In 1984 Carroll moved to
New York City from
Los Angeles with his own family. In 1988 he had his first solo exhibition of his paintings at Stux Gallery in New York City. In 1989 he was invited by
Harald Szeemann as one of nine young American artists to participate in Szeeman's international exhibition Einleuchten at the
Deichtorhallen in Hamburg, Germany, alongside international artists such as
Joseph Beuys,
Bruce Nauman,
Robert Ryman and others. In 1992 he was invited by Jan Hoet to participate in
documenta IX in
Kassel, Germany. In the early stage of his career Carroll was often invited to participate with the curatorial team of Collins & Milazzo (
Tricia Collins and
Richard Milazzo) in New York City. In 1994 he participated once again with Udo Kittelmann in his exhibition "The state of things" in the Kolnischer Kunstverein in Koln, Germany. Later in 1995 Carroll exhibited in the Guggenheim Museum's exhibition "Material Imagination" in New York City. In 2000 he participated in "Panza, legacy of a collector" at MOCA in Los Angeles. In 2005 he participated in 50 years of documenta, in Kassel, Germany. In 2007 and 2008 he had solo museum exhibitions at Hotel des Arts in Toulon, France, and at the
Museo Correr in
Venice, Italy. In 2014/15 the
Bologna Museum of Modern Art (MAMbo) hosted a large survey exhibition with works from the mid-1980s to the present. Carroll exhibited widely in Europe and the United States, and is represented in the permanent collections of a number of museums and public galleries, including the
Solomon R. Guggenheim Museum in
New York City, the
Los Angeles County Museum of Art, Los Angeles,
Museum of Contemporary Art, Los Angeles (MOCA), The Margulies Collection, Miami, Museum of Contemporary Art San Diego,
Jumex Collection Mexico City,
MART Rovereto Italy, Panza Collection Varese, Italy, Panza Collection Sassuolo in Modena, Italy, Art Gallery of New south Wales, Sydney Australia. Stadtisches Museum Abteiberg Mönchengladbach Germany,
Museo Cantonale d'Arte,
Lugano and many other private and public collections worldwide.
Slayer Although tangential to his practice as a painter, Carroll's designs for Slayer's album covers
Reign in Blood (1986),
South of Heaven (1988),
Seasons in the Abyss (1990) and
Christ Illusion (2006) were notable.
Reign in Blood was placed in the "top 10 heavy metal album covers of all time" by
Blender.
Christ Illusion was banned in India for its graphic art depicting
Christ mutilated with missing limbs, in a sea of blood with severed heads.
Table paintings In the late 1990s Carroll started to explore paintings that would move away from the orthodoxy of the frame, preferring instead to make works whose form and architecture would push towards the sculptural though Carroll always regarded himself as a painter, albeit one where the works depth and dimension allowed him to insert cavities and hidden spaces into the face and sides of the painting expanding the body and narrative possibilities for the work. In 2002 Carroll created an installation in
Munich, Germany for a project called "getting lost" Raum der Stille, in the
Karmelitenkirche, Promenadeplatz where he included one of his first works for which he would later coin the name "table paintings". The table paintings commenced with the table (structure) which was never predetermined and was made intuitively. After the table was made Carroll then began to create the structure that grew from the table using pieces of wood from the artist's studio. Carroll thought of the structure as drawing, which could continually be altered and added to or subtracted from (erasure). The form which is connected to the table by screws was often disconnected and moved around until another form appeared that interested the artist, and at this point the structure was reconnected to the table. This process went on for months. Once a form was found Carroll often then closed one or more of the forms using newspaper and glue or cardboard. All during this process the structure and the forms were painted. More often than not the work was then completely taken apart and reassembled on the table to begin again until a form (gesture) was found that could have never been predicted. Due to this lengthy process few of these table paintings ever reached completion. Image:2002 Table painting Malibu CALIFORNIA.jpg| Lawrence Carroll, table painting, Malibu, California, 2002 Image:2008-09Table Painting VE.jpg|Lawrence Carroll, table painting, Venice, 2008–2009 Image:Table Painting VENICE.jpg|Lawrence Carroll, table painting, Venice
White Oval Paintings Though perhaps best known for his table paintings, Carroll also worked ceaselessly with unconventional and inexpensive materials to create ‘White Oval Painting’ series (2015–2017), which consists of oval-shaped canvases painted with house paint and dust from his studio. ==References==