and
Dolores Costello in
Little Lord Fauntleroy (1936) '' (1940) ,
Aldrington,
Brighton and Hove. "With malice towards none: with charity for all." Smith began acting on the
London stage in 1895. His first major role was in
The Prisoner of Zenda the following year, playing the dual lead roles of king and look-alike. Forty-one years later, he appeared in the
most acclaimed film version of the novel, this time as the wise old adviser to
Ronald Colman. When
Raymond Massey asked him to help him understand the role of Black Michael, he answered "My dear Ray, in my time I have played every part in
The Prisoner of Zenda except Princess Flavia. And I always had trouble with Black Michael!" He made his Broadway debut as early as 1895 in
The Notorious Mrs. Ebbsmith. In 1907 he appeared with
Marie Doro in
The Morals of Marcus, a play Doro later made into a silent film. Smith later appeared in a revival of
George Bernard Shaw's
Pygmalion in the starring role of
Henry Higgins. Smith appeared in early films for the nascent British film industry, starring in
The Bump in 1920 (written by
A. A. Milne for the company Minerva Films, which was founded in 1920 by the actor
Leslie Howard and his friend and story editor
Adrian Brunel). Smith later went to
Hollywood where he had a successful career as a character actor playing either officer or gentleman roles. One role in 1937 was as Colonel Williams in
Wee Willie Winkie, starring
Shirley Temple,
Victor McLaglen,
Cesar Romero and
June Lang. He was regarded as being the unofficial leader of the British film industry colony in Hollywood, which
Sheridan Morley characterised as the Hollywood Raj, a select group of British actors who were seen to be colonising the capital of the film business in the 1930s. Other film stars considered to be "members" of this select group were
David Niven (whom Smith treated like a son),
Ronald Colman,
Rex Harrison,
Robert Coote,
Basil Rathbone,
Nigel Bruce (whose daughter's wedding he had attended as best man),
Leslie Howard (whom Smith had known since working with him on early films in London), and
Patric Knowles. Smith expected his fellow countrymen to report for regular duty at his
Hollywood Cricket Club. Anyone who refused was known to "incur his displeasure". Fiercely patriotic, Smith became openly critical of the British actors of enlistment age who did not return to fight after the outbreak of
World War II in 1939. Smith loved playing on his status as Hollywood's "Englishman in Residence". His bushy eyebrows, beady eyes, handlebar moustache, and height of 6'2" made him one of the most recognisable faces in Hollywood. Smith starred alongside leading ladies such as
Greta Garbo,
Elizabeth Taylor, and
Vivien Leigh as well as the actors
Clark Gable,
Laurence Olivier,
Ronald Colman,
Maurice Chevalier, and
Gary Cooper. His films include
The Prisoner of Zenda (1937),
The Four Feathers (1939), Hitchcock's
Rebecca (1940),
Dr. Jekyll and Mr. Hyde (1941),
And Then There Were None (1945) in which he played General Mandrake, and the 1949 remake of
Little Women starring
Elizabeth Taylor and
Janet Leigh, in which he portrayed the aged grandfather of Laurie Lawrence (played by a young
Peter Lawford), who generously gives a piano to the frail Beth March (played by
Margaret O'Brien). He also appeared as the father of
Maureen O'Sullivan in
Tarzan the Ape Man, the first Tarzan film with
Johnny Weissmüller. Smith also played a leading role as the Earl of Dorincourt in
David O. Selznick's adaption
Little Lord Fauntleroy (1936). He appeared in
Dennis Wheatley's 1934 thriller
Such Power Is Dangerous, about an attempt to take over Hollywood, under the fictitious name of Warren Hastings Rook (rather than Charles Aubrey Smith). Author
Evelyn Waugh leaned heavily on Smith in drawing the character of Sir Ambrose Abercrombie for Waugh's 1948 satire of Hollywood
The Loved One.
Commander McBragg in the TV cartoon
Tennessee Tuxedo and His Tales is a parody of him. ==Death==