In
The Monthly Film Bulletin Paul Taylor wrote: "
Kings and Desperate Men trails tantalising hints that its thriller framework might once have possessed a pointed (Anglo-lrish?) political dimension before either production exigencies or the excesses of the 'personal' film-making ethos exerted a neutralising influence. But Alexis Kanner's feature film début now seems as out of place – set in an anonymous Canadian city – as it appears curiously out of time: shot in December 1977, screened at the Montreal Festival in 1981, and having matured none too well during its subsequent shelf-life. Modishly disjunctive editing and a multi-layered soundtrack aside, most of Kanner's ample energies (his multiple credits here include several under the pseudonym of Henry Lucas) have all too clearly been expended on setting the stage for an epic of relentless verbal sparring. ... the key performances of Kanner and Patrick McGoohan are sliced thick enough to take in several self-amused layers of an involved private joke."
Variety wrote: "
Kings And Desperate Men is a confusing thriller with a hostage setting which has received considerable attention thanks to the participation of Margaret Trudeau. The film, shot in December, 1977, was hardly worth the near four-year wait. The long gestation period between conception and release does not reflect in the movie's craftsmanship. The pace, narrative and jerky editing style compound the facile, ill-conceived multi-layered plot. ... Kanner directed and co-wrote the screenplay in addition to taking a leading role. His personal supervision throughout has resulted in a production interesting for curiosity sake solely. The entire production is wildly out of control with little hope of commercial success beyond exploitation dates." In
The Radio Times Guide to Films David Parkinson gave the film 1/5 stars, writing: "The presence of Margaret Trudeau is the only noteworthy aspect of this sloppy kidnap drama. But the former Canadian prime minister's ex-wife takes a back seat as her husband (Patrick McGoohan) is held hostage on his talk radio show by a gang of rookie terrorists. Fleetingly, at the start of the siege, this threatens to become gripping. Then McGoohan begins chomping on the scenery, and the dual ineptitude of Alexis Kanner's acting and direction becomes clear." In
The Hollywood Reporter Arthur Knight wrote: "Style is the essence of
Kings and Desperate Men ... Kanner's script is rich in ironies and sophisticated verbal parries, all of which the urbane McGoohan plays to the hilt. But if the verbal bouts are often dizzying, Kanner's camera moves and editing are even more so – almost perverse in their laconic, elliptic avoidance of the obvious. ... [the fiilm] has a lot more going for it than most thrillers. It's fascinating to watch, and every bit as compelling to listen to. – " == Home media ==