Box office ,
The Bride! has grossed $13 million in the United States and Canada and $11 million in other territories, for a worldwide total of $24 million. In the United States and Canada,
The Bride! was projected to gross $16–18 million from 3,304 theaters during its opening weekend. The film earned $3 million on its opening day, including $1 million from Thursday previews. It ultimately
bombed in its opening weekend, only grossing $7.3 million in the United States and Canada, where it placed third behind
Hoppers and second-week holdover
Scream 7, and $6.3 million elsewhere for a worldwide gross of $13.6 million.
The Bride! was expected to lose upwards of $90 million for the studio due to its limited appeal, high production costs, and negative
word-of-mouth. In its second weekend, it dropped 70% and grossed only $2.1 million domestically.
Critical response Metacritic, which uses a weighted average, assigned the film a score of 55 out of 100 based on 55 critics, indicating "mixed or average reviews." Audiences polled by
CinemaScore gave the film an average grade of "C+" on an A+ to F scale.
The Guardians reviewer
Peter Bradshaw gave four stars out of five and states, "Jessie Buckley is electrifying as frizzy-haired, black-tongued monster's wife". In a two out of five review, Donald Clarke of
The Irish Times stated that "it is loud. It is brash. It is willfully discordant. But it also, alas, exhibits a contrasting strain of clunkiness that would be more at home in an undergraduate revue".
Owen Gleiberman of
Variety explained that "it's like [
Joker: Folie à Deux] starring a grunge version of the
Munsters, with dollops of
Sid and Nancy and
Natural Born Killers. Except that the movie doesn't move". In an explainer for
MovieWeb, J.E. Reich concluded
The Bride! could be best understood by accepting that "in Gyllenhaal's movie, the world operates on a single infuriating piece of tautology [in that the] stories we read or see on screen are lies, but they also mimic the stories we base our lives on [...] stories are lies and lies are stories, and it's enough to drive us beyond the brink". Writing for
Empire Online, Leila Latif was less enthused, concluding "ultimately what the film most exudes is incompetence," and calling it "a hot mess" and "a crushing disappointment." Other critics shared a similar view of the film.
Stephanie Zacharek of
Time described the film as "an intellectual joyride without the joy".
Richard Brody of
The New Yorker stated that "the movie has the form of mismatched pieces stitched together and brought to life more willfully than coherently". ==See also==