Les Krims has published numerous offset works. Two of these, "Fictcryptokrimsographs," and "Making Chicken Soup," were published by Humpy Press, which he founded and incorporated in the mid-1970s, and has since been dissolved. Krims has also published original print portfolios such as, "Idiosyncratic Pictures," and "Porsch Rainbows." Most recently (November 2005), a Photo Poche monograph, "Les Krims," edited by
Robert Delpire, with an introduction by Bernard Noel, was published by
Actes Sud, in
France. In
The Little People of America (1971), Krims received permission to photograph people belonging to a national organization founded by the actor
Billy Barty, called "The Little People of America." Many of the pictures were made at national conventions of the L.P.A, in
Oakland, CA, and
Atlanta, GA. Krims sought to show that the people he photographed were brave, normal people, having more in common with the Mid-West than the Upper-West-Side, unlike the way the
dwarf was portrayed in the history of art or contemporary photographs. In his portfolio
The Deerslayers (1972), Krims took pictures of
deer hunters who had voluntarily stopped at "deer check stations" so that NYS conservationists could examine the general health of the deer. Pictured posing with their kills, Krims suggested the hunters had much in common with performance art, and odd manifestations of sculpture. He also attempted to underscore the American nature and long tradition of deer hunting as one aspect of a criticism of
animal rights and
anti-Vietnam War activists. In ''The Incredible Case Of The Stack O'Wheat Murders'' (1972), Krims both parodies forensic photography, and points to it as a remarkable archive of incredible and moving images (the various, successful
CSI television series attests to his prescience). In each "Wheats" crime scene, a Stack O'Wheats (pancakes) is placed near each "victim" (he used friends and family to pose for the pictures). Each stack is topped with pats of butter and syrup, the number of pancakes in the stack signifying the number of the crime. Hershey's chocolate syrup was used to simulate blood in the photos, which was formed into words and celestial shapes. Krims originally included 8 ounces of Hershey's syrup in a heat sealed plastic bag with the original print portfolio, as well as "enough pancake mix to make one complete Stack O' Wheats". In
Making Chicken Soup (1972), Krims published pictures of his mother preparing her traditional
chicken soup recipe, while nude. These pictures were published as a small book, some say giving rise years later to the popular Chicken Soup series. The book contained a dedication, which underscored the real point of the satire: "This book is dedicated to my mother and concerned photographers, both make chicken soup." Krims felt that "socially concerned" photography was a palliative, just as chicken soup was—in the long run, an ineffective remedy for serious disease. In
Fictocryptokrimsographs, published in 1975, Krims used a
Polaroid SX-70 camera to make a series of 40, titled pictures. The SX-70 was chosen, because of the ability to literally move and work the not yet dry, viscous, film emulsion much like paint after the picture developed. Included are various odd and humorous pictures, which are often puns or parodies of fashion trends. Krims has also steadily been adding pictures to an overarching project spanning three decades called, "The Decline of the Left." In 2004, he had a two-month exhibition at
Laurence Miller Gallery in NYC titled "Fictions 1969-1974". In 2007, he had a retrospective at Galerie Baudoin Lebon in Paris and has been part of a dozen other group exhibitions of photography in the years 2000–2007 with others planned. ==References==