Viewership Mad TV was particularly popular among teenage viewers, who, according to Fox executives, watched the show more than
SNL by 2001. Another review of
Mad TVs pilot in the
Hartford Courant by James Endrst stated that
Mad TV was "only occasionally terrible". A review of the pilot episode by Tom Shales in
The Roanoke Times wrote that
Mad TV was "bad TV", criticizing it as tasteless and unintelligent. For
People, Craig Tomashoff gave the pilot a C−, stating that it was "pretending to be daring and irreverent" despite being "just unimaginative". In 1996,
Mad TV was reviewed favorably by Steve Johnson of the
Chicago Tribune, who wrote that it "looked consistently fresh, with more energy, imagination and edge [than
SNL]" and "rewards the effort of tuning it in". Ginia Bellafante of
Time also wrote in 1996 that "it has steadily improved since its unpromising early episodes", but that many of its politically incorrect sketches were "so heavy-handed" that they were "virtually unwatchable".
Entertainment Weeklys Alynda Wheat was critical of the show's finale, writing that "maybe it was time for
Mad TV to go" due to "how thin its material has grown". The
Detroit Free Presss Julie Hinds wrote that the show "wasn't the most consistent vehicle", and that it "sometimes went too far with a joke but could still crack you up regularly". In a retrospective review of the show, Carleton Atwater of
Vulture criticized it as "so lazy and unambitious" and wrote that it "appeals to the lowest common denominator".
Saturday Night Live comparisons Mad TV has frequently been compared to
Saturday Night Live.
Rolling Stone described
Mad TV as a "more cultish weekend cousin to
Saturday Night Live aimed squarely at teens", while the
Detroit Free Presss Julie Hinds called it "a boisterous second cousin" of
SNL.
Slates Aisha Harris called
Mad TV "a scrappy, less sophisticated cousin of SNL", and
IGN called
Mad TV "the young, scrappy upstart to
SNLs elder statesman brand of sketch comedy". Luke Winkie of
Vulture wrote that, despite not having the "live kinetic energy" or "the all-star glitz" of
SNL, "most children of the '90s have a special place in our hearts for
MADtv". Terry Kelleher of
People wrote, "It would be easy to dismiss [
Mad TV]... as the poor man's
Saturday Night Live. But basically
Mad TV has everything
SNL has—the virtues and the defects." Salzman stated that
Mad TVs racially diverse cast and "urban sensibility" set it apart from
SNL.
Mad TVs former video researcher Asterios Kokkinos, who was fired in 2007 after helping to shut down a
Mad TV shoot as part of the
Writers Guild of America Strike, wrote for
Paste that the show was "a cheaper copy of [
SNL]" that "nobody seemed to care about".
Controversies Some celebrities and organizations have spoken out against parodies of themselves on
Mad TV. Bobby Brown said in 2022 that the show's parodies of him and Whitney Houston "really offended" him, while
Rosie O'Donnell shared on
her self-titled talk show that she was offended by the show's parody of her, in which Borstein portrayed her as a closeted lesbian. The Postal Service's then-vice president of public affairs, Azeezaly S. Jaffer, called the sketch "ugly", "untrue", and "an insult to every man and woman in the Postal Service". as an example of
yellowface. The character was protested by Aoki's organization Media Action Network for Asian Americans (MANAA). In 2019, the
Washington Posts Elahe Izadi called Ms. Swan an example of "the kind of 'problematic' stuff TV networks used to air" and edgy' comedy from the early aughts that more overtly trafficked in racial stereotypes".
Mad TV also featured two instances of
blackface: one in which Bobby Lee plays
George Foreman's fictional half-Asian son, and another wherein Michael McDonald plays a magical busboy from a foreign island.
Accolades Rotten Tomatoes,
Rolling Stone, and
Screen Rant all placed
Mad TV on their lists of the greatest sketch comedy TV series of all time, with
Rolling Stone writing that it was "beholden to no one and often about as subtle as Artie Lange laughing at a fart" and a "ceaseless roast". The Black Spy and the White Spy from
Mad TVs animated
Spy vs. Spy sketches were listed as two of the best TV spies of all time by
Entertainment Weekly in 2014. It won the Emmys for
Outstanding Hairstyling for a Series in
2001, for
Outstanding Costumes for a Variety or Music Program in
2005 and in
2006, for
Outstanding Music and Lyrics for the song "A Wonderfully Normal Day" in 2006, and for
Non-Prosthetic Makeup for a Multi-Camera Series in 2009. In 2007,
Mad TVs Emmys campaign, VoteMadTV.com, allowed Emmys voters to view clips of the series online rather than being shipped DVD screeners in an attempt to be more eco-friendly. Anjelah Johnson was nominated for an
ALMA Award for her performance on
Mad TV in 2008. ==2016 reboot==