Receiving Tribute from a Lydian Peasant", 1629 painting by
Claude Vignon Niobe, daughter of
Tantalus and
Dione and sister of
Pelops and
Broteas, had known
Arachne, a Lydian woman, when she was still in Lydia/Maeonia in her father's lands near to
Mount Sipylus, according to
Ovid's account. These eponymous figures may have corresponded to the obscure ages associated with the semi-legendary dynasty of the
Atyads or
Tantalids, and situated around the time of the emergence of a Lydian nation from their predecessors or previous identities as
Maeonians and
Luvians. Several accounts on the dynasty of
Tylonids succeeding the Atyads or Tantalids are available and once into the last Lydian dynasty of
Mermnads, the legendary accounts surrounding
Ring of Gyges, and
Gyges's later enthronement to the Lydian throne and foundation of the new dynasty, by replacing the King
Kandaules, the last of the Taylanids, this in alliance with Kandaules's wife who then became his queen, are Lydian stories in the full sense of the term, as recounted by Herodotus, who himself may have borrowed his passages from
Xanthus of Lydia, a Lydian who had reportedly written a history of his country slightly earlier in the same century. Several expressions on Lydians were in common use in ancient Greek and in
Latin languages, and a collection and detailed treatment of these were done by
Erasmus in his
Adagia. There are also several works of visual arts depicting Lydians or using as theme subject matters of Lydian history. In music, the
Lydian mode was an Ancient Greek mode associated with the Lydians; the term is now used for a different mode. ==See also==