In his
Garlande of Laurell Skelton gives a long list of his works, only a few of which are extant. The garland in question was worked for him in silks, gold and pearls by the ladies of the
Countess of Surrey at
Sheriff Hutton Castle, where he was the guest of the
duke of Norfolk. The composition includes complimentary verses to the various ladies, and a good deal of information about himself. But it is as a satirist that Skelton merits attention.
The Bowge of Court is directed against the vices and dangers of court life. He had already in his
Boke of the Thre Foles drawn on Alexander Barclay's version of the
Narrenschijf of
Sebastian Brant, and this more elaborate, imaginative poem belongs to the same class. Skelton, falling into a dream at
Harwich, sees a stately ship in the harbour called the
Bowge of Court, the owner of which is the "Dame Saunce Pere", Her merchandise is Favour; the helmsman Fortune; and the poet, who figures as Drede (modesty), finds on board F'avell (the flatterer), Suspect, Harvy Hafter (the clever thief), Dysdayne, Ryotte, Dyssymuler and Subtylte. These figures explain themselves in turn, until at last Drede, who finds they are secretly his enemies, is about to save his life by jumping overboard, when he wakes with a start. Both poems are written in the seven-lined
Rhyme Royal, a Continental verse-form first used in English by
Geoffrey Chaucer, but it is in an irregular metre of his own—known as "Skeltonics" —that his most characteristic work was accomplished.
The Boke of Phyllyp Sparowe, the lament of Jane Scroop, a schoolgirl in the
Benedictine convent of
Carrow near
Norwich, for her dead bird, was no doubt inspired by
Catullus. He exposes their greed and ignorance, the ostentation of the bishops and the common practice of
simony, taking care to explain the accusations do not include all and that he writes in defence of the church. He repeatedly, indirectly hits at Wolsey in this satire.
Speke, Parrot has only been preserved in a fragmentary form, and is very obscure. It was apparently composed at different times, but in the latter part of the composition he openly attacks Wolsey. In
Why Come Ye nat to Courte? there is no attempt at disguise. The wonder is not that Skelton had to seek sanctuary, but that he had any opportunity of doing so. He rails at Wolsey's ostentation, at his almost royal authority, his overbearing manner to suitors high and low, and taunts him with his mean extraction. This scathing invective was not allowed to be printed in the cardinal's lifetime, but no doubt widely circulated in manuscript and by repetition. The charge of coarseness regularly brought against Skelton is based chiefly on
The Tunnynge of Elynoare Rummynge, a realistic description in the same metre of the drunken women who gathered at a well-known ale-house kept by
Elynour Rummynge at
Leatherhead, not far from the
royal palace of Nonsuch. "Skelton Laureate against the Scottes" is a fierce song of triumph celebrating the
victory of Flodden. "Jemmy is ded And closed in led, That was theyr owne Kynge", says the poem; but there was an earlier version written before the news of
James IV's death had reached London. This, the earliest singly printed ballad in the language, was entitled
A Ballade of the Scottysshe Kynge, and was rescued in 1878 from the wooden covers of a copy of
Huon de Bordeaux. "Howe the douty
Duke of Albany, lyke a cowarde knight" deals with the Campaign of 1523, and contains a
panegyric of Henry VIII. To this is attached an
envoi to Wolsey, but it surely was misplaced, for both satires on the cardinal are of earlier date. has found that several pieces which Dyce considered Skelton's are almost certainly not by him, and new (authentic) works have since been found. As of 2025, John Scattergood's
The Complete English Poems of John Kelton (1983, revised 2015) and David R. Carlson's
The Latin Writings of John Skelton (1991) form the standard editions of his work. ==Family==