Emus were used as a source of food by indigenous Australians and early European settlers. Emus are inquisitive birds and have been known to approach humans if they see unexpected movement of a limb or piece of clothing. In the wild, they may follow and observe people. The early European settlers killed emus to provide food and used their fat for fuelling lamps. Emus are large, powerful birds, and their legs are among the strongest of any animal and powerful enough to tear down metal fencing.
Economic value In the areas in which it was
endemic, the emu was an important source of meat to
Aboriginal Australians. They used the fat as
bush medicine and rubbed it into their skin. It served as a valuable
lubricant, was used to oil wooden tools and
utensils such as the
coolamon, and was mixed with
ochre to make the traditional paint for ceremonial body
adornment. Their eggs were also foraged for food. An example of how the emu was cooked comes from the
Arrernte of Central Australia who called it
Kere ankerre: The birds were a food and fuel source for early European settlers, and are now farmed, in Australia and elsewhere, for their meat,
oil and leather. Commercial emu farming started in Western Australia around 1970. The commercial industry in the country is based on stock bred in captivity, and all states except Tasmania have licensing requirements to protect wild emus. Outside Australia, emus are farmed on a large scale in North America, with about 1 million birds in the US, Peru, and China, and to a lesser extent in some other countries. Emus breed well in captivity, and are kept in large open pens to avoid the leg and digestive problems that arise from inactivity. They are typically fed on grain supplemented by grazing, and are slaughtered at 15 to 18 months. The
Salem district administration in India advised farmers in 2012 not to invest in the emu business which was being heavily promoted at the time; further investigation was needed to assess the profitability of farming the birds in India. In the United States, it was reported in 2013 that many ranchers had left the emu business; it was estimated that the number of growers had dropped from over five thousand in 1998 to one or two thousand in 2013. The remaining growers increasingly rely on sales of oil for their profit, although, leather, eggs, and meat are also sold. Emus are farmed primarily for their meat, leather, feathers and oil, and 95% of the carcass can be used. The oil is obtained from the subcutaneous and retroperitoneal fat; the macerated adipose tissue is heated and the liquefied fat is filtered to get a clear oil. Nevertheless, the oil has been linked to the easing of gastrointestinal inflammation, and tests on rats have shown that it has a significant effect in treating
arthritis and joint pain, more so than olive or fish oils. It has been scientifically shown to improve the rate of wound healing, but the mechanism responsible for this effect is not understood. While there are no scientific studies showing that emu oil is effective in humans, it is marketed and promoted as a dietary supplement with a wide variety of claimed health benefits. Commercially marketed emu oil supplements are poorly standardised. Emu
leather has a distinctive patterned surface, due to a raised area around the feather
follicles in the skin; the leather is used in such items as
wallets, handbags, shoes and clothes, Mounted Emu eggs and emu-egg containers in the form of hundreds of goblets, inkstands and vases were produced in the second half of the nineteenth century, all richly embellished with images of Australian flora, fauna and indigenous people by travelling silversmiths, founders of a 'new Australian grammar of ornament'. They continued longstanding traditions that can be traced back to the European mounted ostrich eggs of the thirteenth century and Christian symbolism and notions of virginity, fertility, faith and strength. For a society of proud settlers who sought to bring culture and civilisation to their new world, the traditional ostrich-egg goblet, freed from its roots in a society dominated by court culture, was creatively made novel in the Australian colonies as forms and functions were invented to make the objects attractive to a new, broader audience. Significant designers Adolphus Blau, Julius Hogarth, Ernest Leviny, Julius Schomburgk, Johann Heinrich Steiner, Christian Quist,
Joachim Matthias Wendt, William Edwards and others had the technical training on which to build flourishing businesses in a country rich in raw materials and a clientele hungry for old-world paraphernalia. In addition to their use in farming, emus are sometimes kept as pets, though they require adequate space and food in order to live healthily. Emus were formerly subject to regulation in the United Kingdom under the
Dangerous Wild Animals Act; however, a review of the act in 2007 led to changes that allow emus (alongside a number of other animals that were also regulated under the act) to be kept without a license, as they were no longer considered to be dangerous.
Cultural references The emu has a prominent place in
Australian Aboriginal mythology, including a
creation myth of the
Yuwaalaraay and other groups in
New South Wales who say that the sun was made by throwing an emu's egg into the sky; the bird features in numerous
aetiological stories told across a number of Aboriginal groups. One story from Western Australia holds that a man once annoyed a small bird, who responded by throwing a
boomerang, severing the arms of the man and transforming him into a flightless emu. The
Kurdaitcha man of Central Australia is said to wear sandals made of emu feathers to mask his footprints. Many Aboriginal language groups throughout Australia have a tradition that the dark dust lanes in the
Milky Way represent a giant
emu in the sky. Several of the
Sydney rock engravings depict emus, and the birds are mimicked in Indigenous dances. Hunting emus, known as
kari in the
Kaurna language, features in the major
Dreaming story of the
Kaurna people of the
Adelaide region about the ancestor hero
Tjilbruke. The emu is popularly but Unofficially considered as a faunal emblem – the
national bird of Australia. It appears as a shield bearer on the
Coat of arms of Australia with the
red kangaroo, and as a part of the Arms also appears on the Australian
50-cent coin. It has featured on numerous Australian
postage stamps, including a
pre-federation New South Wales 100th Anniversary issue from 1888, which featured a 2
pence blue emu stamp, a 36-cent stamp released in 1986, and a $1.35 stamp released in 1994. The hats of the
Australian Light Horse are decorated with emu feather plumes. Trademarks of early Australian companies using the emu included Webbenderfer Bros frame mouldings (1891), Mac Robertson Chocolate and Cocoa (1893), Dyason and Son Emu Brand Cordial Sauce (1894), James Allard Pottery Wares (1906), and rope manufacturers G. Kinnear and Sons Pty. Ltd. still use it on some of their products. There are around six hundred
gazetted places in Australia with "emu" in their title, including mountains, lakes, hills, plains, creeks and waterholes. During the 19th and 20th centuries, many Australian companies and household products were named after the bird. In Western Australia,
Emu beer has been produced since the early 20th century and the
Swan Brewery continues to produce a range of beers branded as "Emu". The quarterly peer-reviewed journal of the
Royal Australasian Ornithologists Union, also known as Birds Australia, is entitled
Emu: Austral Ornithology. The comedian
Rod Hull featured a wayward
emu puppet in his act for many years and the bird returned to the small screen in the hands of
his son Toby after the puppeteer's death in 1999. In 2019, American insurance company
Liberty Mutual launched an advertising campaign that features LiMu Emu, a
CGI-rendered emu. The animal sanctuary,
Alveus Sanctuary, has an emu named Stompy. He was their first animal ambassador, after being hand raised by the
Sanctuary's founder. He is known for "giving hugs" to guests at Alveus, including
Ludwig,
Jaiden Animations,
Jack Manifold,
Hasan Piker, and
Valkryae. In 2025, Alveus rescued a former pet emu, Nolie. She was named by
Mr.Beast after helping in her rescue and helping the sanctuary through donations. Another popular Emu on social media is
Emmanuel, a resident of Knuckle Bump Farms in south Florida. Taylor Blake, the farm's owner, since 2013 has recorded video shorts explaining aspects of the farm and is often interrupted as Emmanuel the Emu
photobombs her videos, earning constant rebukes; the term "Emmanuel don't do it!" has become popular on social media. == Status and conservation ==