. Martov (right) is depicted in exile knitting socks and cohabiting with the decrepit
émigré bourgeoisie. Parody on the famous
Maximov's painting. In September 1920, with his health failing, Martov was granted permission to leave Soviet Russia legally to attend the congress of the
Independent Social Democratic Party of Germany (USPD) in
Halle. At Halle, he delivered a powerful address urging the USPD not to join the
Communist International, which he denounced as a tool of the Russian state designed to impose Bolshevik methods on the European socialist movement. His efforts were unsuccessful, and the USPD split. Martov settled in Berlin, which became the new centre of the Menshevik Party in exile. In February 1921, he launched the newspaper
Socialist Courier (
Sotsialisticheskii Vestnik), which he edited until his death. The paper became the main voice of Menshevism for the next four decades. He also became a leading figure in the
International Working Union of Socialist Parties (the "Vienna" or "Two-and-a-Half International"), an alliance of centrist socialist parties that sought a middle path between the reformism of the
Second International and the authoritarianism of the Comintern. His final years were marked by a painful political break with his oldest comrade,
Pavel Axelrod. Martov argued that in the face of counter-revolution, socialists had to support the Soviet regime as the "lesser evil", whereas Axelrod insisted that the Bolshevik dictatorship was a total negation of democratic socialism that could not be compromised with. In his final writings, collected in works like
World Bolshevism (1923), Martov offered a detailed critique of the Soviet state. Historian
Leszek Kołakowski identifies Martov, alongside
Karl Kautsky and
Rosa Luxemburg, as the "third eminent critic of Bolshevik ideology and tactics in the years immediately after the Revolution". Kołakowski emphasizes Martov's conviction that the Bolshevik system was based on the principle that "socialism is true and must therefore be imposed on the masses, who, deluded by the bourgeoisie, cannot understand their own interests". For Martov, working-class rule meant the rule of the class itself, not a "bourgeois ideology" produced by a party that claimed to represent it. Martov argued that the Bolsheviks' victory was not a triumph of Marxist theory but a consequence of the war's devastation, which led to the "disintegration" of the working class and its replacement by "rural elements" who were not truly proletarian. He characterized the Bolshevik regime as a form of "anarcho-
Jacobinism", in contrast to orthodox Marxism, and argued that Lenin's
The State and Revolution was a utopian fantasy rather than a practical guide. Martov believed in the importance of "cultural continuity" and contended that the working class must develop its own political consciousness before it could successfully take power; a "dictatorship of a minority", he insisted, could only lead to a restoration of the old order. Martov also analyzed the
New Economic Policy (NEP) in Russia. He argued that it represented a retreat from the "Utopian" attempt to impose socialism by force and created a new historical situation. He concluded that Russia was undergoing a "
Bonapartist perversion of the revolution", with a Red dictatorship resting on a quasi-capitalist economic base. He feared this would lead to a counter-revolutionary restoration from within the Bolshevik apparatus itself. The only alternative, he argued, was a full democratic liquidation of the Bolshevik regime and the establishment of a constitutional republic. Martov, who had been mortally ill for years, died of tuberculosis on 4 April 1923 in a sanatorium in
Schömberg, Germany, at the age of 49. == Legacy ==