1991–1994: Career beginnings After five months in Japan, Norton moved to New York City, where he supported himself working odd jobs. In 1994, Norton auditioned for Albee's
Finding the Sun but did not get the part. Albee found a new role for him instead and had Norton read for
Fragments. The playwright was impressed with Norton's rehearsal performance and cast him for its world premiere. His performance was lauded by critics;
Roger Ebert of the
Chicago Sun-Times praised Norton's character as "completely convincing", while Peter Stack of the
San Francisco Chronicle dubbed the actor "the one to watch" after his debut. Norton won a
Golden Globe Award for
Best Supporting Actor and was nominated for an
Academy Award in
the same category for his role in the film. Norton starred in two other films released in 1996; he played
Larry Flynt's lawyer
Alan Isaacman in
Milos Forman's biographical drama
The People vs. Larry Flynt and Holden Spence in
Woody Allen's musical film
Everyone Says I Love You. The film and Norton's performance received a lukewarm response;
Entertainment Weekly wrote that his acting "never really goes anywhere", while the
Chicago Reader observed that his character was not good enough to make the film interesting. His role in the crime drama
American History X, released later that year, earned him widespread acclaim. In it, Norton portrays Derek Vinyard, a reformed
neo-Nazi, who abandons his preconceived ideology after three years in prison. During production, Norton was allegedly dissatisfied with director
Tony Kaye's first screening. Consequently, he took over the editing (uncredited) and finished the final cut, which was 40 minutes longer than Kaye's version.
The New Yorker wrote that he gave Derek an "ambiguous erotic allure" which made the film memorable, while the
Chicago Tribune deemed his performance an immediate contender for an Oscar. Norton received an Oscar nomination for
Best Actor, and won a
Golden Satellite Award in the same category. In the 1999
David Fincher-directed film
Fight Club, Norton played an
unnamed unreliable narrator who feels trapped in his white-collar job. The film is based on
Chuck Palahniuk's
1996 novel. To prepare for the role, Norton took lessons in
boxing,
taekwondo and
grappling.
Fight Club premiered at the 1999
Venice International Film Festival. During promotion for the film, Norton explained that
Fight Club examines the value conflicts of
Generation X as the first generation raised on television, by probing "the despair and paralysis that people feel in the face of having inherited this value system out of advertising". While the film divided contemporary critics, Norton's role was widely applauded.
Time magazine labeled him "excellent", and
Variety magazine was impressed by his embracing a range of techniques needed for his character. For his performance, Norton was nominated for Best Actor by the
Online Film Critics Society. Despite under-performing at the box office,
Fight Club became a
cult classic after its DVD release in 2000.
2000–2008: Mainstream success and directorial debut In 2000, Norton made his directorial debut with the romantic comedy
Keeping the Faith, starring as a priest named Brian Finn. The film received mixed critical reviews.
The Dallas Morning News praised his acting and labeled the film "a smart directorial debut".
Entertainment Weekly remarked that Norton's emergence as a director was decent, but criticized the plot because it "proposes heavy theological aims, then disavows any such thing". In 2001's
heist film The Score, Norton plays Jack Teller, an ambitious young thief caught in an unlikely alliance with career criminal Nick Wells (
Robert De Niro) arranged by his
fence, Max (
Marlon Brando).
The Score and Norton's performance was well received. The
San Francisco Chronicle stated that despite starring with screen legends De Niro and Brando, Norton's acting "outdoes even that of Brando". The
Los Angeles Times also lauded him as an "enormously gifted young actor" who pulled off the character successfully. (pictured) in the 2002 biopic
Frida, for which his version of the screenplay received positive reviews. Norton appeared in four films released in 2002. He played kids show host Sheldon Mopes, who quickly rises to fame for his character "Smoochy the Rhino", in the black comedy
Death to Smoochy. It received negative critical feedback for its plot. He also portrayed
Nelson Rockefeller in the biopic film
Frida, which depicts the life of Mexican artist
Frida Kahlo (
Salma Hayek). Norton rewrote the script several times without credit, focusing on the historical context and adding some humor while retaining Kahlo's real-life personality. The final screenplay, with Norton's contribution, received positive reviews from critics as well as admiration from the film's co-stars including Hayek and
Alfred Molina, who portrayed Kahlo's husband and fellow artist
Diego Rivera. In the horror film
Red Dragon, Norton starred as retired FBI profiler
Will Graham, who consults with
cannibalistic serial killer Hannibal Lecter (
Anthony Hopkins) to catch
Francis Dolarhyde (
Ralph Fiennes), a serial killer who murders entire families. During production, Norton and director
Brett Ratner argued frequently over the script. "He likes to challenge the director. It's all about intellectual debate," Ratner told
The Times in 2003. "... Edward's instinct is going to be, 'I have to take over this film.' He's going to try to rescue the film. That's both a blessing and a curse." Despite mixed reviews,
Red Dragon was Norton's most profitable venture in 2002, grossing over $200 million. Norton also co-produced and starred in
25th Hour, a film about a drug dealer in post-
9/11 New York City.
Paramount Pictures forced Norton to star in the heist film
The Italian Job (2003), threatening to sue him for violating a three-film contract he had signed; the studio had previously distributed 1996's
Primal Fear and 2001's
The Score. Norton, accordingly, refused to promote the film's release. His performance was well received by critics, with
The New Yorker calling him "intelligent and incisive ... one of those rare actors who hold the audience's attention with everything they say".
Rolling Stone praised his character as "perversely magnetic" despite giving the film a negative review. During this time, Norton co-founded a production company, Class 5 Films, with Yale classmate
Stuart Blumberg and film producer Bill Migliore. Reviewers criticized the film's lack of depth, while praising the cinematography. Jack Moore described Norton's performance in
Kingdom of Heaven as "phenomenal", and "so far removed from anything that he has ever done that we see the true complexities of his talent". Norton had two major film roles in 2006, starring as Eisenheim the magician in
The Illusionist and
bacteriologist Walter Fane in
The Painted Veil. Set in 19th-century
Austria-Hungary,
The Illusionist was loosely based on novelist
Steven Millhauser's short story "Eisenheim the Illusionist" and received generally positive critical reviews. The
San Francisco Chronicle dubbed the film "rich and elegant" and wrote of Norton's character: "he doesn't just seduce the on-screen audience but the audience watching in the movie theater". The
Houston Chronicle similarly lauded the film for its vibrant plot and described Norton's performance as "mysterious and understated". Norton co-produced
The Painted Veil, in which he starred with
Naomi Watts, who portrayed his character's unfaithful wife. Like his previous venture,
The Painted Veil garnered positive feedback from reviewers.
The Guardian applauded the film as "faultless" and "powerful" as well as Norton's "genuinely affecting" performance.
Entertainment Weekly appreciated that Norton's production effort did not affect his acting. Norton appeared in two documentaries in 2007:
Brando, which chronicles the life and career of screen legend Marlon Brando, with whom Norton co-starred in 2001's
The Score, and
Man from Plains, which depicts the post-presidency endeavors of former U.S. president
Jimmy Carter. He starred in the crime drama
Pride and Glory (2008) as Ray Tierney, an honest detective assigned to investigate the precinct run by his older brother. Reviewers criticized the film for its
cliched plot.
2006–2008: The Incredible Hulk |alt=A side view of Norton in suits giving autographs His next lead film role was
Marvel Cinematic Universe's
Bruce Banner, and the accompanying alter ego
Hulk in the big-budget superhero film
The Incredible Hulk, released in 2008. Norton initially turned down the part as he felt the 2003 version
Hulk "strayed far afield from a story that was familiar to people, ... which is a fugitive story". He joined the project during pre-production in 2006 and constantly provided rewrites of the script. Director
Louis Leterrier welcomed his contributions, saying that, "Edward's script has given Bruce's story real gravitas". However, screenwriter
Zak Penn was displeased with Norton's changes. The
Writers Guild of America credited Penn as the sole writer, arguing that Norton had not contributed significantly to the screenplay. Norton did not participate in promoting the film and went to Africa for humanitarian activities instead, He dismissed the accusations and said that the media had misrepresented the "healthy" collaborations for headlines.
The Incredible Hulk received generally favorable reviews upon release.
The Wall Street Journal felt that Norton's presence improved the film to "a thunderously efficient enterprise" from the 2003 version. Conversely, the
Los Angeles Times, while recognizing Norton's decent performance, opined that the film lacked a solid script. It was a box office success, grossing over $263 million. However, he was replaced by
Mark Ruffalo, allegedly due to Norton's "disputes" with Marvel. Norton later claimed that he chose not to play Hulk again because he "wanted more diversity" and opted against associating himself with one character throughout his career.
2009–2014: Critical resurgence In 2009, Norton produced the documentary
By the People: The Election of Barack Obama, which follows former U.S. president
Barack Obama's campaigns leading to his
2008 election victory. Norton planned for this project in 2006, when Obama was a
senator from Illinois, elaborating that Obama was "an interesting prism through which to examine politics". He had two lead film roles in 2010. He portrayed
Brown University Professor Bill and his identical twin Brady Kincaid in the comedy
Leaves of Grass, and convicted arsonist Gerald "Stone" Creeson in the crime film
Stone. Both received weak reviews;
Leaves of Grass was praised for Norton's performance but criticized for its conflicting tonal shifts, while
Stone was panned because of a clumsy plot with excessive twists. Norton had two lead film roles in 2012. He starred as
scoutmaster Randy Ward in charge of finding his missing camper in the
coming-of-age film
Moonrise Kingdom, directed by
Wes Anderson. The film was acclaimed by critics and grossed over $68 million. but has been Norton's highest-grossing venture so far, earning over $276 million worldwide. This production venture received a mixed response.
The Guardian panned the film as "smug and humourless," while
The Washington Post called it "surprisingly wise, funny and affecting". , who featured Norton in five of his films|alt=A bob-haired man sitting at a movie conference In 2014, Norton played in two Academy Award-winning films,
The Grand Budapest Hotel and
Birdman or (The Unexpected Virtue of Ignorance). He collaborated again with director Wes Anderson for
The Grand Budapest Hotel, which featured an
ensemble cast and won four Academy Awards. In the black comedy
Birdman, Norton played
Broadway method actor Mike Shiner, who is talented but hard to work with. The film, as well as Norton's performance, was well received by critics. The
Los Angeles Times lauded him for successfully portraying the volatility of the character, and
Newsday complimented his "truly moving" poetic delivery. The film won the
Academy Award for Best Picture and earned Norton his third Academy nomination for Best Supporting Actor. and
The Guardian Brothers—the English-dubbed version of the Chinese animated film
Little Door Gods (2017). He played Whit Yardsham, an estranged friend and business partner of Howard Inlet (
Will Smith) in the 2016 drama
Collateral Beauty. The film was panned by critics for its incoherent screenplay. Norton worked again with director Anderson for the 2018
stop motion film
Isle of Dogs, in which he voiced Rex, a member of a pack of five dogs. Norton had announced in February 2014 that he would direct
Motherless Brooklyn, a crime drama based on the acclaimed
1999 novel by
Jonathan Lethem. Norton had wanted to work on the project since 1999 but did not begin until Brett Ratner, director of 2002's
Red Dragon, joined in to help production. Released in 2019, the film received mixed reviews.
Toronto Star's Peter Howell praised Norton's direction, but thought the film was complex and too long.
2022–present: Return to mainstream In 2022, Norton portrayed an obnoxious New York tech
billionaire Miles Bron in
Glass Onion: A Knives Out Mystery, the second installment in
Knives Out franchise. The ensemble mystery film was released on Netflix to positive reviews and recorded strong viewership. Norton featured in the Apple TV+ anthology mini series
Extrapolations (2023), created by
Scott Z. Burns. He once again reunited with
Wes Anderson to play a supporting role in the comedy drama set in retrofuturistic 1950s,
Asteroid City, premiering at the
76th Cannes Film Festival on May 23, 2023. It received generally positive reviews while also becoming a moderate success commercially. He reprised his voice role from the animated adult comedy film
Sausage Party (2016) in the sequel series
Sausage Party: Foodtopia (2024), which released on
Amazon Prime Video. Norton next portrayed
Pete Seeger opposite
Timothée Chalamet in
A Complete Unknown (2024), a biopic of
Bob Dylan, directed by
James Mangold. He learned to play
banjo in Seeger's distinctive style for his role. His performance received praise, and he was nominated for a Golden Globe award and an Academy Award. while James T. Keane of
America Magazine praised Norton as the film's standout performer, lauding his ability to subtly convey a wide range of emotions: "preternaturally good-hearted, but also part booster, part handler, part jealous rival, part stubborn doctrinaire." ==Personal life==