Moréas published poetry in his publications
Lutèce and
Le Chat noir, and collected his poems into two editions,
Les Syrtes ("The Sandbanks") and
Cantilènes, which were strongly influenced by
Paul Verlaine. He was initially a practitioner of the style of
Symbolism, and wrote the
Symbolist Manifesto (1886), which he published in the newspaper
Le Figaro, partly to redeem the reputation of the new generation of young writers from the charge of "
decadence" that the press had implied. He was considered one of the most important Symbolist poets until the early 1890s. In 1891, as Symbolism became more openly associated with
anarchism and as the
French culture of the
Belle Époque became increasingly dominated by
revanchism and
anti-German sentiment, Moréas published
Le Pèlerin passionné which rejected
Northern European and
Germanic influences, such as
Romanticism (as well as some aspects of Symbolism), in favor of solely
Classical,
Ancient Roman and
Ancient Greek, influences. This work helped initiate the
École Romane, the aesthetic of which provided
Charles Maurras with the ideology necessary for the
far-right philosophy
Action Française. Moréas also wrote
Les Demoiselles Goubert, a
novel, in association with
Paul Adam. His most important publications were: •
Les Syrtes (1884) •
Les Cantilènes (1886) •
Le Pèlerin passionné (1891) •
Stances (1893) •
Contes de la vielle France (1904) ==References==