Early career In 1954, Cash and his first wife Vivian moved to
Memphis, Tennessee. He sold appliances while studying to be a radio announcer. At night, he played with guitarist
Luther Perkins and bassist
Marshall Grant. Perkins and Grant were known as the
Tennessee Two. Cash worked up the courage to visit the
Sun Records studio, hoping to get a recording contract. He auditioned for
Sam Phillips by singing mostly gospel songs, only to learn from the producer that he no longer recorded gospel music. Phillips was rumored to have told Cash to "go home and sin, then come back with a song I can sell". In a 2002 interview, Cash denied that Phillips made any such comment. Cash eventually won over the producer with new songs delivered in his early rockabilly style. In 1955, Cash made his first recordings at Sun, "
Hey, Porter" and "
Cry! Cry! Cry!", which were released in late June and met with success on the country
hit parade. On December 4, 1956,
Elvis Presley dropped in on Phillips while
Carl Perkins was in the studio cutting new tracks, with
Jerry Lee Lewis backing him on piano. Cash was also in the studio, and the four started an
impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived. They have since been released under the title
Million Dollar Quartet. In
Cash: the Autobiography, Cash wrote that he was the farthest from the microphone and sang in a higher pitch to blend in with Presley. Cash's next record, "Folsom Prison Blues", made the country top five. His "
I Walk the Line" became number one on the country charts and entered the pop charts top 20. "
Home of the Blues" followed, recorded in July 1957. That same year, Cash became the first Sun artist to release a
long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label. Phillips did not want Cash to record gospel and was paying him a 3% royalty rather than the standard rate of 5%. Presley had already left Sun, and Cash felt that Phillips was focusing most of his attention and promotion on Lewis. In 1958, Cash left Phillips to sign a lucrative offer with
Columbia Records. His single "
Don't Take Your Guns to Town" became one of his biggest hits. He recorded a collection of gospel songs for his second album for Columbia. However, Cash left behind such a backlog of recordings with Sun that Phillips continued to release new singles and albums featuring previously unreleased material until as late as 1964. Cash was in the unusual position of having new releases out on two labels concurrently. Sun's 1960 release, a cover of "
Oh Lonesome Me", made it to number 13 on the C&W charts. '' magazine, September 7, 1957 Early in his career, Cash was given the teasing nickname "the Undertaker" by fellow artists because of his habit of wearing black clothes. He said he chose them because they were easier to keep looking clean on long tours. In the early 1960s, Cash toured with the Carter Family, which by this time regularly included
Mother Maybelle's daughters,
Anita, June, and
Helen. June later recalled admiring him from afar during these tours. In the 1960s, he appeared on
Pete Seeger's short-lived television series
Rainbow Quest. Cash's career was handled by
Saul Holiff, a
London, Ontario, promoter. Their relationship was the subject of Holiff's son's biopic
My Father and the Man in Black (2012).
Outlaw image As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to
amphetamines and
barbiturates. For a brief time, he shared an apartment in Nashville with
Waylon Jennings, who was deeply addicted to amphetamines. Cash would use the stimulants to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening
drug addiction. Although he was in many ways spiraling out of control, Cash could still deliver hits due to his frenetic creativity. His rendition of "
Ring of Fire" was a
crossover hit, reaching number one on the country charts and entering the top 20 on the pop charts. It was originally performed by
June Carter's sister, but the signature
mariachi-style horn arrangement was provided by Cash. He said that it had come to him in a dream. His first wife
Vivian (Liberto) Cash claimed a different version of the origins of "Ring of Fire". In her book,
I Walked the Line: My Life with Johnny (2007), Liberto says that Cash gave Carter half the songwriting credit for monetary reasons. In June 1965, Cash's camper caught fire during a fishing trip with his nephew Damon Fielder in
Los Padres National Forest in California. It set off a forest fire that burned several hundred acres and nearly caused his death. Cash claimed that the fire was caused by sparks from a defective exhaust system on his camper, but Fielder thought that Cash started a fire to stay warm and, under the influence of drugs, failed to notice the fire getting out of control. When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it." The fire destroyed , burned the foliage off three mountains and drove off 49 of the refuge's 53 endangered
California condors. Cash was unrepentant and said, "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172. Cash eventually
settled the case and paid $82,001. with Cash in 1963 Although Cash cultivated a romantic
outlaw image, he never served a prison sentence. Despite landing in jail seven times for
misdemeanors, he was held only one night each time. On May 11, 1965, he was arrested in
Starkville, Mississippi, for
trespassing late at night onto private property to pick flowers. (He used this incident as the basis for the song "Starkville City Jail". He discussed this on his live
At San Quentin album.) While on tour later that year, he was arrested October 4 in
El Paso, Texas, by a
narcotics squad. The officers suspected he was
smuggling heroin from Mexico, but found instead 688
Dexedrine capsules (amphetamines) and 475
Equanil (sedatives or tranquilizers) tablets hidden inside his guitar case. Because the pills were prescription drugs rather than illegal narcotics, Cash received a
suspended sentence. He posted a $1,500 bond and was released until his arraignment. In this period of the mid-1960s, Cash released a number of
concept albums. His
Bitter Tears (1964) was devoted to spoken word and songs addressing the plight of
Native Americans and mistreatment by the government. While initially reaching charts, this album met with resistance from some fans and radio stations, which rejected its controversial take on social issues. In 2011, a book was published about it, leading to a re-recording of the songs by contemporary artists and the making of a documentary film about Cash's efforts with the album. This film was aired on PBS in February and November 2016. His
Sings the Ballads of the True West (1965) was an experimental double record, mixing authentic frontier songs with Cash's spoken narration. Reaching a low with his severe drug addiction and destructive behavior, Cash and his first wife divorced after having separated in 1962. Some venues cancelled his performances, but he continued to find success. In 1967, Cash's duet with June Carter, "
Jackson", won a
Grammy Award. Cash was last arrested in 1967 in
Walker County, Georgia, after police found he was carrying a bag of prescription pills when in a car accident. Cash attempted to bribe a local deputy, who turned the money down. He was jailed for the night in
LaFayette, Georgia. Sheriff Ralph Jones released him after giving him a long talk, warning him about the danger of his behavior and wasted potential. Cash credited that experience with helping him turn around and save his life. He later returned to LaFayette to play a benefit concert; it attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school. Reflecting on his past in a 1997 interview, Cash noted: "I was taking the pills for awhile, and then the pills started taking me." June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him get off drugs. Cash proposed onstage to June on February 22, 1968, at a concert at the
London Gardens in London, Ontario, Canada. The couple married a week later (on March 1) in
Franklin, Kentucky. She had agreed to marry Cash after he had "cleaned up." Cash's journey included rediscovery of his Christian faith. He took an "
altar call" in Evangel Temple, a small church in the Nashville area, pastored by Reverend Jimmie Rodgers Snow, son of country music legend
Hank Snow. According to
Marshall Grant, though, Cash did not completely stop using amphetamines in 1968; and did not fully end drug use for another two years. He was drug-free for a period of seven years. In his memoir about time with Cash, Grant said that the birth of Cash's son,
John Carter Cash, inspired the singer to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was deeply addicted again. He entered rehab at the
Betty Ford Clinic in
Rancho Mirage for treatment. He stayed off drugs for several years, but relapsed. In 1989, he entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he started care at the Loma Linda Behavioral Medicine Center in
Loma Linda, California, for his final rehabilitation treatment. (Several months later, his son followed him into this facility for treatment.)
Folsom and other prison concerts In the late 1950s Cash began performing concerts at prisons. He played his first notable prison concert on January 1, 1958, at
San Quentin State Prison in California. These performances were recorded live, and released on highly successful albums:
Johnny Cash at Folsom Prison (1968) and
Johnny Cash at San Quentin (1969). Both live albums reached number one on
Billboard country album music and the latter crossed over to reach the top of the
Billboard pop album chart. In 1969, Cash became an international hit when he eclipsed even the
Beatles by selling 6.5 million albums. In comparison, the prison concerts were much more successful than his later live albums such as
Strawberry Cake recorded in London and
Live at Madison Square Garden, which peaked at numbers 33 and 39 on the album charts, respectively. The
Folsom Prison record was introduced by a rendition of his "Folsom Prison Blues", while the
San Quentin record included the crossover hit single "
A Boy Named Sue", a
Shel Silverstein novelty song that reached number one on the country charts and number two on the U.S.
top-10 pop charts. In 1972 Cash performed at the
Österåker Prison in Sweden. The live album
På Österåker (
At Österåker) was released in 1973. "San Quentin" was recorded with Cash replacing "San Quentin" with "Österåker". In 1976, a concert at
Tennessee State Prison was videotaped for TV broadcast. It was posthumously released after Cash's death as a CD entitled
A Concert Behind Prison Walls. Cash placed great value upon patriotism and national service. Given his own service, Cash also supported his nephew, Captain Roy "Outlaw" Cash Jr., USN. On St. Patrick's Day, March 17, 1975, Cash diverted between scheduled performances to play a special concert along with The Tennessee Three for a military audience at the
Naval War College in Rhode Island. June Carter Cash and Carl Lee Perkins joined Cash and the Tennessee Three for the show. Before taking the stage, Cash warmed up with June and Perkins under the historic rotunda in Mahan Hall at the Naval War College. The recording of this "lost concert" of Cash show was donated by Captain Roy Cash Jr., who later collaborated with Naval War College historian, David Kohnen, to write the account of the performance, which had previously remained undocumented in the official chronology of performances by Cash.
Activism for Native Americans Cash used his stardom and economic status to bring awareness to the issues surrounding the Native American people. Cash sang songs about indigenous humanity in an effort to confront the U.S. government. Many non-Native Americans did not address those topics in their music. In 1965, Cash and June Carter appeared on
Pete Seeger's TV show,
Rainbow Quest, on which Cash explained his start as an activist for Native Americans: Columbia Music, the label for which Cash was recording then, was opposed to putting the song on his next album, considering it "too radical for the public". Cash singing songs of Indian tragedy and settler violence went radically against the mainstream of country music in the 1950s, which was dominated by the image of the righteous cowboy who makes the native's soil his own. In 1964, coming off the chart success of his previous album
I Walk the Line, he recorded the aforementioned album
Bitter Tears: Ballads of the American Indian. The album featured stories of a multitude of Indigenous peoples, emphasizing their violent oppression by white settlers: the
Pima people ("The Ballad of
Ira Hayes"),
Navajo ("Navajo"),
Apache ("Apache Tears"),
Lakota ("Big Foot"),
Seneca ("As Long as the Grass Shall Grow"), and
Cherokee ("The Talking Leaves"). Cash wrote three of the songs himself and one with the help of
Johnny Horton. The majority of these protest songs were written by folk artist
Peter La Farge (son of
Oliver La Farge, an activist and Pulitzer prizewinner). Cash met the younger La Farge in New York in the 1960s and admired him for his activism. The album's single, "
The Ballad of Ira Hayes" was generally not played by commercial radio. (
Ira Hayes was a Native American who was one of the six soldiers featured in a photo raising the U.S. flag at
Iwo Jima during World War II.) The record label denied it promotion due to what it considered a provocative and "unappealing" nature. Cash faced resistance and was urged by an editor of a country music magazine to leave the
Country Music Association, who said: "You and your crowd are just too intelligent to associate with plain country folks, country artists, and country DJs." In reaction, on August 22, 1964, Cash posted a letter as an advertisement in
Billboard, calling the record industry cowardly: "D.J.s – station managers – owners[...] where are your guts? I had to fight back when I realized that so many stations are afraid of Ira Hayes. Just one question: WHY??? Ira Hayes is strong medicine[...] So is Rochester, Harlem, Birmingham and Vietnam." Cash kept promoting the song and persuaded disc jockeys he knew to play it. The song eventually reached number three on the country charts, and the album rose to number two on the album charts. In 1966, in recognition of his activism, Cash was adopted by the
Seneca Nation's Turtle Clan. He performed benefits in 1968 at the Rosebud Reservation, close to the historical landmark of the massacre at
Wounded Knee, to raise money to help build a school. He also played at the
D-Q University in the 1980s. In 1970, Cash recorded a reading of John G. Burnett's 1890, 80th-birthday essay on
Cherokee removal for the Historical Landmarks Association (Nashville).
The Johnny Cash Show From June 1969 to March 1971, Cash starred in his own television show,
The Johnny Cash Show, on the
ABC network. Produced by
Screen Gems, the show was performed at the
Ryman Auditorium in Nashville.
The Statler Brothers opened for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. Cash also enjoyed booking mainstream performers as guests; including
Linda Ronstadt in her first TV appearance,
Neil Young,
Louis Armstrong,
Neil Diamond,
Kenny Rogers and the First Edition (who appeared four times),
James Taylor,
Ray Charles,
Roger Miller,
Roy Orbison,
Derek and the Dominos,
Joni Mitchell, and
Bob Dylan. These live shows were produced with help from ABC and local concert producer Bennie Sanchez; during these sets, Johnny Cash and
Al Hurricane performed together. Also during
The Johnny Cash Show era, he contributed the title song and other songs to the film
Little Fauss and Big Halsy, which starred
Robert Redford,
Michael J. Pollard, and
Lauren Hutton. The title song, "The Ballad of Little Fauss and Big Halsy", written by Carl Perkins, was nominated for the
Golden Globe Awards in 1971. Cash had first met with Dylan in the mid-1960s and became neighbors in the late 1960s in
Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan, "
Girl from the North Country", on Dylan's country album
Nashville Skyline and also wrote the album's
Grammy-winning
liner notes. Another artist who received a major career boost from
The Johnny Cash Show was
Kris Kristofferson, who was beginning to make a name for himself as a singer-songwriter. During a live performance of Kristofferson's "
Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to
marijuana intact: The closing program of
The Johnny Cash Show was a gospel music special. Guests included the
Blackwood Brothers,
Mahalia Jackson,
Stuart Hamblen, and
Billy Graham.
The "Man in Black" during his meeting with President
Richard Nixon in the
Oval Office at the
White House in July 1972 , West Germany, in September 1972 By the early 1970s, Cash had established his public image as the "Man in Black". He regularly performed in entirely black suits with a long, black, knee-length coat. This outfit stood in contrast to the
rhinestone suits and
cowboy boots worn by most of the major country acts of his day. Cash said he wore all black on behalf of the poor and hungry, the "prisoner who has long paid for his crime", and those who have been betrayed by age or drugs. He added, "With the
Vietnam War as painful in my mind as it was in most other Americans, I wore it 'in mourning' for the lives that could have been' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off." In the mid-1970s, Cash's popularity and number of hit songs began to decline. He made commercials for
Amoco and
STP, an unpopular enterprise at the time of the
1970s energy crisis. In 1976, he made commercials for
Lionel Trains, for which he also wrote the music. However, his first autobiography,
Man in Black, was published in 1975 and sold 1.3 million copies. A second,
Cash: The Autobiography, appeared in 1997. Cash's friendship with
Billy Graham led to his production of a film about the life of Jesus,
Gospel Road: A Story of Jesus, which Cash co-wrote and narrated. It was released in 1973. Cash viewed the film as a statement of his personal faith rather than a means of proselytizing. Cash and June Carter Cash appeared several times on the
Billy Graham Crusade TV specials, and Cash continued to include gospel and religious songs on many of his albums, though Columbia declined to release
A Believer Sings the Truth, a gospel double-LP Cash recorded in 1979 and which ended up being released on an independent label even with Cash still under contract to Columbia. On November 22, 1974, CBS ran his one-hour TV special entitled
Riding The Rails, a musical history of trains. He continued to appear on television, hosting Christmas specials on
CBS in the late 1970s and early 1980s. Later television appearances included a starring role in an episode of
Columbo, entitled "Swan Song". June and he appeared in an episode of
Little House on the Prairie, entitled "The Collection". He gave a performance as abolitionist
John Brown in the 1985
American Civil War television miniseries
North and South. In the 1990s, Johnny and June appeared in
Dr. Quinn, Medicine Woman in recurring roles. He was friendly with every US president, starting with
Richard Nixon. He was closest to
Jimmy Carter, with whom he became close friends and who was a distant cousin of his wife, June. When invited to perform at the
White House for the first time in 1970, Richard Nixon's office requested that he play "
Okie from Muskogee" (a satirical
Merle Haggard song about people who despised hippies, young drug users and Vietnam war protesters), "Welfare Cadillac" (a Guy Drake song which chastises the integrity of welfare recipients), and "A Boy Named Sue". Cash declined to play the first two and instead selected other songs, including "The Ballad of
Ira Hayes" and his own compositions, "
What Is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason. However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired. In his remarks when introducing Cash, Nixon joked that one thing he had learned about him was one did not tell him what to sing. Johnny Cash was the grand marshal of the
United States Bicentennial parade. He wore a shirt from
Nudie Cohn which sold for $25,000 in auction in 2010. After the parade he gave a concert at the
Washington Monument.
Highwaymen and departure from Columbia Records members
Kris Kristofferson, Johnny Cash,
Waylon Jennings,
Willie Nelson In 1980, Cash became the
Country Music Hall of Fame's youngest living inductee at age 48, but during the 1980s, his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid-1980s, he recorded and toured with
Waylon Jennings,
Willie Nelson, and
Kris Kristofferson as
the Highwaymen, making three hit albums, which were released beginning with the originally titled
Highwayman in 1985, followed by
Highwaymen 2 in 1990, and concluding with
Highwaymen – The Road Goes On Forever in 1995. During that period, Cash appeared in a number of television films. In 1981, he starred in
The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult
illiteracy. In 1983, he appeared as a heroic sheriff in
Murder in Coweta County, based on a real-life
Georgia murder case, which co-starred
Andy Griffith as his nemesis. Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an incident in which he was kicked and wounded by an
ostrich on his farm. At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent
double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "
near-death experience". In 1984, Cash released a self-parody recording titled "
The Chicken in Black" about Cash's brain being transplanted into a chicken and Cash receiving a bank robber's brain in return. Biographer Robert Hilburn, in his 2013 book
Johnny Cash: The Life, disputes the claim made that Cash chose to record an intentionally poor song in protest of Columbia's treatment of him. On the contrary, Hilburn writes, it was Columbia that presented Cash with the song, which Cash – who had previously scored major chart hits with comedic material such as "A Boy Named Sue" and "One Piece at a Time" – accepted enthusiastically, performing the song live on stage and filming a comedic music video in which he dresses up in a superhero-like bank-robber costume. According to Hilburn, Cash's enthusiasm for the song waned after Waylon Jennings told Cash he looked "like a buffoon" in the music video (which was showcased during Cash's 1984 Christmas TV special), and Cash subsequently demanded that Columbia withdraw the music video from broadcast and recall the single from stores—interrupting its bona fide chart success—and termed the venture "a fiasco". Between 1981 and 1984, he recorded several sessions with famed
countrypolitan producer
Billy Sherrill (who also produced "The Chicken in Black"), which were shelved; they were released by Columbia's sister label,
Legacy Recordings, in 2014 as
Out Among the Stars. Around this time, Cash also recorded
an album of gospel recordings that ended up being released by another label around the time of his departure from Columbia (this due to Columbia closing down its Priority Records division that was to have released the recordings). After more unsuccessful recordings were released between 1984 and 1985, Cash left Columbia. In 1986, Cash returned to Sun Studios in Memphis to team up with
Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album ''
Class of '55; according to Hilburn, Columbia still had Cash under contract at the time, so special arrangements had to be made to allow him to participate. Also in 1986, Cash published his only novel, Man in White
, a book about Saul and his conversion to become the Apostle Paul. He recorded Johnny Cash Reads The Complete
New Testament'' in 1990.
American Recordings lieutenant during a military event, After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with
Mercury Records from 1987 to 1991. During this time, he recorded an album of new versions of some of his best-known Sun and Columbia hits, as well as
Water from the Wells of Home, a duets album that paired him with, among others, his children
Rosanne Cash and
John Carter Cash, as well as
Paul McCartney. A
one-off Christmas album recorded for
Delta Records followed his Mercury contract. Though Cash would never have another chart hit from 1991 until his death, his career was rejuvenated in the 1990s, leading to popularity with an audience which was not traditionally considered interested in country music. In 1988, British post-punk musicians
Marc Riley (formerly of
the Fall) and
Jon Langford (
the Mekons) put together '
Til Things Are Brighter, a
tribute album featuring mostly British-based indie-rock acts' interpretations of Cash's songs. Cash was enthusiastic about the project, telling Langford that it was a "morale booster"; Rosanne Cash later said "he felt a real connection with those musicians and very validated ... It was very good for him: he was in his element. He absolutely understood what they were tapping into, and loved it". The album attracted press attention on both sides of the Atlantic. In 1991, he sang a version of "Man in Black" for the
Christian punk band
One Bad Pig's album
I Scream Sunday. In 1993, he sang "
The Wanderer", the closing track of
U2's album
Zooropa. According to
Rolling Stone writer Adam Gold, "The Wanderer", written for Cash by
Bono, "defies both the U2 and Cash canons, combining rhythmic and textural elements of Nineties synth-pop with a Countrypolitan lament fit for the closing credits of a Seventies western." No longer sought after by major labels, he was offered a contract with producer
Rick Rubin's
American Recordings label, which had recently been rebranded from Def American, under which name it was better known for rap and
hard rock. Under Rubin's supervision, he recorded
American Recordings (1994) in his living room, accompanied only by his
Martin Dreadnought guitar – one of many Cash played throughout his career. The album featured covers of contemporary artists selected by Rubin. The album had a great deal of critical and commercial success, winning a Grammy for
Best Contemporary Folk Album. Cash wrote that his reception at the 1994
Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. He teamed up with
Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album
Red Hot + Country produced by the
Red Hot Organization. On the same album, he performed Bob Dylan's "
Forever Young". Cash and his wife appeared on a number of episodes of the television series
Dr. Quinn, Medicine Woman. He also lent his voice for a
cameo role in
The Simpsons episode "
El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)", as the "Space Coyote" that guides
Homer Simpson on a spiritual quest. In the 2015
toys-to-life video game
Lego Dimensions, Cash posthumously reprised his role as the "Space Coyote" in the exclusive level for Homer, "The Mysterious Voyage of Homer" (a remake of the episode) via archival audio recordings from the original episode. Cash was joined by guitarist
Kim Thayil of
Soundgarden, bassist
Krist Novoselic of
Nirvana, and drummer
Sean Kinney of
Alice in Chains for a cover of
Willie Nelson's "
Time of the Preacher", featured on the tribute album
Twisted Willie, released in January 1996. In 1996, Cash collaborated with
Tom Petty and the Heartbreakers on
Unchained (also known as
American Recordings II), which won the
Best Country Album Grammy in 1998. The album was produced by Rick Rubin with
Sylvia Massy engineering and mixing. A majority of
Unchained was recorded at
Sound City Studios and featured guest appearances by
Lindsey Buckingham,
Mick Fleetwood, and
Marty Stuart. Believing he did not explain enough of himself in his 1975 autobiography
Man in Black, he wrote
Cash: The Autobiography in 1997. ==Later years==