•
APMIRA Land Rights Exhibition, Paddington Town Hall, Sydney, 1982 •
ANZART (performance in Hardened Arteries), Old Mail Exchange,
Hobart, 1983 •
Certain Versions, City Artist Gallery, London, 1986 •
Eevy, Ivy, Over, with Belinda Holland, First Draft, Sydney, 1988 •
Exploring Drawing, Ivan Dougherty Gallery, Sydney, 1989 •
Fresh Art, S.H. Irvin Gallery, Sydney 1989 •
Installed and Temporal Work, Tin Shed, Sydney, 1990 •
Disonnance: Frames of Reference, Pier 4/5, Sydney, 1991 •
Discrete Entity, Canberra School of Art Gallery,
Canberra, 1991 •
Primavera, Museum of Contemporary Art, Sydney, 1992 •
Wish Hard, 9th
Biennale of Sydney, Wollongong City Gallery, Sydney, 1992 •
Australian Perspecta, Art Gallery of New South Wales, Sydney, 1993 •
Purl, The Fifth Melbourne Sculpture Triennial, West Melbourne Primary School, Melbourne DEcor, Pepper Bistro,
Canberra, 1993 •
Monster Field, Ivan Dougherty Gallery, Sydney, 1993 •
Shirthead, Mori Annexe, Sydney, 1993 •
True Stories, Artspace, Sydney, 1994 •
The Aberrant Object: Women Dada and Surrealism,
Heide Museum of Modern Art,
Melbourne, 1994 •
Aussemblage, Auckland City Gallery,
Auckland, 1994 •
OrientATION, 4th International Istanbul Biennale,
Istanbul, 1995 •
A Night at the Show, Field, Zurich,
Switzerland, 1995 • ''De Huid van der Whitte Dame (The White Lady's Skin),'' Eindhoven, The
Netherlands, 1995 •
The Believers: Mikala Dwyer, Maria Cruz, Anne OOms, CBD Gallery, Sydney; Artspace Gallery,
Auckland, 1997 •
Object and Ideas – revisiting minimalism, Museum of Contemporary Art, Sydney, 1997 •
Body Suits, Perth Institute of Contemporary Arts,
Perth, 1998 •
The Infinite Space: Women, Minimalism and the Sculptural Objects, Ian Potter Museum of Art,
National Gallery of Victoria,
Melbourne, 1998 •
Close Quarters: Contemporary Art from Australia and New Zealand, Australian Centre for Contemporary Art,
Monash University,
Melbourne; Canberra school of Art, Govett Brewster Art Gallery,
New Plymouth, 1998 •
Beauty 2000, Institute of Modern Art,
Brisbane, 1998 •
Contempora5, Ian Potter Museum of Art,
National Gallery of Victoria Australia,
Melbourne, 1999 •
Avant-Gardism for Children, University of Queensland,
Brisbane;
Monash University Gallery,
Melbourne, 1999 •
Brainland – The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms, Art Gallery of New South Wales, Sydney, 1999 •
9 Lives,
Casula Powerhouse, Sydney, 1999 •
Nostalgia for the Future, Artspace,
Auckland, 1999 •
Monochromes, University Art Museum,
University of Queensland,
Brisbane, 2000 •
Plastika, Govett-Brewster Art Gallery,
Auckland, 2000 •
Bonheurs des Antipodes, Musee de Picardie,
Amiens, 2000 •
Verso Süd, Palazzo Doria Pamphiji, Rome, 2000 •
Artful Park, Centennial Park, Sydney, 2001 •
Unnecessary Invention, Artspace, Sydney, 2001 •
Fieldwork: Australian Art 1968–2002, Ian Potter Museum of Art,
National Gallery of Victoria,
Melbourne, 2002 •
Helen Lempriere National Sculpture Award, Werribbe Park,
Melbourne, 2002 •
Face Up: Contemporary Art from Australia, Nationalgalerie im Hamburger Bahnhoff,
Berlin, 2003 •
This was the Future... Australian Sculpture of the 1950s, 60s, 70s + Today,
Heide Museum of Modern Art,
Melbourne, 2003 •
Still Life,
Art Gallery of New South Wales, Sydney, 2003 •
The Shangri-La Collective, Artspace, Sydney, 2003 •
Pegging Out, Hazelhurst Regional Gallery & Art Centre,
Gymea, 2004 •
Three-way Abstraction: Works of the Monash University Collection, Monash University Museum of Art,
Melbourne, 2004 •
The Wallflower, Canberra Contemporary Art Space,
Canberra, 2005 •
National Sculpture Prize and Exhibition 2005,
National Gallery of Australia,
Canberra, 2005 •
Unscripted: Language in Contemporary Art, Art Gallery of New South Wales, Sydney, 2005 •
High Tide, Zacheta National Gallery, Warsaw, touring CAC, Vilnius,
Lithuania, 2006 •
Beckon, Perth Institute of Contemporary Art,
Perth, 2006 •
Out of Context, OMI Sculpture Park, New York City, 2006 •
21st Century Modern: 2006 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Nada Art Fair, Miami, 2006 •
Von Riots Zu Angels, NYRT,
Berlin, 2007 •
Truths, Auckland Art Gallery,
Auckland, 2007 •
Den Haag Sculptuur 2007 De Overkant / Down Under, The Netherlands, 2007 •
Bal Tashchit: Thou Shalt Not Destroy, Jewish Museum,
Melbourne, 2008 •
Lost and Found: An Archaeology of the Present, TarraWarra Biennal, TarraWarra Museum of Art,
Victoria, 2008 •
Common Space, Private Space, Margaret Lawrence Gallery, Victorian College of the Arts,
Melbourne, 2008 •
Come-In: Interior Design as a Contemporary Art Medium in Germany, RMIT Gallery,
Melbourne, 2008 •
Axis Bold as Love Video Salon, CAPC
Bordeaux, 2008 •
To Make a Work Of Timeless Art, Museum of Contemporary Art, Sydney, 2008 •
Zeigen. An Audio Tour through Berlin, with Karin Sander, Temporare Kunsthalle,
Berlin, 2009 •
Mirror Mirror, then and now, Institute of Modern Art,
Brisbane; University Art Gallery, Verge Gallery and Tin Sheds Gallery, Sydney; Samstag Museum of Art,
Adelaide, 2009 •
The Beauty of Distance: Songs of Survival in a Precarious Age the 17th Biennale of Sydney,
Alterbeast, Super Deluxe,
Artspace, in
The Beauty of Distance: Songs of Survival in a Precarious Age the 17th Biennale of Sydney, 2010 •
Alterbeast, Gertrude Contemporary Art Spaces,
Melbourne, 2010 •
Before and After Science, 2010 Biennial of Australian Art,
Adelaide, 2010 •
Ich Wicht, Kunstraum,
Potsdam, 2010 • ''Captain Thunderbolt's Sisters'', with Justene Williams, Cockatoo Island Artists in Residence Programme, Sydney, 2010 •
To Give Time to Time, with Natural Selection Theory, Australian Experimental Art Foundation,
Adelaide, 2010 •
Colour Baazar, Heide Museum of Modern Art,
Melbourne, 2011 •
NETWORKS (cells & silos), Monash University Museum of Art,
Melbourne, 2011 •
Alterbeast, Penrith Regional Museum,
Penrith, Australia, 2011 •
Monanism, Museum of Old and New Art,
Hobart, 2011 •
Plus ou Moins Sorcières 2/3: Epreuves Ritulisées, Maison Populaire, Paris, 2012 •
Less is More, Heide Museum of Modern Art,
Melbourne, 2012 •
Das Ende des 20. Jahrhunderts. Es Kommt Noch Besser: Ein Dialog mit der Sammlung Marx, Hamburger Bahnhof,
Berlin, 2013 •
Light Sweet Crude, Hopkinson Mossman Gallery,
Auckland, 2013 •
Schwarz//Weiss, Hamish Morrison Gallery,
Berlin, 2013 •
Primavera 2014 (curator)
Museum of Contemporary Art, Sydney, 2014 •
The Cinemas Project: Exploring The Spectral Spaces of Cinema, Mildura Arts Centre,
Melbourne, 2014 •
From a Near Future, SCA Gallery,
Sydney College of the Arts,
University of Sydney, Sydney, 2014 •
De Rerum Natura, Studio La Citta, Verona, Italy, 2014 •
You Imagine What You Desire, curated by Juliana Engburg, 19th
Biennale of Sydney,
Cockatoo Island, Sydney, 2014 •
Future Primitive,
Heide Museum of Modern Art,
Melbourne, 2014 •
Dead Ringer, Perth Institute of Contemporary Art,
Perth, 2015 •
Antropia, curated by Marco Meneguzzo, Eduardo Secci Contemporary,
Florence, 2015 •
Hall of Half-Life, Strierischer Herbst Festival, GrazMuseum,
Graz, 2015 • ''Saint Judes's Leftovers (Your Thoughts in Lights)'', Stierischer Herbst Festival, Vordernberg, 2015 •
Believe not every spirit, but try the spirits, Monash University Museum of Art,
Melbourne, 2015 •
Hiding in Plain Sight: A selection of works from the Michael Buxton Collection,
Bendigo Art Gallery, Victoria, 2015 •
Neverwhere, curated by Vikki McInnes, Gaia Gallery,
Istanbul, 2015 •
MAGNETISM, Hazelwood,
Sligo, 2015 •
Deeply Highly Eccentric, Winchester Gallery, Winchester School of Art,
Hampshire, 2015 •
Glazed and Confused, Hazelhurst Regional Gallery, Sydney, 2015 •
Square Cloud Compound, Encounters, curated by Alexie Glass-Kantor, Art Basel Hong Kong, Hong Kong, 2015 •
Redlands Konica Minolta ArtPrize, curated by Tim Johnson, National Art School Gallery, Sydney, 2015 •
Primavera at 25: MCA Collection, Museum of Contemporary Art, Sydney, 2016 •
Quicksilver, Anne & Gordon Samstag Museum of Art, University of South Australia,
Adelaide, 2016 •
Soft Core, curated by Michael Do, Casula Powerhouse Arts Centre, Sydney, 2016 •
Erewhon, curated by Vikki McInnes, Margaret Lawrence Gallery,
Victoria College of the Arts,
Melbourne, 2016 •
Wonder, curated by Carrie Kibbler,
Hazelhurst Regional Gallery, Sydney, 2016 •
Riddle of the Burial Grounds, curated by Tessa Giblan, Extra City Kunsthal,
Antwerp, 2016 •
Fabrik, Ian Potter Museum of Art,
Melbourne, 2016 •
Dämmerschlaf, Artspace, Sydney, 2016 •
Soft Core, Lake Macquarie City Art Gallery, Booragul; Hawksbury Regional Art Gallery, Windsor, 2017 •
Occulture: The Dark Arts, City Gallery,
Wellington, 2017 •
Every Brilliant Eye: Australian Art of the 1990s,
National Gallery of Victoria,
Melbourne, 2017 •
Triple Point of Matter, Foundation Fiminco, Paris, 2017 •
Unpainting, Art Gallery of South Gallery, Sydney, 2017 •
Occulture: The Dark Arts, City Gallery,
Wellington, 2017 •
Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art, curated by Ginger Shulick,
Museum of Contemporary Art,
Tucson, 2018 •
The shape of things to come, Buxton Contemporary, Melbourne Soft Core,
Shepparton Art Museum,
Shepparton, 2018 •
Second Sight: Witchcraft, Ritual, Power, The University of Queensland Art Museum,
Brisbane, 2019 •
Bauhaus Now, curated by Ann Stephen, Buxton Contemporary,
Melbourne, 2019 ==References==