year gap between records, U2 announced their thirteenth studio album, Songs of Innocence, at an Apple product launch event. It was released digitally the same day to all iTunes Store customers at no cost. The release made the album available to over 500 million iTunes customers in what Apple CEO Tim Cook called "the largest album release of all time." Songs of Innocence revisits the group members' youth in Ireland in the 1970s, touching on childhood memories, loves, and losses, while paying tribute to their musical inspirations. Lead vocalist Bono described it as "the most personal album we've written." It received mixed reviews, and some critics and consumers were critical of the digital release strategy; the album was automatically added to users' iTunes accounts without their consent, which for many, triggered an unprompted download to their devices. ==Development==
Development
As early as opening night of the U2 360° Tour in June 2009, Bono told his friend/band consultant Gavin Friday that their next tour would have to be more intimate. During U2 360°, Bono and long-time tour designer Willie Williams first discussed ideas for their next live venture. One of Bono's suggestions was to begin future shows with the band performing underneath a single light bulb, in contrast to the massive stage structure underneath which they played during the 360° Tour. Williams was aware that U2's long-time stage designer Mark Fisher was battling an illness and did not have long to live. As a result, Williams invited stage designer Es Devlin to the band's creative team in February 2013. The two previously collaborated in 2009 for the American theatre leg of Lady Gaga's Monster Ball Tour and in 2012 for Complicite's production of The Master and Margarita. Williams also invited Ric Lipson, Fisher's colleague at the design firm Stufish Entertainment Architects, based on positive experiences with him on past projects. During this first meeting, Williams, Devlin, and Lipson created a scrapbook that served as the "style guide" for the tour's presentation, consisting of cut-outs, drawings, and paintings. Bono asked the team to think of an object that could symbolise U2 and be incorporated into the stage design. Fisher suggested a cross, an idea that would be implemented into some of the stage's lighting fixtures. Many of the band's original ideas were too costly to realise. Another discarded idea was to explode a giant light bulb over the B-stage to release junk and furniture from the 1970s; this was also re-imagined through video imagery, with a digital depiction of a light bulb smashing to release a tsunami. The creative brief for the Innocence + Experience Tour was signed off in December 2013, with the intent to begin the tour in early 2014, but it was ultimately delayed until the following year, leading to an extended design period of two years. == Set design and show production ==
Set design and show production
(left), a connecting walkway, and a large video screen suspended above the walkway. The set was designed by Ric Lipson and Es Devlin under the creative direction of Willie Williams. The stage spanned the length of the venue floor and comprised multiple sections. At one end of the venue was the rectangular main stage, which illuminated as an "I" to represent "innocence" and measured wide by deep, with the performance area wide by deep. A flip-up piano was built into the B-stage, with the lift designed to unfold the instrument 90 degrees like a book opening, rather than raise it directly upwards. The structure, provided by SACO Technologies in conjunction with PRG Nocturne, featured LED video screens on the two largest faces measuring wide by tall, each one comprising 240 SACO V-Thru semi-transparent video panels. The panels' cabling was contained within the support rails, which were placed apart. The system featured 12 arrays of Clair Cohesion CO-12 speakers, each array holding ten speaker cabinets. For down fill and front fill, eight arrays of Clair Cohesion CO-8 speakers were hung, each array holding four cabinets. For bass, there were eight arrays of three Clair Cohesion CP-218 subwoofers. Additionally, 24 Clair i-3 cabinets were hung to project sound to the rear of the main stage. In total, more than 200 cabinets were used. To handle their data storage needs, U2 used several products from EMC Corporation, the first time the company had a musical client. After each show, tour staff used an EMC Data Domain 2500 system to back up footage. With storage up to 6.6 petabytes and an hourly throughput of 13.4 TB, the Data Domain system could complete a nightly backup before the crew disassembled the stage. Due to the need to load video on the fly, all storage was locally networked, as a cloud storage configuration would have increased latency. Several other personnel were involved in the production of the tour. Sparky Risk and Alex Murphy serving as lighting directors. Jake Berry reprised his role as U2's long-time production manager for the tour. Also on staff were video director Stefaan "Smasher" Desmedt and video content producer Ben Nicholson. The set was built by Tait. ==Planning, itinerary, and ticketing==
Planning, itinerary, and ticketing
After months of speculation about a tour, the band announced the Innocence + Experience Tour on 3 December 2014. Initially, 44 shows were scheduled in 19 cities across North America and Europe beginning in May 2015, Dates were predominantly booked in pairs for each market. Pre-sale tickets for the tour were offered to U2 fan club members on 4 December 2014 before going on sale to the general public on 8 December. In contrast to the U2 360° Tour, on the Innocence + Experience Tour, U2 played arenas, their first time since their Vertigo Tour from 2005 to 2006. A sponsorship deal with cloud computing company Salesforce.com, reportedly worth $12 million, was announced in March 2015. The group spent a month rehearsing at Pacific Coliseum in Vancouver prior to the tour's opening show in the city on 14 May 2015. During this period, they decided to abandon their plans to alternate between "innocence" and "experience" setlists from show to show, fearing that concertgoers would be disappointed by the omission of certain songs on a given night. The band donated €2 million from Irish ticket sales to Music Generation, a local music education programme for children. In total, 76 shows were scheduled for the tour. Complications On 16 November 2014, Bono was injured in a "high energy bicycle accident" in Central Park in New York City. He suffered fractures of his shoulder blade, humerus, orbit, and pinky finger, requiring five hours of surgery at NewYork–Presbyterian Hospital/Weill Cornell Medical Center's Emergency Department. Bono said he was uncertain that he would ever be able to play guitar again. The injury forced the band to cancel a headlining appearance at KROQ Almost Acoustic Christmas, as well as a week-long residency as the musical guest on The Tonight Show Starring Jimmy Fallon. Days before the 14 May 2015 tour opener in Vancouver, drummer Larry Mullen Jr.'s father died in Ireland, putting the status of the show in doubt. Mullen flew home for the funeral and returned to Vancouver in time for the concert. On opening night, during the band's performance of the final song "I Still Haven't Found What I'm Looking For", guitarist the Edge fell off the stage catwalk while playing guitar and proceeding to the exit. He narrowly escaped injury, only scraping his arm. Dennis Sheehan, the group's tour manager since 1982, died in Los Angeles on 27 May 2015 while on tour with the band. He was 68 years old. Bono said: "We've lost a family member, we're still taking it in. He wasn't just a legend in the music business, he was a legend in our band. He is irreplaceable." . The group's 20 September 2015 show in Stockholm was postponed until later that week after an arena security breach that required police to evacuate the building and search for a suspect. Less than two months later, attacks in Paris on 13 November forced the postponement of two of U2's shows in the city scheduled for 14 and 15 November; According to tour producer Arthur Fogel, "minimal" refunds were requested (3,000 of the 34,000 tickets sold). The rescheduling posed logistical challenges for the band, as the tour was supposed to end in Dublin more than a week prior to the new Paris dates, and crew members and equipment had been set to disperse. Arena security was bolstered for the rescheduled shows. Writing about U2's plan to return to a Paris still on high alert, Don Kaplan of the New York Daily News said: "The Dublin band, born in the crucible of violence that gripped Ireland in the 1970s and '80s, has long collaborated with other musicians, artists, celebrities, and politicians to address issues concerning poverty, disease, and social injustice. That they've now opted to challenge terrorism and fear should surprise absolutely no one." Sequel tour U2 originally began the Innocence + Experience Tour with the intent to tour in two phases, one with material primarily taken from Songs of Innocence and one with material that would eventually comprise its follow-up, Songs of Experience. Bassist Adam Clayton said, "By the time we finished the Innocence tour and came full circle to focus on the [Songs of Experience] album, it was clear we weren't going to be able to flip it really quickly into the Experience side of the material and put it right back out on tour." When asked about plans to continue the Innocence + Experience Tour after the Joshua Tree Tour 2017, the Edge said: "We feel like that tour wasn't finished. So right now, we'd love to finish that tour. I would imagine it's gonna be with very similar production components... But we like that tour and that project wasn't completed. It is still alive in our minds creatively." On 1 November 2017, the band announced the Experience + Innocence Tour as a sequel to the Innocence + Experience Tour, with concerts in North America and Europe in 2018 to support Songs of Experience. ==Show overview==
Show overview
Shows on the Innocence + Experience Tour consisted of two acts separated by a brief intermission—a first for U2 concerts The first act began with U2 performing "The Miracle (of Joey Ramone)", followed by a mix of the group's earliest tracks (such as "Gloria", "The Electric Co.", and "Out of Control") and then "Vertigo" and "I Will Follow". These songs were played underneath a single dangling light bulb, which was inspired by the decor of Bono's childhood bedroom and was intended as a metaphor for the intimacy and innocence of the band's early years. The Edge says this portion of the show represented "U2 stripped back in the innocence moment of the band, referring to those early years where we formed and influenced by the music of the late 1970 and early 1980s, post-punk and punk music." For "Cedarwood Road", written about the Dublin street on which Bono grew up, the singer ascended into the video cage and performed amidst animation of his childhood street, giving the appearance of him walking down it. The visuals transitioned to an interior depiction of Bono's childhood home for "Song for Someone", which was written as a love song for his wife Ali. The visuals featured Bono's son portraying a childhood version of the singer trying to write a song. For the final song of the first act, "Until the End of the World", the Edge performed inside the video screen, while Bono, through his video projection on the screen, attempted to interact with his bandmate. During the song's conclusion, the video screen displayed a light bulb smashing to release a tsunami that washed away the "innocence" of Cedarwood Road, Either "Elevation" or "Desire" were usually played next, although U2 sometimes rotated songs in their place at different concerts, such as "Ordinary Love" and "Volcano". Following B.B. King's death in May 2015, the band played "Angel of Harlem" and "When Love Comes to Town" to honour the singer-songwriter with whom they worked for Rattle and Hum. An acoustic version of "Every Breaking Wave" was played from the e-stage, with just the Edge on piano and Bono's vocals. During the European leg, Bono and the Edge played "October" after "Every Breaking Wave". For "Bullet the Blue Sky", the singer thematically re-interpreted the song, modifying the mid-song spoken passage to be a criticism of the modern-day Bono and his excesses by his younger self. Towards the end of the song during North American performances, he said, "Hands up, I'm an American" and "I can't breathe, I'm an American", addressing the civil unrest in US communities caused by police violence against African-Americans. Performances of "Pride (In the Name of Love)" were preluded by an extended snippet of "The Hands That Built America". "With or Without You" was played late in the second act, with the group often shuffling its position in the setlist. During the encore in North America, U2 played "City of Blinding Lights", "Beautiful Day", and occasionally "Bad". From show to show, U2 alternated between "I Still Haven't Found What I'm Looking For", "One", and more rarely, "40", as the closing song. The opening show marked U2's first tour concert at which they did not play "One" since its live debut in 1992 on the Zoo TV Tour. Guest appearances Several guests joined U2 on-stage during their shows in New York City. On 22 July 2015, The Tonight Show host Jimmy Fallon performed "Desire" with the group; Fallon previously performed the song on his show with his house band, the Roots, in an imitation of Bono after U2 canceled a week-long residency on the show in November 2014 due to Bono's injury. After Fallon's Innocence + Experience performance with U2, the Roots accompanied them for "Angel of Harlem", much as they did when U2 played the song on The Tonight Show in May 2015. On 26 July 2015, Lady Gaga joined the band to play piano and sing for "Ordinary Love". During an off-day on 29 July, the Edge and Clayton made a surprise appearance at the 20th anniversary party for the band's fansite @u2, and they joined a U2 tribute act in performing "Where the Streets Have No Name" and "Out of Control". On 30 July, Paul Simon joined U2 to play his song "Mother and Child Reunion", which they had been snippeting regularly on tour. On 31 July, the final date of the North American leg of the tour, Bruce Springsteen accompanied the band for performances of "I Still Haven't Found What I'm Looking For" and "Stand By Me". . For U2's 5 September show in Turin, Zucchero guest starred for a performance of "I Still Haven't Found What I'm Looking For". Noel Gallagher did the same for the band's 26 October show in London, while also helping them cover the Beatles' "All You Need Is Love". Patti Smith joined U2 on two occasions to cover her song "People Have the Power"—in London on 29 October 2015, and in Paris on 6 December 2015 for the first of the band's rescheduled dates in the city. For the tour's closing show on 7 December in Paris, U2 were joined on-stage by Eagles of Death Metal, who were returning to the city for the first time since their show at the Bataclan on 13 November 2015, where the deadliest of that day's attacks in Paris occurred, killing 89 people. The two bands performed a cover of "People Have the Power" before Eagles of Death Metal concluded the show with their song "I Love You All the Time". The band had been inviting fans on-stage to perform with them throughout their career, and they made this a regular occurrence on the Innocence + Experience Tour. Guest fan performers included a U2 tribute act and an Elvis impersonator. Prior to the tour, Bono said, "What was at the heart of punk rock for us was the desire to communicate on an equal basis with your audience, meaning there's no division between you and the people that come to see you." ==Concert broadcast==
Concert broadcast
In November 2015, two films about the tour were scheduled to air on American television network HBO, but both were postponed. The first was a concert film entitled Innocence + Experience: Live in Paris, which was originally scheduled to air on 14 November to showcase U2's performance at AccorHotels Arena in Paris from earlier that day. However, the terrorist attacks in Paris the day prior forced the concert and the broadcast to be postponed until 7 December. The concert was released on DVD, Blu-ray, and via digital download on 10 June 2016. The second film, a behind-the-scenes tour documentary featuring interviews with the band and tour personnel, was originally scheduled to air on 7 November, a week prior to the original concert broadcast date, but it did not air as planned. The documentary was slated to be directed by Davis Guggenheim, who previously worked with the Edge for the documentary It Might Get Loud (2008) and with U2 for From the Sky Down (2011). ==Reception==
Reception
Critical response The Innocence + Experience Tour was well received by critics. Philip Cosores of Consequence of Sound, reviewing a Los Angeles show, said, "U2 was every bit the brash, boisterous, larger-than-life rock stars fans would expect, or even hope for". He complimented the show for feeling intimate and said that performances of the new songs "argued that perhaps the most recent U2 output was given an unfair shake from critics more interested in attacking the new album's release method than the actual songs". Greg Kot of the Chicago Tribune praised the show, writing, "Visuals, sound and sequencing synced up to tell a story, but it was a story built on emotionally involving songs presented with a minimum of fuss." Kot, who was critical of Songs of Innocence, thought the album's songs were redeemed by their live performances, saying, "it's tempting to ask for a do-over of [U2's] latest album... after witnessing this show. Despite the album's flat, slick surfaces, the Irish quartet made its latest material the centerpiece of its current tour." Jim DeRogatis of WBEZ wrote, "U2 has got its mojo back." Despite doubts about U2 after their previous tour and the release of Songs of Innocence, the band's opening four songs of a Chicago show "convinced [him] that U2 is as ferocious, focused, and no-nonsense committed as it's ever been". DeRogatis believed that "the new songs were much harder-hitting and far more emotional than in the bland, over-produced versions on record". Ben Ratliff of The New York Times called the production grandiose but considered the concert an "achievement, integrated and sure-footed". Compared to the album versions of the band's new songs, Ratliff said their live performances had "surprising authority" and "stronger blood". Ratliff concluded his review: "U2's hunger to combine and include has only grown greater; the triumph of the concert was finding an ordered, comprehensive rationale for it." Rob Hastings of The Independent called a London concert "one of the most unforgettable arena shows most people will have seen". Despite reservations about U2's new songs, Hastings praised the group for using the visuals to make the songs' personal nature connect with the audience. He said, "The songs blossom as their meanings emerge through the pixels as much as the lyrics." In another review of a London concert, Kitty Empire of The Observer said that the video screens offered "mixed-media renderings of U2's songs which veer from the mawkish to the mesmerising", but she thought the band "give great, thoughtful son et lumière". Dorian Lynskey of Q said, "Just as Zoo TV and 360° reinvented stadium rock, this tour offered a glimpse into the future of arena shows." The band received nominations for Best Tour at the 2016 iHeartRadio Music Awards, and for Top Touring Artist at the 2016 Billboard Music Awards. Commercial performance According to Billboard, the North American leg's 36 shows grossed $76,166,563 from 650,582 tickets sold; all shows were sold-out. The two shows in Toronto alone grossed $4.4 million from 38,364 tickets sold, while the eight shows in New York grossed $19,474,285 from 149,942 tickets sold. ==Set list==
Set list
This setlist was performed at the 5 September 2015 concert held at Pala Alpitour in Turin. It does not represent all shows throughout the tour. First act • "The Miracle (of Joey Ramone)" • "The Electric Co." • "Vertigo" • "I Will Follow" • "Iris (Hold Me Close)" • "Cedarwood Road" • "Song for Someone" • "Sunday Bloody Sunday" • "Raised by Wolves" • "Until the End of the World" Second act • "The Fly" (Intermission) • "Invisible" • "Even Better Than the Real Thing" • "Mysterious Ways" • "Elevation" • "Ordinary Love" • "Every Breaking Wave" • "October" • "Bullet the Blue Sky" • "Zooropa" • "Where the Streets Have No Name" • "Pride (In the Name of Love)" • "With or Without You" Encore • "City of Blinding Lights" • "Beautiful Day" • "One" == Tour dates ==
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