Stephen Steps Out and Paramount Largely on the basis of his father's name, in May 1923, Fairbanks Jr. was given a contract with
Paramount Pictures at age 13, at $1,000 a week for three years. He was signed by
Jesse L. Lasky, who said the junior Fairbanks "is the typical American boy at his best" and said he likely would be featured in a film about
Tom Sawyer. "I do not think it is the right thing for the boy to do", said his father. "I want to see him continue his education. He is only 13 years old." The young actor arrived in Hollywood in June 1923 and was mobbed.
Tom Sawyer was not made. Instead, Fairbanks Jr. appeared in
Stephen Steps Out (1923). The film was not a hit. Paramount and he parted ways by mutual consent and Doug went to Paris to resume his studies. A year later, he returned to the studio, hired at what Fairbanks called "starvation wages", and having him work as a camera assistant. "I was anxious to build my career as an actor slowly and painstakingly", he said in 1928. "I don't want to be a young, blond leading man with an aquiline nose and shiny white teeth." Paramount gave him supporting roles in
The Air Mail (1925) and
Wild Horse Mesa (1925).
Stella Dallas and Young Woodley Sam Goldwyn borrowed him to play the juvenile in
Stella Dallas (1925), which wound up being his first box-office success. He had supporting roles in Paramount's
The American Venus (1926), and
Padlocked (1926). At Warner Bros., Fairbanks was in
Broken Hearts of Hollywood (1926), then, at Metropolitan Pictures, he was in
Man Bait (1927). At
MGM, he was in
Edmund Goulding's
Women Love Diamonds (1927) and for
Alfred E. Green at Fox he was in
Is Zat So? (1927). He supported
Will Rogers in
A Texas Steer (1927). Also in 1927, Fairbanks made his stage debut in
Young Woodley based on a book by
John Van Druten. Fairbanks Jr received excellent reviews and the production was a success – the play did much to improve his reputation in Hollywood. A regular audience member was
Joan Crawford, with whom Fairbanks became romantically involved. He also appeared in a stage production of ''Saturday's Children
. He went back to supporting roles for The Barker (1928) at First National, his first "talkie" and A Woman of Affairs'' (1928) at MGM with
Greta Garbo and
John Gilbert. Fairbanks had another starring role at FBO with
The Jazz Age (1929) and received top billing over
Loretta Young in
Fast Life (1929) at Warner Bros. He appeared in MGM's
Our Modern Maidens (1929) opposite Crawford.
First National and Warner Bros. First National gave Fairbanks a starring role in
The Careless Age (1929), and he was reunited with Young in
The Forward Pass (1929). He was one of many names in
The Show of Shows (1929). In September 1929, he returned to the stage in a production of
The Youngest.
Victor Halperin cast Fairbanks in the lead of
Party Girl (1930), and
Ted Wilde paired him for a third time with Young in
Loose Ankles (1930), back at First National. In 1930, Fairbanks Jr. went to
Warner Bros. to test for the second lead in
Moby Dick. Although he did not win the part, head of production
Darryl F. Zanuck was impressed with Douglas's screen test, and cast him in an important role in
The Dawn Patrol directed by
Howard Hawks. Universal borrowed him to have the lead role in
Little Accident (1930) and at Warner Bros., he was in the lead in
The Sin Flood (1930). He supported
Leslie Howard in the prestigious
Outward Bound (1930) and was
Billie Dove's leading man in ''
One Night at Susie's'' (1930).
Little Caesar Fairbanks had a role supporting
Edward G. Robinson in
Little Caesar (1931), filmed in August 1930. "We knew it was going to be good when we were making it, but not that it would become a classic", he later said. Because he spoke French, he was put in ''
L'aviateur (1931). Back in Hollywood, he was in Chances (1931) and I Like Your Nerve'' (1931) with Young. In June 1931, he starred in another play,
The Man in Possession, which he also produced along with
Sid Grauman. Fairbanks said he wanted to stay away from costume adventures, which were associated with his father. He starred in two pictures for Alfred E Green,
Gentleman for a Day (1932), a melodrama with
Joan Blondell, and the comedy ''
It's Tough to Be Famous (1932). He starred in a film shot in French, L'athlète incomplet'' (1932). He starred in
Love Is a Racket (1932) for
William Wellman and
Scarlet Dawn (1932) for
William Dieterle. Fairbanks did another with Green,
Parachute Jumper (1933), which gave an early co-starring role to
Bette Davis. Fairbanks starred again with Young in
The Life of Jimmy Dolan (1933) and did
The Narrow Corner (1933) with Green. RKO borrowed Fairbanks to support
Katharine Hepburn in
Morning Glory (1933), a big success. Fairbanks was reunited with Howard in
Captured! (1933). In 1934, Warner asked all its stars to take a 50% pay cut because of the Depression. Fairbanks Jr. refused and was fired from the studio. He received a job offer from Britain and spent the next few years there, taking a residence in London's
Park Lane.
Britain and Criterion films Fairbanks went to Britain to star in
Alex Korda's
The Rise of Catherine the Great (1934) playing
Grand Duke Peter opposite
Elisabeth Bergner. "Hollywood was getting to be a grind", he said at the time. "They had me doing five and six pictures a year. Some of them looked all right on paper, but they had the habit of slipping down into programmer class. Only once in three years would I get a part that I cared about. I kept going up and down the ladder and not getting any place. There was nothing stable about my career in Hollywood." He intended to return to Hollywood to appear in
Design for Living, but became ill and was replaced by
Gary Cooper. He did ultimately return to Hollywood for
Success at Any Price (1934) at RKO, then returned to London for
Mimi (1935). The latter starred
Gertrude Lawrence, who became romantically involved with Fairbanks Jr. He announced he would make
Zorro Rides Again with his father. Fairbanks set up his own film production company, Criterion Films, where the board members included
Paul Czinner. Among Criterion's films were
Man of the Moment (1935),
The Amateur Gentleman (1936),
Accused (1936), and
Jump for Glory (1937). He announced
Lancelot, but did not make it.
Return to Hollywood and focus on action roles Fairbanks Jr. returned to Hollywood when David O. Selznick offered him the role of
Rupert of Hentzau in
The Prisoner of Zenda (1937). He had been reluctant to accept the role, but his father urged him to do it, saying it was "actor proof". The movie was a big success. In December 1937, he signed a nonexclusive contract with RKO to make two films a year for five years, at $75,000 a film. RKO used him as
Irene Dunne's leading man in
Joy of Living (1938). At Universal, he was
Danielle Darrieux's co-star in
The Rage of Paris (1938) and
Ginger Rogers's in RKO's
Having Wonderful Time (1938). Selznick used him again in
The Young in Heart (1938) with
Janet Gaynor. Fairbanks then had his biggest-ever hit with RKO's
Gunga Din (1939), alongside
Cary Grant and
Victor McLaglen. He began to work increasingly in action/adventure films:
The Sun Never Sets (1939) at Universal;
Rulers of the Sea (1939) at Paramount;
Green Hell (1940) for
James Whale at Universal, a flop; and
Safari (1940) at Paramount. He had a change of pace when he starred in and co-produced
Angels Over Broadway (1940), written and directed by
Ben Hecht at Columbia. His last film before enlisting was
The Corsican Brothers (1941), a swashbuckler made as a tribute to Fairbanks' father. Fairbanks did not have faith in the film while it was being filmed ("I thought we were cutting corners"), but it was a huge success. == World War II ==