Richler had recurrent conflicts with members of the
Quebec nationalist movement. In articles published between the late 1970s and the mid-1990s, Richler criticized Quebec's restrictive language laws and the rise of
sovereigntism. Critics took particular exception to Richler's allegations of a long history of antisemitism in Quebec. Soon after the
first election of the
Parti Québécois (PQ) in 1976, Richler published "Oh Canada! Lament for a divided country" in the
Atlantic Monthly to considerable controversy. In it, he claimed the PQ had borrowed the
Hitler Youth song "
Tomorrow Belongs to Me" from the musical
Cabaret for their anthem "À partir d'aujourd'hui, demain nous appartient" (which translates as "From today, tomorrow belongs to us"), though he later acknowledged his error on the song, blaming himself for having "cribbed" the information from an article by
Irwin Cotler and
Ruth Wisse published in the American magazine
Commentary. Richler apologized for the mistake and called it an "embarrassing gaffe". In 1992 Richler published
Oh Canada! Oh Quebec!: Requiem for a Divided Country, which parodied Quebec's language laws. He commented approvingly on
Esther Delisle's
The Traitor and the Jew: Anti-Semitism and the Delirium of Extremist Right-Wing Nationalism in French Canada from 1929–1939 (1992), about French-Canadian anti-Semitism in the decade before the start of World War II.
Oh Canada! Oh Quebec! was criticized by the Quebec sovereigntist movement and to a lesser degree by other
anglophone Canadians. His detractors claimed that Richler had an outdated and stereotyped view of Quebec society and that he risked polarizing relations between francophone and anglophone Quebecers. Sovereigntist
Pierrette Venne, later elected as a
Bloc Québécois MP, called for the book to be banned. Daniel Latouche compared the book to
Mein Kampf.
Nadia Khouri believes that there was a discriminatory undertone in the reaction to Richler, noting that some of his critics characterized him as "not one of us" or that he was not a "real Quebecer". She found that some critics had misquoted his work; for instance, in reference to the mantra of the entwined church and state coaxing females to procreate as vastly as possible, a section in which he said that Quebec women were treated like "sows" was misinterpreted to suggest that Richler thought they were sows. Nadia Khouri acclaimed Richler for his courage and for attacking the orthodoxies of Quebec society. He has been described as "the most prominent defender of the rights of Quebec's anglophones". Some commentators were alarmed about the strong controversy over Richler's book, saying that it underlines and acknowledges the persistence of anti-Semitism among sections of the Quebec population. Richler received death threats; an anti-Semitic Francophone journalist yelled at one of Richler's sons, "[I]f your father was here, I'd make him relive the Holocaust right now!" An editorial cartoon in ''
L'actualité'' compared him to Hitler. One critic controversially claimed that Richler had been paid by Jewish groups to write his critical essay on Quebec. His defenders believed this accusation was evoking old stereotypes of Jews. When leaders of the Jewish community were asked to dissociate themselves from Richler, the journalist
Frances Kraft said that indicated that they did not consider Richler as part of the Quebec "tribe" because he was Anglo-speaking and Jewish. About the same time, Richler announced he had founded the "Impure Wool Society," to grant the
Prix Parizeau to a distinguished non-Francophone writer of Quebec. The group's name plays on the expression
Québécois pure laine, typically used to refer to Quebecker with extensive French-Canadian multi-generational ancestry (or "pure wool"). The prize (with an award of $3000) was granted twice: to
Benet Davetian in 1996 for
The Seventh Circle, and
David Manicom in 1997 for
Ice in Dark Water. In 2010, Montreal city councillor
Marvin Rotrand presented a 4,000-signature petition calling on the city to honour Richler on the 10th anniversary of his death with the renaming of a street, park or building in Richler's old Mile End neighbourhood. The council initially denied an honour to Richler, saying it would sacrifice the heritage of their neighbourhood. In response to the controversy, the City of Montreal announced it was to renovate and rename a bandstand, loosely termed a gazebo in media accounts, in his honour. For various reasons, the project stalled for several years but was completed in 2016. Richler has also been honoured with a mural and the renaming of a library. ==Representation in other media==