In literature of the
Renaissance and later, Broteas is most often called "Brotheus" and described as a son of
Vulcan who cast himself into the flames, sometimes specified as those of
Mount Aetna, because of his deformity. The immediate source for the Renaissance
trope of Brotheus and his self-immolation was
Ovid's curse poem
Ibis, an erudite rant of gruesome threats cataloguing the fates of numerous mythic and historical figures. Ovid's reference is minimal: "May you consign your body parts, set on fire, to the pyre to be cremated, as they say Broteas did out of a desire for death." The Italian
humanist and literary agitator
Domizio Calderini, also known in
Latin as Domitius Calderinus, appended the
Ibis to his annotated edition of
Martial (1474). Calderini's note says that Brotheus was the son of Vulcan and
Minerva; scorned because of his ugliness, he cast himself into a burning pyre. The same year, drawing on his classical sources, Calderini published a
Defensio adversus Brotheum ("Defense against Brotheus"), an attack on his literary rivals
Angelo Sabino and
Niccolò Perotti under the pseudonyms "Fidentinus," after the plagiarist in Book 1 of Martial's epigrams, and "Brotheus." The
literary feud is mentioned in several sources, including
Gyraldus, and its notoriety helped establish the predominant version of the myth in the 15th–18th centuries. The idiosyncratic but enormously influential
Mythologiae of
Natalis Comes (1567) uses this version in a chapter on the aspects of Vulcan and his progeny: "Brotheus, who was mocked by everyone because of his ill-formed appearance, hurled himself into the fire, as if to escape
libel by death." This description is repeated closely in
The Anatomy of Melancholy (1621) by
Robert Burton, and early 19th-century versions of
Samuel Johnson's
Dictionary specify that Brotheus "threw himself into Mount Ætna." ==21st-century Brotheus==