Miller first trained and worked as the protege of Stanley Borden (
RKO, Artia, After Hours Unique). Borden, the original backer of
Island Records, suggested Miller to
Chris Blackwell, who brought him to the United Kingdom. Miller's first job in the UK was to remix a single from
the Spencer Davis Group which had done well in the UK charts, "
Gimme Some Lovin'". Blackwell recalled that Miller introduced "a kind of wild magic" and "turns up the heat, threatens some kind of chaos", which resulted in "a new sound." Miller's remix entered the US top ten and broke the band in the country. He then co-wrote its follow-up "
I'm A Man" with the band's singer-keyboardist,
Steve Winwood. After Winwood left the band in 1967, Miller continued to work with Winwood by producing Winwood's band
Traffic as well as the sole album by the
Eric Clapton–Winwood supergroup
Blind Faith. During this period, Miller also produced the UK Number 1 single for
The Move, "
Blackberry Way", the first two albums by
Spooky Tooth and co-produced (with
Delaney Bramlett) the hit
Delaney & Bonnie album from 1969,
On Tour with Eric Clapton. In addition to producing five of their albums, Miller notably added instrumentation to several songs by
the Rolling Stones. His contributions include the opening cowbell on "
Honky Tonk Women" and drumming on "
You Can't Always Get What You Want," "
Tumbling Dice," "
Happy," and "
Shine a Light." In the late 70s, Miller collaborated with
Motörhead and produced two of their albums,
Overkill and
Bomber. In 1983, Miller produced
Johnny Thunders's
In Cold Blood. In 1991, Miller helped produce
Primal Scream's breakthrough album
Screamadelica. Miller also produced three tracks for the
Wedding Present's 1992 compilation
Hit Parade 2. ==Personal life==