The Kelantan Rebellion had been portrayed in a wide array because many scholars have disagreed as to what really caused the outbreak of the uprising. The rebellion had been seen and interpreted as; • A
Jihad (Holy War) against Britain following the outbreak of
World War One the previous year. In this war, Britain was part of the
Triple Entente (An alliance consisting of Britain,
France and
Russia) who were fighting against the Triple Alliance (Consisting of
Germany,
Austria-Hungary and the Ottoman Empire). The
Ottoman Empire was an Islamic nation and had called upon all Muslims to support its efforts against the British, French and Russians. This interpretation is the official one in Malaysia, with school textbooks publishing this assessment of the reason for the Kelantan uprising. • A peasant rebellion triggered by discontent against the new property tax rates, and the harsh methods used by the District Officer to collect these taxes • As a protest / rebellion against the Sultan for accepting British administration and an attempt to oust him from power. • As a political manoeuvre by the Sultan to strengthen his position and oust those against him.
The Rebellion as a Jihad (Holy War) In this interpretation of the rebellion, much of the works done centred on Tok Janggut's biography and life experiences, and how it shaped his worldview to rebel against the British as part of a
Jihad. Although there have been scant historical evidence which detailed Tok Janggut's early life, the romanticised image of Tok Janggut as an Islamic warrior still remained strong in the Malaysian psyche. Much of the interpretation stems from folk tales which depict him as a
freedom fighter who would resist even the Sultan for fighting for what he believed was a just cause and that he was considered to be "a man of some learning and consequent repute in an unlettered community". His years of sojourn in
Mecca implies that he was a religious man; that point was used by later generations of historians to portray him as an Islamic militant who waged
jihad, despite there being no historical evidence to show that his rebellion was done in the name of Islam. Nevertheless, the political context in which the rebellion took place did offer a point of argument why some historians portrayed the rebellion as an Islamic struggle. In 1915, Britain was involved in the First World War and reduced its focus on its overseas possessions. Scholars have also pointed out that the British were also facing problems from within its own ranks, where Muslim soldiers from the
British Indian Army were unhappy at rumours that they would be deployed to the Middle East to fight their
Muslim brethren in the
Ottoman army. This discontent did lead to the
Singapore Mutiny (also known as the Sepoy Mutiny) which lasted from January until March 1915, before the British were able to restore order and had the mutineers executed. Nevertheless, this mutiny was a signal to rebel leaders in Kelantan that the tide of the war was turning against the British, and that they would not be able to deploy reinforcements in time to quell their uprising. Despite the lack of evidence that the rebellion was carried out as a Jihad, many generations of historians have tried fitting him into this image as a righteous Islamic warrior. For example, in Yahya Abdullah's 1955 book,
Peperangan Tok Janggut, atau Balasan Derhaka Tok Janggut was portrayed as a handsome, well-groomed man, with a white pointed beard and turban on his head. Similarly, in Rubaidin Siwar's
Pemberontakan Pantai Timor (1980), Tok Janggut was again portrayed with a turban, a long beard and a newly added long robe which makes him appear to look like an Islamic radical, consistent with the context of the time whereby there was a rise in international radical Islamic movements. The sustainability of this romanticised portrayal of
Tok Janggut had much to do with much of the information and pictures not being made publicly known, which places an aura of mystery and intrigue over the entire rebellion. However, by allowing the romance of Tok Janggut to remain, it keeps emphasising ideals and fantasies at the expense of reality. One such popular belief was that Tok Janggut was invincible and skilled at
Silat (Malay martial arts). As anthropologist James Boon analysed the term "romance", he points out that; "Romance portrays vulnerable, disguised protagonists, partial social misfits who sense surpassing ideals and must prove the ultimate feasibility of actualising those ideals often against magical odds.....Romance properly concerns champions rather than heroes.....they are surrounded by signs and tokens of semi-miraculous birth, prone to mythical insights, and are acquainted with the natural and rustic orders more intimately than their privileged aristocratic counterparts." Despite the lack of evidence suggesting a political Islamic awakening behind the rebellion, some scholars have engaged in inserting present-day concerns into historical interpretations, thus portraying a romanticised image of Tok Janggut which would cause "prejudices and preconceptions to slip in unnoticed and skew our reading of the evidence". == Unhappiness stemming from the new land tax ==